 |
List Alphabetically
A-C | D-I | J-R | S-Z
List Chronological
Middle Ages | 16th Century | 17th Century |
Restoration and the 18th Cenutry
Romantic Period | Victorian Age | 20th Century
Alphabetical Listing: J-R
*
indicates a selection that is not included in the online archive due to
copyright
| Author |
Title |
First Appeared |
Dropped
After |
Added
Again |
Last Appeared |
| James I,
King of England |
The
True Law of Free Monarchies |
3 |
|
|
3 |
| The Natural
Necessity of Absolute Obedience |
3 |
|
|
3 |
| Jennings,
Elizabeth |
An English Summer |
2 |
|
|
3 |
| In Memory of Anyone Unknown to Me |
3 |
|
|
3 |
| Johnson,
Lionel |
Precept of Silence |
1 |
|
|
1 |
| Mystic and Cavalier |
1 |
|
|
1 |
| The Dark Angel |
1 |
|
|
1 |
| Johnson,
Samuel |
Prayers
and Meditations |
2 |
|
|
3 |
| Easter Eve, 1761 |
2 |
|
|
3 |
| Godo Friday, 1779,
11 PM |
2 |
|
|
3 |
| Rambler No. 203: Futurity |
3 |
|
|
4 |
| Idler No. 58: Expectation of Pleasure |
3 |
|
|
4 |
| Prologue Spoken by Mr. Garrick |
1 |
|
|
7 |
| Translation of Horace, Odes, Book 4.7 |
4 |
|
|
7 |
| Lives
of the Poets |
1 |
|
|
NA |
| Milton |
1 |
|
|
NA |
| [L’Allegro, Il Penseroso] |
1 |
|
|
7 |
| Jonson,
Ben |
It Was a Beauty That I Saw |
1 |
|
|
2 |
| An Elegy |
1 |
|
|
2 |
| Gypsy Songs |
1 |
|
|
2 |
| The Vision of Delight |
1 |
|
|
2 |
| An Ode: High-Spirited Friend |
4 |
|
|
4 |
| Songs from Vision and Delight |
3 |
|
|
3 |
| On Don Surly |
5 |
|
|
7 |
| To William Camden |
1 |
|
|
6 |
| In the Person of Womankind (In Defense of their
Inconstancy) |
3 |
|
|
6 |
| Slow, Slow, Fresh Fount |
1 |
|
|
6 |
| Epitaph on Elizabeth, L. H. |
1 |
|
|
6 |
| A
Celebration of Charis in Ten Lyric Pieces |
6 |
|
|
6 |
| 5. His Discourse
with Cupid |
6 |
|
|
6 |
| 6. Claiming a
Second Kiss by Desert |
6 |
|
|
6 |
| Though I Am Young |
1 |
|
|
6 |
| Pleasure Reconciled to Virtue |
3 |
|
|
6 |
| Joyce,
James |
*Clay |
3 |
|
|
3 |
| *Counterparts |
4 |
|
|
4 |
| *A
Portrait of the Artist as a Young Man |
1 |
|
|
4 |
| *[The Interview
with the Director] |
1 |
|
|
4 |
| *[The Walk on the
Shore] |
1 |
|
|
4 |
| Keats,
John |
Endymion:
A Poetic Romance |
1 |
|
|
NA |
| Book 4: O Sorrow |
1 |
|
|
1 |
| In Drear-Nighted December |
1 |
|
|
3 |
| On the Sonnet |
1 |
|
|
3 |
| *On the Sea |
2 |
|
|
4 |
| *If by Dull Rhymes Our English Must Be Chain’d |
4 |
|
|
4 |
| Kempe,
Margery |
*The
Book of Margery Kempe |
5 |
|
|
NA |
| *[Her Pride and Attempts to Start a
Business] |
5 |
|
|
7 |
| *[Examination
before the Archbishop] |
5 |
|
|
7 |
| *[A Visit with
Julian of Norwich] |
6 |
|
|
7 |
| King,
Henry |
The Exequy |
1 |
|
|
2 |
| Kipling,
Rudyard |
Edgehill Fight |
1 |
|
|
3 |
| The Runes on Weland’s Sword |
3 |
|
|
3 |
| Harp Song of the Dane Women |
4 |
|
|
4 |
| *The Ladies |
4 |
|
|
7 |
| *The Hyenas |
4 |
|
|
7 |
| Lamb,
Charles |
A Letter to Wordsworth |
2 |
|
|
2 |
| New Year’s Eve |
1 |
|
|
3 |
| An Artificial Comedy of the Last Century |
1 |
|
|
3 |
| Witches, and Other Night Fears |
4 |
|
|
4 |
| The Two Races of Men |
2 |
|
|
6 |
| Landor,
Walter Savage |
On Seeing a Hair of Lucretia Borgia |
1 |
|
|
3 |
| On His Seventy-Fifth Birthday |
1 |
|
|
3 |
| Mother, I Cannot Mind My Wheel |
1 |
|
|
7 |
| Rose Aylmer |
1 |
|
|
7 |
| Past Ruined Ilion |
1 |
|
|
7 |
| Twenty Years Hence |
1 |
|
|
7 |
| The Three Roses |
1 |
|
|
6 |
| Dirce |
1 |
|
|
6 |
| Well I remember how you smiled |
1 |
|
|
6 |
| Larkin,
Philip |
Lines on a Young Lady’s Photograph Album |
3 |
|
|
4 |
| Faith Healing |
3 |
|
|
4 |
| Latimer,
Hugh |
Sermon of the Plowers |
3 |
|
|
3 |
| Lawrence,
D.H. |
*The Rocking-Horse Winner |
1 |
|
|
1 |
| *The Rainbow |
2 |
|
|
4 |
| *The Princess |
4 |
|
|
4 |
| *Mornings in Mexico |
4 |
|
|
4 |
| *Women
in Love |
2 |
|
|
2 |
| *Chapter XVIII.
Rabbit |
2 |
|
|
2 |
| *Etruscan
Places |
2 |
|
|
2 |
| *Tarquinia |
2 |
|
|
2 |
| *The Fox |
3 |
|
|
3 |
| *The Bride |
3 |
|
|
3 |
| *A Young Wife |
3 |
|
|
3 |
| Lear,
Edward |
*How Pleasant to Know Mr. Lear |
1 |
|
|
7 |
| *Cold Are the Crabs |
1 |
|
|
7 |
| Leavis,
F. R. |
*Literature and Society |
4 |
|
|
4 |
| *Revaluation |
1 |
|
|
3 |
| *Chapter 6. Shelley |
1 |
|
|
3 |
| Lilburne,
John |
The
Picture of the Council of State |
3 |
|
|
7 |
| Lilburne Defies the
Authorities |
6 |
|
|
7 |
| Lovelace,
Richard |
The Snail |
4 |
|
|
4 |
| Lyly,
John |
Cupid and My Campaspe |
1 |
|
|
1 |
| Medieval
Attitudes Toward Life on Earth |
Earth upon Earth |
2 |
|
|
2 |
| Earth Took of Earth |
2 |
|
|
3 |
| Boethius: |
2 |
|
|
3 |
| The
Consolation of Philosophy |
2 |
|
|
3 |
| Triumph
Over the World |
2 |
|
|
3 |
| Fortune
Defends Herself |
2 |
|
|
3 |
| The Last Journey |
3 |
|
|
3 |
| A Change in Perspective |
3 |
|
|
3 |
| Geoffrey
Chaucer: |
NA |
|
|
NA |
| *A Thoroughfare
Full of Woe |
2 |
|
|
3 |
| *The Monk’s
Definition of Tragedy |
2 |
|
|
3 |
| *The Tragedy of
Pierre de Lusignan |
2 |
|
|
3 |
| *This Worlde that
Passeth Soone as Floures Faire |
2 |
|
|
3 |
| Dante: Fortune an Agent of God’s Will |
2 |
|
|
3 |
| A Vision of Nature in Piers Plowman |
2 |
|
|
3 |
| Aucassin and Nicolette: Aucassin Renounces Paradise |
2 |
|
|
3 |
| The Land of Cockaigne |
2 |
|
|
3 |
| Ubi Sunt Qui Ante Nos Fuerunt |
2 |
|
|
3 |
| Francious Villon: The Ballad of Dead Ladies |
2 |
|
|
3 |
| MacDiarmid,
Hugh |
Second Hymn to Lenin |
3 |
|
|
3 |
| The Bonnie Broukit Bairn |
3 |
|
|
4 |
| To Circumjack Cencrastus |
3 |
|
|
4 |
| On a Raised Beach |
3 |
|
|
4 |
| MacNeice,
Louis |
*Mahabalipuram |
3 |
|
|
4 |
| *Good Dream |
2 |
|
|
4 |
| Marprelate,
Martin |
Hay
Any Work for Cooper |
3 |
|
|
3 |
| Church Government |
3 |
|
|
3 |
| Marvell,
Andrew |
Mourning |
1 |
|
|
3 |
| On Paradise Lost |
3 |
|
|
3 |
| Meredith,
George |
Lucifer in Starlight |
1 |
|
|
7 |
| Modern
Love |
1 |
|
|
NA |
| 3 (“This was the
woman; what now of the man?”) |
1 |
|
|
6 |
| 15 (“I think she
sleeps; it must be sleep, when low”) |
1 |
|
|
6 |
| 16 (“In our old
shipwrecked days there was an hour”) |
1 |
|
|
6 |
| 23 (“ ’Tis
Christmas weather, and a country house”) |
4 |
|
|
6 |
| 35 (“It is no
vulgar nature I have wived”) |
4 |
|
|
6 |
| 42 (“I am to follow
her. There is much grace”) |
4 |
|
|
6 |
| 43 (“Mark where the
pressing wind shoots javelinlike”) |
4 |
|
|
6 |
| 48 (“Their sense is
with their senses all mixed in”) |
4 |
|
|
6 |
| Dirge in Woods |
1 |
|
|
6 |
| Middle
English Lyrics |
In Praise of Brunettes |
1 |
|
|
1 |
| The Appreciative Drinker |
1 |
|
|
1 |
| A Charm Against the Night Villain |
1 |
|
|
1 |
| The Blacksmiths |
1 |
|
|
1 |
| Earth Took Earth |
1 |
|
|
1 |
| Spring Has Come with Love |
1 |
|
|
2 |
| The Henpecked Husband |
1 |
|
|
2 |
| A Bitter Lullaby |
3 |
|
|
4 |
| Mill,
John Stuart |
Coleridge |
1 |
|
|
2 |
| Milton,
John |
Final Chorus from Samson Agoniste |
1 |
|
|
1 |
| At a Solemn Music |
1 |
|
|
2 |
| When the Assault Was Intended to the City |
2 |
|
|
2 |
| A Book Was Writ of Late Called Tetrachordon |
2 |
|
|
2 |
| Lawrence, of Virtuous Father Virtuous Son |
2 |
|
|
2 |
| Of Education |
1 |
|
|
2 |
| Comus |
1 |
|
|
3 |
| To My Friend, Mr. Henry Lawes, on His Airs |
3 |
|
|
4 |
| Paradise Lost: The Arguments |
1 |
|
|
6 |
| Samson Agonistes |
2 |
|
|
6 |
| Moore,
Thomas |
Believe me, if all those endearing young charms |
1 |
|
|
7 |
| The harp that once through Tara’s halls |
1 |
|
|
7 |
| The time I’ve lost in wooing |
1 |
|
|
7 |
| Morris,
William |
I Know a Little Garden-Close |
1 |
|
|
1 |
| Christ Keep the Hollow Land |
1 |
|
|
4 |
| For the Bed at Kelmscott |
1 |
|
|
4 |
| The Haystack in the Floods |
1 |
|
|
7 |
| The
Earthly Paradise |
1 |
|
|
6 |
| An Apology |
1 |
|
|
6 |
| A Death Song |
1 |
|
|
6 |
| Moulsworth,
Martha |
*The Memorandum of Martha Moulsworth, Widow |
7 |
|
|
7 |
| Muir,
Edwin |
Troy |
2 |
|
|
4 |
| The Return |
2 |
|
|
4 |
| The Animals |
2 |
|
|
4 |
| Adam’s Dream |
2 |
|
|
4 |
| The Horses |
3 |
|
|
4 |
| Nashe,
Thomas |
Pierce
Penniless, His Supplication to the Devil |
4 |
|
|
6 |
| An Invective
Against Enemies of Poetry |
4 |
|
|
6 |
| The Defense of
Plays |
4 |
|
|
6 |
| The
Unfortunate Traveler, or The Life of Jack Wilton |
7 |
|
|
7 |
| Roman Summer |
7 |
|
|
7 |
| Spring, the Sweet Spring |
1 |
|
|
6 |
| Newman,
John Henry Cardinal |
Apologia
Pro Vita Sua |
1 |
|
|
1 |
| Doubt and Faith |
1 |
|
|
1 |
| From Chapter 1. History of My
Religious Opinions to the Year 1833 |
7 |
|
|
7 |
| From Chapter 3. History of My
Religious Opinions from 1839 to
1841 |
2 |
|
|
6 |
| From Chapter 5. Position of My Mind
Since 1845 |
2 |
|
|
6 |
| From Liberalism |
1 |
|
|
7 |
| Old
English Riddle |
The Bow |
1 |
|
|
1 |
| Orwell,
George |
Some Thoughts on the Common Toad |
4 |
|
|
4 |
| Osborne,
Dorothy |
The
Letters of Dorothy Osborne |
5 |
|
|
6 |
| [Servants] |
5 |
|
|
6 |
| [Fighting with
Brother John] |
5 |
|
|
6 |
| Overbury,
Sir Thomas |
A Puritan |
1 |
|
|
3 |
| What a Character Is |
1 |
|
|
3 |
| Owen,
Wilfred |
*Sonnet on Seeing a Piece of Our Artillery Brought into
Action |
2 |
|
|
3 |
| *Greater Love |
2 |
|
|
4 |
| *Insensibility |
4 |
|
|
4 |
| Pater,
Walter |
Appreciations |
1 |
|
|
7 |
| From Style |
1 |
|
|
7 |
| From The Child in the House |
4 |
|
|
6 |
| Patmore,
Coventry |
The
Angel in the House |
1 |
|
|
1 |
| The Spirit’s Epochs |
1 |
|
|
1 |
| The Kiss |
1 |
|
|
1 |
| The
Unknown Eros |
1 |
|
|
1 |
| Magna Est Veritas |
1 |
|
|
1 |
| A Farewell |
1 |
|
|
1 |
|
Piers
Plowman |
1 |
|
|
NA |
| Passus XVIII: The
Harrowing of Hell |
3 |
|
|
5 |
| Passus V |
4 |
|
|
5 |
| The
Confession of Envy |
4 |
|
|
5 |
| The
Confession of Gluttony |
4 |
|
|
5 |
| Peacock,
Thomas Love |
The War Song of Dinas Vawr |
1 |
|
|
4 |
| The Four Ages of Poetry |
5 |
|
|
6 |
| Peele,
George |
Fair and Fair |
1 |
|
|
1 |
| Pope,
Alexander |
Elegy to the Memory of an Unfortunate Lady |
1 |
|
|
2 |
| The First Satire of the Second Book of Horace Imitated |
1 |
|
|
2 |
| The Universal Prayer |
1 |
|
|
4 |
| Epistle to Miss Blount |
1 |
|
|
7 |
| Ode on Solitude |
1 |
|
|
6 |
| Popular
Ballads |
Hind Horns |
1 |
|
|
1 |
| Judas |
1 |
|
|
1 |
| Edward |
1 |
|
|
5 |
| Robin Hood and the Three Squires |
1 |
|
|
5 |
| Prior,
Matthew |
A True Maid |
5 |
|
|
7 |
| A Better Answer |
1 |
|
|
6 |
| Ralegh,
Sir Walter |
A Report of the Truth of the Fight About the Isles of
the Azores This Last Summer Betwixt the Revenge, One of Her Majesty’s Ships,
and an Armada of the King of Spain |
3 |
|
|
3 |
| Walsinghame |
2 |
|
|
4 |
| Richards,
I. A. |
*Practical Criticism |
1 |
|
|
3 |
|
The
Rise and Fall of Empire |
7 |
|
|
7 |
| Anonymous: Easter 1916 Proclamation of an Irish
Republic |
7 |
|
|
7 |
| Richard Mulcahy: [On the Treaty Between Great Britain
and Ireland] |
7 |
|
|
7 |
| James Morris: [The Partition of India] |
7 |
|
|
7 |
| Jawaharlal Nehru: Tryst with Destiny |
7 |
|
|
7 |
| Rossetti,
Christina |
*Winter: My Secret |
5 |
|
|
6 |
| Rossetti,
Dante Gabriel |
The
House of Life |
1 |
|
|
7 |
| The Sonnet |
1 |
|
|
7 |
| 4. Lovesight |
1 |
|
|
6 |
| Nuptial Sleep |
1 |
|
|
6 |
| 49. Willowwood—1 |
1 |
|
|
6 |
| 50.
Willowwood—2 |
5 |
|
|
6 |
| 51.
Willowwood—3 |
6 |
|
|
6 |
| 52.
Willowwood—4 |
5 |
|
|
6 |
| 63.
Inclusiveness |
1 |
|
|
6 |
| 71. The Choice – I |
1 |
|
|
4 |
| 72. The
Choice – II |
1 |
|
|
4 |
| 73. The
Choice – III |
1 |
|
|