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W. W. Norton & Company : College Books

Byron's Poetry and Prose

Contents

  • Acknowledgments
  • Introduction
  • Abbreviations
  • BYRON'S POETRY AND PROSE
  • PART ONE: EARLY YEARS AND FIRST PILGRIMAGE (1803-1812)
  • Biographical Headnote
  • Poetry
  • A Fragment ("When, to their airy hall, my fathers' voice")
  • Fragment. Written Shortly After the Marriage of Miss Chaworth
  • The Cornelian
  • Lachin Y Gair
  • I Would I Were a Careless Child
  • Lines Inscribed Upon a Cup Formed From a Skull
  • from English Bards and Scotch Reviewers
  • Maid of Athens, Ere We Part
  • Written after Swimming from Sestos to Abydos
  • Childe Harold's Pilgrimage, A Romaunt
  • Canto the First
  • Canto the Second
  • To Thyrza ("Without a stone to mark the spot")
  • Letters
  • Catherine Gordon Byron, 1-10 May 1804[?]
  • Augusta Byron, 6 November 1805
  • Elizabeth Bridget Pigot, 5 July 1807
  • Elizabeth Bridget Pigot, 26 October 1807
  • Robert Charles Dallas, 21 January 1808
  • Francis Hodgson, 30 June 1809 ("Huzza! Hodgson, we are going")
  • Francis Hodgson, 16 July1809 (Lisbon)
  • Catherine Gordon Byron, 11 August 1809 (excerpt)
  • Catherine Gordon Byron, 12 November 1809
  • Journal entry, 22 May 1811
  • Francis Hodgson, 3 September 1811
  • Francis Hodgson, 16 February 1812
  • PART TWO: YEARS OF FAME IN REGENCY SOCIETY (1812-1816)
  • Biographical Headnote
  • Poetry
  • An Ode to the Framers of the Frame Bill
  • The Giaour
  • Ode to Napoleon Buonaparte
  • Stanzas for Music ("They say that Hope is happiness")
  • Stanzas for Music ("There's not a joy the world can give")
  • from Hebrew Melodies
  • She Walks In Beauty
  • Sun of the Sleepless!
  • The Destruction of Sennacherib
  • When We Two Parted
  • Stanzas for Music ("There be none of Beauty's daughters")
  • Fare Thee Well!
  • Letters and Journals
  • Lord Holland, 25 February 1812
  • Lady Caroline Lamb, 1 May 1812
  • Walter Scott, 6 July 1812
  • Lady Melbourne, 25 September 1812
  • Lady Caroline Lamb, 29 April 1813
  • John Murray, 26 August 1813
  • Lady Melbourne, 5 September 1813
  • Annabella Milbanke, 6 September 1813 (excerpt)
  • Lady Melbourne, 21 September 1813 ("'Tis said–Indifference marks the present time")
  • Lady Melbourne, 8 October 1813 (excerpt)
  • Annabella Milbanke, 29 November 1813 (excerpt)
  • Journal, 14 November 1813 - 19 April 1814 (excerpts)
  • James Hogg, 24 March 1814
  • Lady Melbourne, 26 June 1814
  • Thomas Moore, 20 September 1814
  • Annabella Milbanke, 20 October 1814
  • Lady Melbourne, 13 November 1814
  • Samuel Taylor Coleridge, 18 October 1815
  • Leigh Hunt, 30 October 1815 (excerpt)
  • Lady Byron, 8 February 1816
  • PART THREE: EXILE ON LAKE GENEVA (April-October 1816)
  • Biographical Headnote
  • Poetry
  • Childe Harold's Pilgrimage
  • Canto the Third
  • The Prisoner of Chillon. A Fable
  • Sonnet on Chillon
  • Prometheus
  • Epistle to Augusta
  • Darkness
  • Manfred
  • Letters and Journals
  • John Murray, 28 August 1816
  • Augusta Leigh, 8 September 1816
  • from Alpine Journal, September 1816
  • PART FOUR: FINAL PILGRIMAGE: ITALY AND GREECE (1816-1824)
  • Biographical Headnote
  • Poetry
  • Childe Harold's Pilgrimage
  • Canto the Fourth
  • Beppo. A Venetian Story
  • To the Po. June 2nd 1819
  • from Don Juan
  • Dedication and Canto the First
  • from Canto the Second
  • Canto the Third
  • from Canto the Fourth
  • Canto the Fifth
  • from Canto the Ninth
  • from Canto the Tenth
  • Canto the Eleventh
  • from Canto the Twelfth
  • Canto the Thirteenth
  • from Canto the Fourteenth
  • from Canto the Fifteenth
  • Canto the Sixteenth
  • Canto the Seventeenth
  • Francesca of Rimini
  •  The Vision of Judgment
  • On This Day I Complete My Thirty-sixth Year
  • Letters and Journals
  • Thomas Moore, 17 November 1816
  • John Murray, 25 November 1816 ("In this beloved marble view")
  • Augusta Leigh, 19 December 1816
  • Thomas Moore, 24 December 1816 (excerpt) ("What are yo doing now, Oh Thomas Moore?"; "As the Liberty lads o'er the Sea")
  • Thomas Moore, 28 January 1817 (excerpt)
  • Thomas Moore, 28 February 1817 ("So we'll go no more a roving")
  • John Murray, 30 May 1817
  • Thomas Moore, 10 July 1817 (excerpt) ("My boat is on the shore")
  • John Murray, 15 September 1817
  • John Murray, 8 January 1818 ("My dear Mr. Murray")
  • Thomas Moore, 19 September 1818
  • Hobhouse and Kinnaird, 19 January 1819
  • John Murray, 6 April 1819
  • Hobhouse, 6 April 1819
  • Douglas Kinnaird, 24 April 1819
  • Teresa Guiccioli, 25 April 1819
  • John Murray, 15 May 1819
  • Augusta Leigh, 17 May 1819
  • John Murray, 18 May 1819
  • Augusta Leigh, 26 July 1819
  • John Murray, 1 August 1819
  • John Murray, 12 August 1819 (excerpt)
  • John Cam Hobhouse, 23 August 1819
  • Douglas Kinnaird, 26 October 1819
  • John Murray, 29 October 1819
  • Richard Belgrave Hoppner, 29 October 1819
  • John Murray, 21 February 1820
  • John Cam Hobhouse, 3 March 1820
  • Richard Belgrave Hoppner, 10 September 1820 (excerpt)
  • Thomas Moore, 5 November 1820 (excerpt) ("When a man hath no freedom to fight for at home"; "Endorsement to the Deed of Separation"; "To Penelope, January 2, 1821")
  • John Murray, 9 November 1820 (excerpt)
  • John Murray, 18 November 1820 (excerpt)
  • John Murray, 9 December 1820
  • Percy Bysshe Shelley, 26 April 1821
  • John Murray, 6 July 1821
  • John Murray, 31 August 1821
  • John Murray, 24 September 1821
  • from Detached Thoughts, 15 October 1821-18 May 1822
  • Thomas Moore, 4 March 1822 (excerpt)
  • From Journal in Cephalonia, 28 September 1823
  • Yusuff Pasha, 23 January 1824
  • From Journal in Cephalonia, 15 February 1824
  • Mr. Mayer, 21 February 1824?
  • CRITICISM
  • Headnote
  • Nineteenth-century Responses
  • Views by Wordsworth, Keats, Shelley, Coleridge, and Goethe.
  • Reviews in The Edinburgh Review and Blackwood's Magazine.
  • Robert Southey. [On Don Juan and the "Satanic school" of poetry].
  • Algernon Charles Swinburne. Preface to his Selections from the Works of Lord Byron.
  • John Morley. Essay on Byron in Fortnightly Review.
  • Matthew Arnold. From "Memorial Verses" and Preface to his edition, Poetry of Byron.
  • Twentieth-Century and Recent Criticism
  • General Studies
  • G. Wilson Knight. From Lord Byron: Christian Virtues.
  • Anne Barton. "Byron and the Mythology of Fact."
  • Malcolm Kelsall. "Byron's Politics."
  • Jerome J. McGann. "The Book of Byron and the Book of a World."
  • Jane Stabler. "Byron, Postmodernism, and Intertextuality."
  • Studies of Individual Works
  • Donald H. Reiman. "Byron and the 'Other': Poems 1808-1816."
  • Philip W. Martin. "Heroism and History: Childe Harold I and II."
  • Marilyn Butler. "The Orientalism of Byron's Giaour."
  • Caroline Franklin. "'A Soulless Toy for Tyrant's Lust?': The Heroine as Passive
  • Victim."
  • Peter J. Manning. "Titans and Exiles: Sublime Self and Single Voice."
  • Alan Richardson. "Byron and the Theatre."
  • Jerome Christensen. "The Shaping Spirit of Ruin
  • Cheryl Fallon Giuliano. "Marginal Discourse: the Authority of Gossip in Beppo."
  • Moyra Haslett. "The Political Implications of a Don Juan."
  • Peter W. Graham. "Nothing So Difficult:" (excerpt).
  • Susan J. Wolfson. "'Their She-Condition': Cross-Dressing and the Politics of Gender in
  • Don Juan."
  • James Chandler. "'Man fell with Apples': the Moral Mechanics of Don Juan."
  • Cecil Y. Lang. "Narcissus Jilted: Byron, Don Juan and the Biographical Imperative."
  • Stuart Peterfreund. "The Politics of 'Neutral Space' in Byron's Vision of Judgment."
  • Biographical Register
  • Byron: A Chronology
  • Selected Bibliography
  • Index of Poem Titles and First Lines