Contents
- The Experimental Phase (1833–45)
- From Pauline (1833)
- From Paracelsus (1835)
- From Sordello (1840)
- Pippa Passes (1841)
- From Dramatic Lyrics (1842)
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- My Last Duchess
- Count Grismond
- Soliloquy of the Spanish Cloister
- In a Gondola
- Cristina
- Johannes Agricola in Mediation
- Porphyria’s Lover
- The Pied Piper of Hamelin
- From Dramatic Romances and Lyrics (1845)
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- "How They Brought the Good News from Ghent to Aix"
- Pictor Ignotus
- Home-Thoughts, from Abroad
- ["Here’s to Nelson’s Memory!"]
- Home-Thoughts, from the Sea
- The Bishop Orders His Tomb at St. Praxed’s Church
- The Laboratory
- Meeting at Night; Parting at Morning
- Nationality in Drinks
- The Major Phase (1855–69)
- From Men and Women (1855)
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- Love Among the Ruins
- A Lover’s Quarrel
- Evelyn Hope
- Up at a Villa-Down in the City
- A Woman’s Last Word
- Fra Lippo Lippi
- A Tocatta of Galuppi’s
- By the Fire-Side
- Any Wife to Any Husband
- An Epistle...of Karshish, the Arab Physician
- My Star
- "Childe Roland to the Dark Tower Came"
- Respectability
- A Light Woman
- The Statue and the Bust
- How It Strikes a Contemporary
- The Last Ride Together
- Master Hugues of Saxe-Gotha
- Bishop Blougram’s Apology
- Memorabilia
- Andrea del Sarto
- Saul [final version]
- Women and Roses
- Holy-Cross Day
- The Guardian-Angel
- Cleon
- Popularity
- Two in the Campagna
- A Grammarian’s Funeral
- "Transcendentalism: A Poem in Twelve Books"
- One Word More
- From Dramatis Personae (1864)
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- James Lee’s Wife
- Di!s aliter Visum
- Abt Vogler
- Rabbi Ben Ezra
- Caliban upon Setebos
- Confessions
- Prospice
- Apparent Failure
- Epilogue
- From The Ring and the Book (1868–69)
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- Book V. Count Guido Franceschini
- Book VI. Giuseppe Caponsacchi
- Book X. The Pope
- The Later Achievement (after 1870)
- From Fifine at the Fair (1872)
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- Prologue (Amphibian)
- Epilogue (The Householder)
- From Aristophanes’ Apology (1875)
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- [Thamuris Marching]
- From Pacchiarotto and How He Worked in Distemper: With Other Poems (1876)
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- House
- Fears and Scruples
- Numpholeptos
- From Jocoseria (1833)
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- Adam, Lilith, and Eve
- Never the Time and the Place
- From Parleyings with Certain People of Importance in Their Day (1887)
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- With Christopher Smart
- From Asolando: Fancies and Facts (1889)
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- Prologue
- Bad Dreams, I-IV
- "Imperante Augusto Natus Est-"
- Development
- Epilogue
- Prose
- From "Introductory Essay" to the Letters of Percy Bysshe Shelley (1852)
- Criticism
- VICTORIAN VIEWS
- John Forster, Evidences of a New Genius for Dramatic Poetry
- Thomas Carlyle, [Letter to Browning]
- George Eliot, [Review of Men and Women]
- William Morris, [Browning’s Alleged Carelessness]
- John Ruskin, [Browning and the Italian Renaissance]
- Walter Bagehot, [Browning’s Grotesque Art]
- Robert W. Buchanan, [The Ring and the Book]
- Alfred Austin, The Poetry of the Period: Mr. Browning
- Algernon Charles Swinburne, [Browning’s Obscurity]
- Gerard Manley Hopkins, [Strictures on Browning]
- Oscar Wilde, [Browning as "Writer of Fiction"]
- Henry James, Browning in Westminster Abbey
- Modern Essays in Criticism
- REVALUATIONS
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- George Santayana, The Poetry of Barbarism
- G.K. Chesterton, [Reply to Santayana]
- William O. Raymond, The Infinite Moment
- J. Hillis Miller, [Browning’s Language]
- THE DRAMATIC MONOLOGUE
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- Robert Langbaum, The Dramatic Monologue: Sympathy vs. Judgment
- INTERPRETATIONS OF POEMS
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- W. David Shaw, Browning’s Duke as Theatrical Producer ["My Last Duches, Browning’s "Childe Roland": All Things Deformed and Broken
- F.E.L. Priestley, Blougram’s Apologetics
- Roma A. King, Eve and the Virgin: "Andrea del Sarto"
- E.D.H. Johnson, Robert Browning’s Pluralistic Universe: A Reading of The Ring and the Book
- Selected Bibliography
- Index of Titles
Copyright © 2005, W. W. Norton & Company. All rights reserved.
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