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Chapter 2: Setting: The Study of Local Music
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  1. INTRODUCTION: SETTING THE STAGE
    • Setting encompasses multiple contexts.
      1. Soundscapes within several urban settings
      2. Most communities are complex environments.
  2. CASE STUDY: ACCRA, GHANA
    • Hearing Highlife in Accra
      1. Highlife is a musical style.
        • The name comes from the 1920s.
        • Bands playing popular tunes
      2. Unites several streams of the Ghanaian musical past
        • sea shanties
        • military bands
        • piano music and church hymns
      3. Central to Ghanaian life
    • Multicultural Accra
      1. Location makes it a magnet for cultural exchange.
        • British Empire
        • English is the official language.
      2. Settlements by the Ga people in the fifteenth century
        • Portuguese were the first Europeans.
        • Followed by the Dutch, Danish, and English
      3. Ga ethnic community lent distinctive cuisine and traditional music.
        • Homowo Festival "mocking hunger"
        • Various other festivals
        • Elaborate funerals
          • Expensive, can tax the resources of a family
          • Voluntary funeral associations: Milo Mianoewo.
          • Three-day affair
        • Agbadza dance
          • Popular social dance performed by men and women
          • Agbadza rhythms are, for many listeners, the most familiar aspects of the music.
      4. Drums and their music are linked to other Ghanaian ethnic groups.
        • Atumpan: a drum associated with the Akan people
        • Are also "talking drums" used in the past for communication
    • Ghanaian Christian Music
      1. A substantial amount of music-making in Accra occurs within the context of organized religious life.
        • Churches on virtually every block
        • The music unites Western musical influences with Ewe rhythmic complexity.
        • Many churches in Accra hold healing rituals.
          • The Kwabenya Prayer Camp of the Bethel Prayer Ministry International Church
          • Songs, accompanied by instruments, are the main venue through which healing is accomplished.
    • Accra's Global Connections
      1. The complex blend of local and international give the city's music a distinctive, cosmopolitan flavor.
        • Many different musics heard on Ghanaian radio.
        • Accra maintains an active cassette culture.
        • A number of musical ensembles reinforce national identity.
      2. Blend of traditional and international summed up in composers
        • J. H. Kwabena Nketia
          • Fuses the sounds and styles of traditional Akan music with an European musical idiom
          • Cow Lane Sextet
  3. CASE STUDY: MUMBAI, INDIA
    • The Ganesh Chaturthi Festival
      1. Hindu Ganesh Chaturthi festival leads off the pan-Indian festival season every fall.
        • Hindus are the majority, but there are many Muslims and Christians.
        • Community-wide festival promoting solidarity and independence from the British
        • Marks the birthday of Lord Ganesh, a popular Hindu deity
    • Music of Mumbai's Ethnic Communities
      1. The Koli community, who were the first residents of the area, continue to be a presence in Mumbai.
      2. Mumbai is home to musical traditions transplanted through migration.
        • Many gurus migrated around independence.
        • The four Jhaveri sisters were important dancers.
          • Studied with guru Bipin Singh
          • Made subtle changes to dance style
      3. North Indian classical music is also actively represented in Mumbai.
      4. European classical music has exerted an influence since British arrival.
        • National Center for the Performing Arts
        • Bombay Chamber Orchestra
    • Film Music
      1. Film music is everywhere in Mumbai.
      2. Indian film industry mushroomed: Bollywood
        • Mass-marketed films known as "masala movies"
        • Stereotyped, romantic plots with elaborate song and dance interludes throughout
      3. Films used the Hindi and Urdu languages of Northern India.
        • Urdu language song genre, the ghazal, most influential
        • Accompanied by sarangi the tabla
      4. Popular music from abroad and the transnational music industry have deeply influenced Indian film music.
    • Beyond Film
      1. Some film composers have moved beyond the boundaries of film.
      2. A. R. Rahman and musical theater
        • Eclectic musical background.
        • Bombay Dreams
  4. CASE STUDY: BOSTON, MASSACHUSETTS, US
    • Why Boston?
      1. Boston provides both a long history and exceptional ethnic, institutional, and musical diversity.
      2. Boston provides a stimulating counterpoint to Accra and Mumbai.
      3. Many Boston neighborhoods are also home to different socioeconomic and ethnic groups.
        • Former minorities within the city's longtime mainly Euro-American population became a majority.
        • Multicultural mixture of peoples has transformed the South End.
    • What Elements Make Up Boston's Musical Life?
      1. The Boston Globe has a weekly musical calendar; provides a starting place for mapping musical Boston.
      2. Genre categories for musical events include Pop and Rock; Folk, World, and Country; Jazz, Blues and Cabaret, etc.
      3. Early music
    • Where and When Is Music Performed?
      1. Many music cultures are associated with specific places and times.
        • Symphony Hall
        • Many other well-known performance spaces
        • Churches
        • Neighborhoods provide venues for many musical events.
      2. Indoor and outdoor phenomena
        • Buskers in Harvard Square
        • City streets also provide a venue for special music events.
          • City Hall
          • Boston Common and Public Garden
    • Who Makes the Music?
      1. Irish
        • Immigration since the eighteenth century
        • Pubs, civic and cultural events
        • Boston College's Gaelic Roots Festival each summer
        • Narrative songs, known as ballads, commemorate important events and memorable individuals.
          • The Ballad of Buddy McClean
          • Simple and repetitive melody
      2. Portuguese
        • Mostly from Cape Verde Islands and the Azores
        • A musical form popular with Bostonians of Portuguese descent is the fado.
          • Closely associated with the Portuguese capital, Lisbon.
          • Fado is sometimes compared to the blues.
          • Portuguese Americans hear the fado largely through recordings imported from Portugal.
          • Amália Rodrigues is thought to have personified the fado.
      3. Ethiopians
        • One of the newest immigrant communities
        • Gala party and feast mounted by Boston's Ethiopian community each September in honor of their New Year.
          • City Hall atrium
          • Blend Western with Ethiopian dance, the esskesta
        • Festive occasions are opportunities for immigrants both to come together and to reminisce.
          • Poignant song, Hagerei, recalls the beauty of Ethiopia and expresses the singer's homesickness.
          • Uses pentatonic melody based on Ethiopian mode tizita
        • Other communities contribute as well.
          • Japanese music
          • Swiss-based yodeling is popular.
    • Boston's Defining Musical Communities
      1. Campus music
        • Many colleges and universities
        • New England Conservatory and Berklee College of Music
        • Each campus is a "city" with its own distinctive soundscape.
          • Tufts University's Balinese gamelan
          • MIT's Javanese gamelan
            • Gamelan as a symbol of Indonesian identity
            • Popular throughout the world
      2. Folk music
        • Traditional folk music and folk music revival
        • Boston's importance in the folk music world
          • Boston's long liberal tradition and its many colleges made it a magnet for singer-songwriters.
          • Over two hundred venues for live folk music performance in the Boston area
          • MTA Song
      3. Early Music
        • Boston provided all the ingredients that allowed early music to flourish.
          • Magnet for professional musicians
          • Many instrument builders
        • Many early music professionals are interested in cross-cultural musical styles.
        • Connections between early music and cross-cultural musical styles can be found in their roots and performance practices.
      4. Boston's Distinctive Musical Profile
        • All three of Boston's major music cultures—campus music, folk music, and early music—are local as well as international, with deep roots in Boston as well as connections to other places.
          • The campus music scene is the most heterogeneous.
          • The folk music revival is the most unified.
          • Early music frequently crosses over to folk and ethnic.
        • University town par excellence
  5. CONCLUSION