
|

- INTRODUCTION: SETTING THE STAGE
- Setting encompasses multiple contexts.
- Soundscapes within several urban settings
- Most communities are complex environments.
- CASE STUDY: ACCRA, GHANA
- Hearing Highlife in Accra
- Highlife is a musical style.
- The name comes from the 1920s.
- Bands playing popular tunes
- Unites several streams of the Ghanaian musical past
- sea shanties
- military bands
- piano music and church hymns
- Central to Ghanaian life
- Multicultural Accra
- Location makes it a magnet for cultural exchange.
- British Empire
- English is the official language.
- Settlements by the Ga people in the fifteenth century
- Portuguese were the first Europeans.
- Followed by the Dutch, Danish, and English
- Ga ethnic community lent distinctive cuisine and traditional music.
- Homowo Festival "mocking hunger"
- Various other festivals
- Elaborate funerals
- Expensive, can tax the resources of a family
- Voluntary funeral associations: Milo Mianoewo.
- Three-day affair
- Agbadza dance
- Popular social dance performed by men and women
- Agbadza rhythms are, for many listeners, the most familiar aspects of the music.
- Drums and their music are linked to other Ghanaian ethnic groups.
- Atumpan: a drum associated with the Akan people
- Are also "talking drums" used in the past for communication
- Ghanaian Christian Music
- A substantial amount of music-making in Accra occurs within the context of organized religious life.
- Churches on virtually every block
- The music unites Western musical influences with Ewe rhythmic complexity.
- Many churches in Accra hold healing rituals.
- The Kwabenya Prayer Camp of the Bethel Prayer Ministry International Church
- Songs, accompanied by instruments, are the main venue through which healing is accomplished.
- Accra's Global Connections
- The complex blend of local and international give the city's music a distinctive, cosmopolitan flavor.
- Many different musics heard on Ghanaian radio.
- Accra maintains an active cassette culture.
- A number of musical ensembles reinforce national identity.
- Blend of traditional and international summed up in composers
- J. H. Kwabena Nketia
- Fuses the sounds and styles of traditional Akan music with an European musical idiom
- Cow Lane Sextet
- CASE STUDY: MUMBAI, INDIA
- The Ganesh Chaturthi Festival
- Hindu Ganesh Chaturthi festival leads off the pan-Indian festival season every fall.
- Hindus are the majority, but there are many Muslims and Christians.
- Community-wide festival promoting solidarity and independence from the British
- Marks the birthday of Lord Ganesh, a popular Hindu deity
- Music of Mumbai's Ethnic Communities
- The Koli community, who were the first residents of the area, continue to be a presence in Mumbai.
- Mumbai is home to musical traditions transplanted through migration.
- Many gurus migrated around independence.
- The four Jhaveri sisters were important dancers.
- Studied with guru Bipin Singh
- Made subtle changes to dance style
- North Indian classical music is also actively represented in Mumbai.
- European classical music has exerted an influence since British arrival.
- National Center for the Performing Arts
- Bombay Chamber Orchestra
- Film Music
- Film music is everywhere in Mumbai.
- Indian film industry mushroomed: Bollywood
- Mass-marketed films known as "masala movies"
- Stereotyped, romantic plots with elaborate song and dance interludes throughout
- Films used the Hindi and Urdu languages of Northern India.
- Urdu language song genre, the ghazal, most influential
- Accompanied by sarangi the tabla
- Popular music from abroad and the transnational music industry have deeply influenced Indian film music.
- Beyond Film
- Some film composers have moved beyond the boundaries of film.
- A. R. Rahman and musical theater
- Eclectic musical background.
- Bombay Dreams
- CASE STUDY: BOSTON, MASSACHUSETTS, US
- Why Boston?
- Boston provides both a long history and exceptional ethnic, institutional, and musical diversity.
- Boston provides a stimulating counterpoint to Accra and Mumbai.
- Many Boston neighborhoods are also home to different socioeconomic and ethnic groups.
- Former minorities within the city's longtime mainly Euro-American population became a majority.
- Multicultural mixture of peoples has transformed the South End.
- What Elements Make Up Boston's Musical Life?
- The Boston Globe has a weekly musical calendar; provides a starting place for mapping musical Boston.
- Genre categories for musical events include Pop and Rock; Folk, World, and Country; Jazz, Blues and Cabaret, etc.
- Early music
- Where and When Is Music Performed?
- Many music cultures are associated with specific places and times.
- Symphony Hall
- Many other well-known performance spaces
- Churches
- Neighborhoods provide venues for many musical events.
- Indoor and outdoor phenomena
- Buskers in Harvard Square
- City streets also provide a venue for special music events.
- City Hall
- Boston Common and Public Garden
- Who Makes the Music?
- Irish
- Immigration since the eighteenth century
- Pubs, civic and cultural events
- Boston College's Gaelic Roots Festival each summer
- Narrative songs, known as ballads, commemorate important events and memorable individuals.
- The Ballad of Buddy McClean
- Simple and repetitive melody
- Portuguese
- Mostly from Cape Verde Islands and the Azores
- A musical form popular with Bostonians of Portuguese descent is the fado.
- Closely associated with the Portuguese capital, Lisbon.
- Fado is sometimes compared to the blues.
- Portuguese Americans hear the fado largely through recordings imported from Portugal.
- Amália Rodrigues is thought to have personified the fado.
- Ethiopians
- One of the newest immigrant communities
- Gala party and feast mounted by Boston's Ethiopian community each September in honor of their New Year.
- City Hall atrium
- Blend Western with Ethiopian dance, the esskesta
- Festive occasions are opportunities for immigrants both to come together and to reminisce.
- Poignant song, Hagerei, recalls the beauty of Ethiopia and expresses the singer's homesickness.
- Uses pentatonic melody based on Ethiopian mode tizita
- Other communities contribute as well.
- Japanese music
- Swiss-based yodeling is popular.
- Boston's Defining Musical Communities
- Campus music
- Many colleges and universities
- New England Conservatory and Berklee College of Music
- Each campus is a "city" with its own distinctive soundscape.
- Tufts University's Balinese gamelan
- MIT's Javanese gamelan
- Gamelan as a symbol of Indonesian identity
- Popular throughout the world
- Folk music
- Traditional folk music and folk music revival
- Boston's importance in the folk music world
- Boston's long liberal tradition and its many colleges made it a magnet for singer-songwriters.
- Over two hundred venues for live folk music performance in the Boston area
- MTA Song
- Early Music
- Boston provided all the ingredients that allowed early music to flourish.
- Magnet for professional musicians
- Many instrument builders
- Many early music professionals are interested in cross-cultural musical styles.
- Connections between early music and cross-cultural musical styles can be found in their roots and performance practices.
- Boston's Distinctive Musical Profile
- All three of Boston's major music culturescampus music, folk music, and early musicare local as well as international, with deep roots in Boston as well as connections to other places.
- The campus music scene is the most heterogeneous.
- The folk music revival is the most unified.
- Early music frequently crosses over to folk and ethnic.
- University town par excellence
- CONCLUSION
|
|