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Sachs-Hornbostel system: A
system used to classify musical instruments, named in honor of scholars
Curt Sachs and Erich von Hornbostel, who developed the system. The five
main classes of instruments are: aerophones, chordophones, electrophones, idiophones, and membranophones.
sacred service: The performance of
liturgy.
sadhana: A Tibetan Buddhist ritual
meditation text.
Santa Lucia: Eighteenth-century
Neapolitan song popular in Lower Manhattanís "Little Italy". Its
melody was borrowed for the pizmon Mi Zot.
Santa Margherita Ligure Voci DíAlpe:
A turn-of-the-twenty-first century Ligurian all-male amateur choir.
Santerìa: A syncretic Afro-Cuban religious
and musical practice later transplanted to other places in North America.
saxophone: A Western European single reed aerophone made of metal.
scale:
A series of pitches
set forth in ascending or descending order. See major
scale, minor
scale and pentatonic
scale.
Scollay
Square: A commercial and social center in Boston
demolished in the early 1960s to make space for the new Government
Center complex.
Scotland:
The northern half of Great Britain and adjoining islands including the
Isle
of Skye.
Scottish Highland bagpipes:
The large Scottish outdoor bagpipes
which have three drones, a nine-note chanter
and a bag filled by mouth through a blowpipe.
Scottish
Highlands: The mountainous region in northern Scotland.
scraped
idiophones: Idiophones,
such as the rubboard,
which vibrate as a result of a hand-held tool scraping the notched surface
of the idiophone.
Sebet:
A Sabbath-afternoon songfest of unaccompanied pizmonim
held among Syrian Jews in North America to celebrate a special occasion
such as a bar mitzvah, an engagement, a wedding or the arrival of a new
child.
seconds:
Singing an octave or two above another singer in the Shoshone
tradition.
semitone:
The smallest interval
in Western
classical music. There are twelve semitones (Also called "half steps)
in the Western octave.
Sephardic:
A term which refers to descendants of Spanish Jews who were forced into
exile in 1492.
setting:
The context of musical performance, ranging from the structure of the
performing space to the behavior of those present.
SFX
Entertainment: A corporation which manages a large and diverse
portfolio of artists and owns and/or operates the largest network of performance
facilities in the United States.
shaken idiophones: Idiophones, such as the Ethiopian sistrum, which have sounding parts which strike together when the instrument is shaken.
shape-note: Also called "fasola, a particular
kind of nineteenth-century musical notation of American hymns where the shape of the note indicates the pitch it represents.
shawl
dance: A dignified traditional dance performed by Native American
women with shawls draped over their arms. See also Fancy
Shawl dance.
Shoshone:
A Great
Basin people who migrated to the Plains,
some settling in the later nineteenth century on the Wind
River Reservation in Wyoming.
significance:
The range of meanings conveyed to musicians and listeners by musical sound
and its setting.
sikus: Andean panpipes (aerophone).
Simon
Fraser University: A University in Burnaby, British Columbia named
after a nineteenth-century explorer of western Canada who was of Scottish
descent. Known for its world-champion pipe
band.
single
reed: A reed
which is constructed from a single thin vibrating strip. Examples of single
reed instruments include aerophone
such as the accordion,
saxophone
and the clarinet.
sistra (senasel): [sing. sistrum] Ethiopian
Christian shaken idiophones.
Skye, Isle of: An island off of the northwestern
coast of Scotland. Home to the MacCrimmons.
slide:
A motion linking pitches.
Characteristic technique of the Hawaiian
steel guitar. See also glide
and rekrek.
smallpipes:
Bagpipes,
such as the Irish Uilleann
pipes , with a low sound intensity which are usually played indoors.
The bag is generally filled by a bellows rather than by mouth.
sojourner:
A person who migrates with the intent to stay for a while and then to
return home.
solo: Literally "alone, in Italian", solo
refers to musical sound that is produced by only one singer or instrumentalist,
either individually or with the accompaniment of a larger ensemble.
sonata form: A Western classical music form which consists of an "exposition in which themes are presented, a contrasting development section where the themes are elaborated upon and a recapitulation where the
main themes return.
song
cycle: Songs that are composed or performed as a set, sometimes
because they have texts by the same poet or are written as a unit by the
composer.
Sontonga, Enoch Mankayi: The
evangelist from the Xhosa people who composed the South African hymn,
Nkosi Sikelelí iAfrika in 1897.
sound:
Vibrations in frequencies
of the audible spectrum (from 20Hz to 20kHz). Musical vibrations can be
produced by the human voice, by instruments, or by electronic resources.
Sound can be described in acoustical terms as having four basic characteristics:
quality,
pitch,
duration
and intensity.
soundscape:
The distinctive settings,
sounds
and significances
of a musical culture.
soundscape
cluster: Closely-related soundscapes
that share sounds,
settings
and significances.
South
Africa: The country in southern-most Africa.
spiritual:
A genre which emerged from the musical expression of slaves converted
to New World Christianity in the eighteenth and nineteenth centuries.
stamped
idiophones: Idiophones
that are stamped on, suchas pits, boards, pots, beams, mortars or slit-drums.
stamping
idiophones: Idiophones
which are hit on the ground in a vertical motion, such as sticks, tubes
or gourds.
steel guitar: An electromechanical instrument derived
from the guitar, usually played flat like a zither. Characteristic sounds of the steel guitar include
a pronounced vibrato, slides and "palm harmonics" or "chimes". See also Moe Family.
strathspey:
A kind of reel
which is slower and has more elaborate melodies
and ornaments
than a simple reel.
strophic
form: A form in which subsequent verses
of text are set to the same melody. Strophic form can include a refrain
which recurs between the verses.
struck
idiophones: Idiophones
such as the triangle
which are struck by a hand-held tool such as a stick.
subculture:
People who share a common identity and related practice whether based
on ethnicity, religion, language, or generation, that is perceived as
distinct from the predominant culture
in a given society. Contrast with interculture
and superculture.
Sunday School Songs: A repertory
of Ethiopian Christian hymns which emerged
in the early 1990s with texts primarily in Amharic
instead of Ge'ez.
superculture:
Mark Slobinís term for the sphere of musical interaction which involves
the power of the state and international industries as well as the assumptions
and expectations they generate. Contrast with subculture
and interculture.
sygyt:
A type of khoomii
which is sung in a high register
with clear overtones
that sound like whistling.
syllabic
text setting: A text
setting in which each syllable of text is sung to one pitch.
syncopation:
A rhythmic
effect which provides an unexpected accent, often by temporarily unsettling
the meter
through a change in the established pattern of stressed and unstressed
beats.
synthesizer:
While technically referring to any radioelectric
instrument or digital
electronic instrument, a modern synthesizer is generally self-contained
with a performance interface, sound editing controls and sound generation
circuitry. |