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pÏob
mhûr: Literally ìgreat pipes, the Gaelic
name for the Scottish
Highland bagpipes.
palm harmonics: Overtones
produced on the steel guitar by flattening
strings with the palm of the hand. Also called "chimes".
panoptic
mode: Viewing an event or performance form a distance, from a
detached vantage point (Kirshenblatt-Gimblett 1991:413). Contrast with
panoramic
mode.
panoramic
mode: Viewing an event or performance from within a setting in
which the spectator enters (Kirshenblatt-Gimblett 1991:413). Contrast
with panoptic
mode.
parallel
motion: Different parts
moving in the same direction at the same time; a type of homophony.
part:
The melodic
line of a particular voice or instrument.
This example has three parts: voice, didjeridu (aerophone), and clapsticks
(concussion idiophones).
partials:
Another term for harmonics.
participant-observation: The
process used to study a living tradition during fieldwork.
pawwaw:
Nineteenth-century Algonquin word for powwow.
pentatonic
scale: A scale
that contains only five pitches,
as well as the music
that is based on such scales. Pentatonic scales may contain intervals
of different sizes; in Western
music, pentatonic scales can have intervals a whole
tone or a semitone
apart.
performance
practice: The manner in which music
is interpreted and performed.
Persian (Iranian) music: Reza
Vali incorporates various characteristics of Persian music
into his Concerto for Flute and Orchestra.
Pham
Duy: The famous Vietnamese
composer who lives today in California.
phrase:
A brief section of music,
analogous to a phrase of language, that sounds somewhat complete in itself,
while not self-sufficient. One phrase may be separated from the next by
a brief pause, as if to allow the singer or player a moment in which to
breathe.
Piazzolla,
Astor: Argentinian
tango composer and bandoneûn;
player, 1921-1992.
pibroch:
A genre
of solo
bagpipe
music
which consists of a set of elaborate variations on a theme, called the
allrd
urlar.
piobaireachd:
See pibroch.
pipe
band: A military-style marching and performing ensemble
consisting of Scottish
Highland bagpipes and drums.
pitch:
The vibration frequency
of the fundamental
of the harmonic
series is perceived by most listeners as the pitch of a sound.
pizmon:
(pl. pizmonim) Hymns with sacred Hebrew
texts and popular Arabic melodies sung by Middle Eastern Jews.
plainchant:
See chant.
Plains:
Region of western-central North America extending from Texas north to
southern Alberta, Canada and for approximately 400 miles east from the
base of the Rocky Mountains.
plainsong:
See chant.
plectrum:
(pl. plectra) A piece of a hard material such as horn, shell or plastic
used to pluck a stringed instrument.
plucked
idiophones: Idiophones
which have plucked metal tongues such as the Jewís
harp.
Norton CD: Mbira: [Norton Media Manager:Media Library:Instrument, Folk:kalimba.jpg]
polka:
A fast dance in duple
meter which originated in central Europe in the middle of the nineteenth
century.
polka-step: The polka dance step: usually described as a heel-and-toe half
step performed in duple meter.
polyphonic
texture: A texture
which features polyphony.
polyphony:
A musical texture
where the parts move in different directions from each other and at different
points in time. Contrast with homophony.
Portugal:
A country in southwestern Europe, on the Atlantic. Its capital is Lisbon.
Among its colonies were the Cape Verde Islands off of the western coast
of northern Africa.
powwow:
Native American social gatherings that feature ceremonies, celebrations
and dance competitions.
prayer
staff: Staff on which dabtaras
lean when performing the Ethiopian
liturgy
and which becomes an idiophone
pounded on the floor during dance.
pulse:
A single, regular element that underlies most music
and against which rhythm
is organized.
Punjab:
Formerly a state of India, the Punjab region was divided in 1947 between
India and Pakistan.
push
button accordion: See bandoneûn;.
ìpush-ups: Insider term used by the Shoshone
and other Native Americans to indicate thenumber of times a song is repeated.
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