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Ma, Yo-Yo: Accomplished and versatile American
cellist who often crosses between soundscapes.
The Macarena: A mid-1990s dance
fad and song of the same name.
MacCrimmons:
The hereditary Great
Highland Bagpipe pipers to Clan MacLeod on the Isle
of Skye who are are said to have invented pibroch
and canntaireachd.
major
mode: A particular set of eight notes
in Western
classical music. See major
scale.
major
scale: The scale
of pitches
in the major
mode possessing the following interval
relationships from lowest to highest: two whole
tones, one semitone,
three whole
tones and one semitone.
maqam:
(pl. maqamat) The system governing pitch
and melody
in Arab music.
See also maqam
ajam and maqam
nahawand.
maqam
ajam: An important maqam
which sounds similar to the Western major
mode. Pizmon Mi Zot is set in maqam ajam.
maqam
nahawand: An important maqam
which sounds similar the Western minor
mode. Pizmon Attah El Kabbir is set in maqam ajam.
march:
A piece in duple
meter with a quick pace suitable for accompanying and coordinating
a group of people marching.
mariachi:
A term applied to both a Mexican instrumental
ensemble
combining plucked and bowed chordophones
including the guitarrûn,
vihuela
and violin
with trumpets,
and to the musicians within the group.
Marley, Bob: A Jamaican reggae musician
who, since his death in 1981, has come to be internationally associated
with reggae and other Jamaican musics.
Mass:
The section of the Christian liturgy
when Communion is given.
The
Maytals: A Jamaican ensemble
which, with Frederick ìToots Hibbert, coined the term reggae
in their 1968 song titled Do The Reggay.
mbube:
An early twentieth-century South
African vocal
genre
popularized in early recordings and spread internationally as The Lion
Sleeps Tonight and more recently by Ladysmith
Black Mambazo. Features falsetto
and Western-style harmony.
measure: The unit of time in Western music and musical notation in which one cycle of the meter takes place.
melekket: The notational
symbols in Ethiopian Christian
chant, derived from Ge'ez language characters, each representing a
short melodic fragment.
melismatic
text setting: A text
setting in which each syllable of text is sung to two or more pitches.
melody: A sequence of pitches that have a beginning, middle and end. Often called
a tune and heard in the foreground of music.
membranophones:
Instruments whose sound is produced by a membrane stretched over an opening.
One of the five main classes of instruments in the Sachs-Hornbostel
system, membranophones are distinguished by their material, shape,
the number of skins (or heads), the way the skins are fastened, the playing
position and the manner of playing.
Mendelssohn, Felix: International
impresario who, in the 1940s, managed musicians of the Moe Family.
metallophones: Struck idiophones made of metal.
meter:
A term describing the regular pulse
of much of Western
classical music and its divisions into regular groupings of two, three,
four and six beats.
For examples of meters see the entries for duple
meter, triple
meter, and quadruple
meter.
minor
mode: A mode
of eight notes
in Western
classical music. See minor
scale.
minor
scale: The scale
of pitches
in the minor
mode possessing the following interval
relationships from lowest to highest: one whole
tone, one semitone,
two whole
tones, one semitone
and two whole
tones.
Misora, Hibari: The late, revered enka music singer known as ìthe Queen of Enka" and
ìthe Lark".
mode: A flexible term that may refer, depending
on the context, to a musical system or a particular scale of pitches. Examples of modes are geëez, major mode, minor mode and tizita. One system of modes is called maqam.
modulation:
The process by which music
moves from one key or
scale
type to another.
Moe
Family: Hawaiian musicians on ukulele
and Hawaiian
steel guitar who performed outside Hawaii for much of the twentieth
century.
morris
dancers: English country dancers costumed in white, with bells
attached to pads strapped to their legs, who dance to the music
of the fiddle,
bagpipes,
or penny whistle.
mouth
music: Vocal
music
(ìcanntaireachd) that imitates the sound of the bagpipes.
movement:
A large section of a musical composition typically separated from other
such sections by a pause.
mukíyu: A genre of
traditional Chinese vocal music
which can vary in length. Myukíyu texts deal with the concerns of everyday
life and are performed by either men or women in both public and private.
music:
The purposeful organization of the quality,
pitch,
duration
and intensity
of sound.
musical ethnography: The process
of identifying a musical scene and studying the soundscape of which it is a part. See also participant-observation and fieldwork.
muwashah:
A classical
Arab vocal
form
which has a regular rhythm
and rhyme scheme and a tripartite form.
muzak:
Programmed, recorded music
which creates sonic background environments in public spaces such as elevators,
shopping malls and restaurants.
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