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Chapter 3
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Song Name -    "Be My Baby"
Artist -    The Ronettes


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Be My Baby by The Ronettes
Ronnie Bennett, her sister Estelle, and their cousin Nedra Talley grew up in New York City and started singing together as children. Ronnie and Estelle's grandmother not only encouraged their career but actively cultivated it; she used to shut the three girls in a room for long periods of time and encourage them to harmonize. When they were teenagers the girls entered a talent contest at the Apollo and won. After that they acquired a manager and started singing at hops and charity shows, but their real break came when the three underage girls tried to get into the fashionable Joey Dee's Peppermint Lounge. To make themselves look older they dressed in tight skirts and heels and high, teased hairdos; they looked so glamorous that the manager assumed they were the singing trio he had booked for the night! They got on stage and sang the Ray Charles hit "What'd I Say" before the real group showed up—by which point they had lost their gig to the young trio, who was promptly booked for regular appearances at the club. They made their first record in 1961 as "Ronnie and the Relatives"; their record company renamed them the Ronettes, but this didn't help their modest sales. They continued to record, singing backup on records for Bobby Rydell and Del Shannon before up-and- coming producer Phil Spector.

Under Spector's tutelage and production the Ronettes became the most famous girl group in rock and roll; their sophisticated image, fashionable dresses, and modern dance moves made them international stars. During their world tour in 1964 they played a number of concerts in England with an up-and-coming London group called the Rolling Stones; they also met the Beatles, who were star struck and asked for their autographs.

The Ronettes had a string of hits before they disbanded in 1966. Ronnie married Phil Spector in 1968; she suffered several years of psychological abuse before fleeing their house with only the clothes on her back. In recent years she has emerged as a feminist icon; she is seen as the first tough-girl in rock music, and praised for her tenacious, fifteen-year battle to recover her royalties from her ex-husband. In 2000 she was awarded $2.6 million, and as a result of her advocacy the U.S. Congress passed legislation making it easier for artists to recover monies from record sales.

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    "Walking in the Rain"     "Is This What I Get for Loving You?"


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