
- Promotional videos
- Rock artists always used films for promotional purposes
- Elvis movies
- Beatles movies
- Short one-song films to promote a song
- This practice has been in place since the 1960s
- More common in Europe than in the United States
- Particularly common in the UK
- Places that were far away
- Australia
- New Zealand
- Rock performers regularly appeared on TV shows
- American Bandstand
- Hullabaloo
- Shindig
- Where the Action Is
- Ed Sullivan Show
- Beatles made the first promotional videos
- They were tiring of the strain of touring and live performances
- Videos could be sent to TV stations rather than making a live appearance
- "Rain"
- "Paperback Writer"
- "Penny Lane"
- "Strawberry Fields"
- Cable TV background
- Cable TV as a necessity
- In areas where antenna transmission was unsatisfactory
- Hilly or mountainous areas
- Cable television developed during the 1970s
- An alternative to broadcast television
- Specialty channels appeared
- 24-hour channels devoted to specific concepts
- First focus was on recent movies broadcast without commercials
- Customers were required to pay for the service
- Critics believed nobody would pay for TV service
- Home Box Office (HBO) proved critics wrong
- Cable providers expanded the programming spectrum
- More specialty channels to add to their roster
- MTV was the music channel concept
- Two approaches were considered
- MTV would show only promotional videos made by record labels
- MTV would show videos that explored the creative aspects of the medium
- The second option was championed by former Monkee Michael Nesmith
- The channel decided on record label promotional videos
- MTV premiered on August 1, 1981
- First video shown: the Buggles video "Video Killed the Radio Star"
- The growth of MTV
- Many of the first music videos were shot on shoestring budgets
- Cable television was not yet widely available
- MTV had its biggest audience wherever HBO and other premium channels succeeded
- Mainly in the Midwest
- MTV played videos by white mainstream rock artists
- MTV did sell advertising
- Their programming was directed at advertisers' target audience
- For its first couple of years, MTV's main audience was teenagers in the Midwest
- MTV and Michael Jackson
- In early 1983, Michael Jackson's "Billie Jean" was climbing the pop charts
- MTV refused to play Jackson's video
- They believed viewers would not watch because Jackson is black
- Jackson's video did get played on MTV in March 1983
- Jackson's enormous success increased the popularity of the network
- Record companies soon considered videos to be crucial promotional tools
- MTV began to rival FM radio as the place to make or break hit records
- MTV became an important aspect of the popular-music business during the 1980s
- The principal criticism:
- MTV favored artists' visual aspects over their musical aspects
- Consequently poor musical quality was overlooked (or ignored)
- Music video's new elite: Michael Jackson and Madonna
- Michael Jackson: a quick review
- Began with his brothers on Motown records
- Also released solo singles:
- "Rockin' Robin" (p2 r2, 1972)
- "Ben" (p1 r5, 1972)
- Worked with producer Quincy Jones to record Off the Wall (p3 r1, 1979)
- Michael Jackson in the video age
- Immense success with the album Thriller (p1 r1, 1983)
- Thriller contained three crossover singles
- "Billy Jean"
- "Beat It" (with Eddie Van Halen)
- "The Girl Is Mine" (with Paul McCartney)
- Bad (p1 r1, I987) contained four hit singles:
- "Bad"
- "The Way You Make Me Feel"
- "I Just Can't Stop Loving You"
- "The Man in the Mirror"
- Jackson produced an extended video for "Thriller"
- Directed by Hollywood's John Landis
- State-of-the-art special effects
- Voice-over by horror movie icon Vincent Price
- Jackson's music in the 1980s
- Almost always driven by a strong beat
- Shows his roots in 1970s black pop and disco
- "Billie Jean" exemplifies Jackson's style
- Groove laid down in the bass and drums is the musical foundation for the song
- Vocals project a sense of restrained emotional urgency in the verses
- Chorus provides the catchy melodic hook
- Quincy Jones arrangement
- Representative of Jackson's music in the 1980s
- The national network audience defined a national popular culture
- Music was always an important part of radio
- National exposure could bestow instant success
- Jackson earned the title "King of Pop"
- Jackson sold tens of millions of records for Epic
- He won numerous awards
- Enormous dancing skill
- Continued the choreography tradition of the Temptations
- Became the biggest star in popular music during the 1980s
- Jackson was perfect for the newly emerging video age of pop
- Jackson continued the Motown practice of courting white listeners
- Two tracks from Thriller featured prominent white musicians
- Ex-Beatle Paul McCartney on "The Girl Is Mine"
- Emerging guitar icon Eddie Van Halen on "Beat It"
- Jackson was criticized for selling out to a white audience
- It was just good business sense
- Jackson was committed to appealing to white and black audiences
- Madonna (Madonna Louise Ciccone)
- Depended as much on the visual aspect of her music as the sonic dimension
- Appeal was almost exclusively to white audiences
- Worked as a dancer in New York with professional dance troupes
- First recordings were successful in the New York dance-club scene
- Signed with Sire records: one of the most important labels in New York new wave
- 1984 debut album Madonna (p8) contained two hit singles
- "Borderline" (p 10)
- "Lucky Star" (p4)
- Early 1985 album Like a Virgin (p1) was a pop album chart hit
- Four top five singles included:
- "Like a Virgin" (p1)
- "Material Girl" (p2)
- "Angel"
- "Dress You Up"
- True Blue did even better (p1 1986) with three number one singles:
- "Live to Tell"
- "Papa Don't Preach"
- "Open Your Heart"
- Madonna's music
- Often driven by a dance beat
- Strong evidence of her dance-club background
- "Like a Virgin"
- Cheerful repeating bass line
- Layers of synthesizers provide the accompaniment
- Madonna expanded her stylistic range
- Moodier songs such as "Papa Don't Preach"
- Sensual songs like "Justify My Love" (the video was banned on MTV)
- Madonna has played an active creative role on many of her albums
- Songwriter credits
- Production credits
- The Madonna image
- One of the most commercially successful artists in the music business
- Relentlessly challenged her perception of society's troubling issues
- Madonna put on the role of "boy toy" sex object in order to call it into question
- She can be linked to previous figures who adopted personae
- Jim Morrison
- Alice Cooper
- David Bowie
- Kiss
- She has explored many social issues
- Sexual conduct
- Racial issues
- Women's roles
- Spirituality
- Detractors have accused her of seeking publicity through titillation
- Supporters have praised her methods of bringing important social issues up for debate
- Her videos have been studied for their symbolism and profound juxtapositions
- Sexual references on (and off) MTV
- Prince
- Born Prince Roger Nelson
- Used blatant sexual images
- In his songs
- In live performance
- Musical roots are in the black pop and funk of the 1970s
- One of the most prolific artists of the 1980s
- Frequently played all the instruments, reminiscent of Stevie Wonder
- Wrote and produced other artists
- The Time
- Vanity 6
- Sheila E.
- Controlled his projects like George Clinton did
- Prince's first four albums did well in the rhythm and blues market
- Prince (l979) and Controversy (1981) both went to number three and contained hit singles
- Developed his image as a sexually charged and somewhat androgynous figure
- Some songs allow him to project that image in performance
- Prince's success was second only to Michael Jackson's
- The album 1999 (r4 p 9, 1982) crossed into the pop market in 1982 containing two hit singles
- "1999" (r4 p12)The title cut from the album
- "Little Red Corvette" (r15 p6) also from 1999
- Extensive exposure on MTV ensured his success
- Prince's style represented by "1999"
- Heavy synthesizer
- Strong beat in the drums
- Influence of earlier artists: use of different sounding voices for each line in the verse
- Drifters
- Sly and the Family Stone
- Temptations
- Critically acclaimed feature film and soundtrack in 1984, Purple Rain
- Semi-autobiographical
- Top spot on both pop and rhythm and blues charts
- Extensive exposure on MTV ensured his success
- Singles from Purple Rain also topped the charts
- "When Doves Cry"
- "Let's Go Crazy"
- Prince blended strong pop sensibility with P-Funk influences
- Funk grooves
- Outrageousness
- Examples of hit albums released:
- Around the World in a Day (4r 1p, 1985)
- Batman (r5 p1, 1989)
- Diamonds and Pearls (r1 p3, 1991)
- Janet Jackson
- Michael Jackson's younger sister
- Regular in the television shows
- Good Times
- Diff'rent Strokes
- Fame
- In 1986 she began working with producer-songwriters Jimmy Jam and Terry Lewis
- From the band the Time
- The Time was produced by Prince
- The 1986 album Control topped the pop and rhythm and blues charts
- Contained six top five singles
- Projected a new image of confidence and independence
- Hard-driving hip-hop and funk beats
- Rhythm Nation 1814 (1989) topped both charts
- Contained seven top five hit singles
- More serious and socially conscious tone than Control
- The 1993 album janet: tremendous success
- Projected a more adult-oriented image
- Six hit singles
- "That's the Way Loves Goes" from janet
- Rose to the top of the charts
- Includes samples of James Brown's "Papa Don't Take No Mess"
- Representative example of the Jackson/Jam/Lewis approach
- Controversial Rolling Stone cover photo
- Jackson is topless
- Her breasts covered by someone's hands
- Strong emphasis on video in Janet Jackson's musical presentation
- Dancing as important as singing
- Janet Jackson became one of the most successful artists of the 1990s
- Olivia Newton-John
- From Australia
- Her pre-MTV image paved the way for Madonna and Janet Jackson
- Series of country-flavored hits in the 1970s
- "Let Me Be There" (p6, 1973) and
- "If You Love Me Let Me Know" (p5, 1974)
- Easy-listening pop songs
- "I Honestly Love You" (p1, 1974)
- "Have You Ever Been Mellow" (p1, 1975)
- Starred in the film Grease in 1978
- The film included hits for Newton-John
- "You're the One That I Want"
- Duet with John Travolta
- The album Totally Hot (p7, 1979) showed a change in image
- Introduced a sexier image
- "A Little More Love" (p3)
- Another movie, Xanadu (1980)
- Less successful than Grease
- "Magic" (p1, 1980)
- The album Physical (P6, 1981) was a chart success
- "Make a Move on Me" (P5)
- Title cut "Physical" is among her best-known hits
- Dance beat
- Heavy synthesizer tracks
- British pop on MTV
- MTV marketing power quickly grew
- MTV generated success for new British artists
- Bow Wow Wow
- Adam and the Ants
- A Flock of Seagulls
- Howard Jones
- Thomas Dolby
- ABC
- Bands sold records in unexpected places in America
- Places where they had not performed
- Places they had not targeted for marketing
- Duran Duran
- One of the most successful new British groups
- Second album was the first U.S. success: Rio (p6 uk2, 1983)
- "Hungry like the Wolf" (p3 uk5)
- The video went into MTV rotation
- Sparked interest in band's 1981 first album, Duran Duran (p 10, 1983)
- That album was number three in the UK in 1981
- Seven and the Ragged Tiger (p8 uk1, 1983) was a hit album
- "The Reflex" (p1 uk1)
- International hit
- Culture Club
- Exploited the visual side of their act.
- Fronted by singer George "Boy George" O'Dowd
- Dressed in women's clothes
- Sported long dreadlocks
- Music was modeled after the Brill Building approach
- Catchy tunes and hooks
- Boy George's singing style
- Influenced by 1960s and 1970s black pop singers
- Fluid and laid back
- Kissing to Be Clever (p14 uk5, 1983)
- 3 top ten hits
- "Do You Really Want to Hurt Me" (p2 uk1) was one of them
- Played heavily on MTV and on radio
- The next album: Colour by Numbers (p2 uk1, 1983)
- Three more top 10 hits
- "Karma Chameleon" (p 1 uk1) got heavy exposure
- Eurhythmics
- Singer Annie Lennox and Keyboardist David Stewart
- Synth pop and soul-influenced vocals
- Abstract art film approach to videos
- Sweet Dreams (Are Made of This) (p15 uk3, 1983) was their debut album
- Title song of the album reached number one in the United States (uk2)
- Video for the single was avant-garde
- Cow attending a corporate board meeting
- Corporate board meeting in a pasture
- They continued to release successful albums
- Their later albums did better in England than in the United States
- Touch (p7 uk1, 1984)
- Be Yourself Tonight (p9 uk3, 1985)
- We Too Are One (uk1, 1989)
- Tears for Fears
- Band is named after primal scream therapy of Arthur Janov
- Keyboardist Roland Orzabal
- Bassist Curt Smith
- Stylistic approach is British synthesizer pop
- First album, The Hurting (uk1), was a UK hit but not successful in the United States
- Songs from the Big Chair (p 1 uk2, 1985) was an international hit
- Two number one American hits
- "Everybody Wants to Rule the World" (uk2)
- "Shout" (uk4)
- Heavy rotation on MTV
- Reminiscent of progressive rock
- The lyrics deal with serious topics
- Music is sometimes complicated
- No breaks between songs on the albums
- The Seeds of Love (p8 uk1, 1989) was the last big record for the band
- The hippie aesthetic in videos
- Music videos pushed the conceptual boundaries
- Comparable to concept albums of the 1970s
- Concept albums pushed musical boundaries
- Videos explored ways to fuse images to music
- Artistic ambition is present in both mediums
- Progressive rock explored serious themes
- The album package was the focus of 1970s progressive rock
- Music videos became the focus of the same kind of creative inspiration in the 1980s
- The continuing development of New Wave
- The Police
- Built their career out of their music rather than MTV exposure
- Andy Summers (guitar)
- Sting (bass and vocals)
- American drummer Stewart Copeland
- Went through a stylistic evolution
- Started with a punk-oriented style
- Gradually became more sophisticated
- Intricate musical arrangements
- Poetic and intellectual lyrics
- First hit single, "Roxanne" (p32, 1979) has a strong reggae influence
- Their first album, Outlandos d'Amour (p23, 1979) relies on punk simplicity
- Fifth album title, Synchronicity (p1 ukl, 1983) drawn from the psychological writings of Carl Jung
- Eight singles in the American top ten during the early 1980s
- "Every Breath You Take" (p1, 1983) went to number one
- Four of their five studio albums and five singles went to number one in the UK
- "Don't Stand So Close to Me" exemplifies their musical approach
- Skillfully executed music
- Guitar part is washes of sound
- Little emphasis on soloing
- Drumming is a complex rhythmic accompaniment
- Mysterious lyric atmosphere about a teacher's romantic attraction to his young student
- U2
- Formed in Ireland
- Approach similar to that of the Police in their music
- Simple songs
- Innovative arrangements
- Poetic quality in singer Bono's lyrics
- Lead Guitarist The Edge creates rich guitar textures
- Early albums were moderately successful
- War (p12 uk1, 1983)
- The Unforgettable Fire (p12 uk1, 1984)
- Enormously successful albums began with The Joshua Tree (p1 uk1, 1987)
- Worked with producers Brian Eno and Daniel Lanois
- "Pride (In the Name of Love)"
- Repeated-note guitar figures soaked in echo
- One of the band's most recognizable sonic signatures
- Lyrics about people who have given their lives in the name of love
- In impassioned vocal lines the chorus illustrates the cause for which their lives were given
- Band's success continues to the present day
- Split Enz
- Formed in the 1970s in Australia
- Led by brothers Tim and Neil Finn
- Experimental, post-psychedelic band
- Acquired strong pop style by the end of the '70s
- Beatles style tunes
- Neil Finn later formed Crowded House
- Men at Work
- Sounded similar to the Police
- Business as Usual (uk1 p1, 1982) contained two hits
- "Who Can It Be Now" (uk45 p1)
- "Down Under" (uk1 p1)
- XTC
- Formed in England
- Led by the songwriting of guitarist Andy Partridge and bassist Colin Moulding
- Best known for the album Black Sea (uk16 p41, 1980) with the single "Generals and Majors"
- Squeeze
- British Invasion influences
- Style compared to Beatles
- Led by songwriters Chris Difford and Glenn Tilbrook
- Soulful lead vocals of Paul Carrack
- British press compared songwriters to Lennon/McCartney
- British chart success
- The single "Cool for Cats" (uk2, 1979)
- Album East Side Story (uk19 p44, 1981)
- College rock underground
- University of Georgia
- College rock started in Athens, Georgia
- Home of the University of Georgia
- R.E.M. formed in Athens, Georgia
- The band was involved in the origin of the college rock scene
- The college rock scene nurtured an independent attitude
- Celebrated its lack of affiliation with major labels
- College rock radio played recordings released by small independent labels
- College rock radio played recordings released by the bands themselves
- Noncommercial so no corporate influence on the stations
- R.E.M.
- Led by guitarist Peter Buck and vocalist Michael Stipe
- String of successful albums in the second half of the 1980s
- Inspiration from late 1970s new wave
- Strongly influenced by new wave's sense of irony and alienation
- More chart success in the United States than the UK
- The band's fifth album, Document, rose to number ten on the charts in 1987
- The single "The One I Love" hit number nine on the American charts
- 1991's Out of Time reached number one in the United States and UK
- Two singles on Out of Time enhanced the album's success
- "Losing My Religion" (p4 uk19)
- "Shiny Happy People" (p10 uk6)
- The Smiths
- Came up through the British underground scene
- Popular only in England
- Their music inspired the college rock scene in the states
- Built around songwriting talents of guitarist Johnny Marr and vocalist Morrissey
- The Smiths' albums topped the British charts
- The album The Smiths (uk2, 1984) contained the single "What Difference Does It Make?" (uk12)
- Meat Is Murder (uk1, 1985) was a very successful release in the UK
- The Queen Is Dead (uk2, 1986) also successful in the UK
- Girls Just Wanna Have Fun
- Late 1970s women in rock
- Blondie and the B-52s employed the early 1960s girl-group image
- Other women nurtured more aggressive and sensual female images in the early 1980s
- Pat Benatar
- Olivia Newton-John
- The Go-Go's
- First successful all-female new wave band
- Fronted by singer Belinda Carlisle
- The Go-Go's drew from pre-hippie '60s images
- Band name is derived from "go-go girls"
- Go-Go girls were mini-skirted dancers employed by nightclubs
- Their job was to dance in highly visible locations
- Beauty and the Beat (p1, 1981) contained the single "We Got the Beat" (p2)
- Carlisle became a solo artist after the band's short-lived success
- Her second album, Heaven on Earth (p13 uk4, 1987) contained three hits
- One of them, "Heaven Is a Place on Earth," topped American and British charts
- Cyndi Lauper
- First album: She's so Unusual (p4 uk16, 1984)
- Anthem for girl power in rock, "Girls Just Want to Have Fun" (p2 uk2)
- "Time after Time" (p1 uk3)
- "She Bop" (p3 uk46) has a thinly veiled lyric about female masturbation
- Bangles
- From California
- First album: Different Light (p2 uk3, 1986) contained hit singles
- "Manic Monday" (p2 uk2) written by Prince
- "Walk like an Egyptian" (p1 uk3)
- Folk rock instrumental sound
- Smooth vocal harmonies
- Other examples of women in bands who sing and play instruments
- Heart
- Fleetwood Mac
- The Pretenders
- The Talking Heads
- Go-Go' s
- The New Traditionalists
- Making use of earlier rock styles
- Two ways to utilize elements of earlier rock became clarified
- In an ironic way so as to reject the corporate rock of the 1970s
- To embrace it because the artist truly believed it was better than more current styles
- Tom Petty and the Heartbreakers
- Style and sound was built around nostalgic 1960s folk-rock
- Jingle-jangle Rickenbacker electric 12-string guitars
- Thoughtful lyrics
- Catchy melodies
- Originally considered new wave but reclassified as new traditionalist
- Didn't really change his soundconsistently maintained what was working
- More success in the United States than in the UK at first
- String of successful albums and singles in the states through most of the 1980s
- Hard Promises (p5 uk32, 1981)
- "The Waiting" (p19) received ample airplay
- Southern Accents (p7 uk23, 1985)
- "Don't Come Around Here No More" (p13)
- First solo album: Full Moon Fever (p3 uk8, 1989)
- "Free Fallin'" (p7)
- "I Won't Back Down" (p12)
- The Traveling Wilburys
- All-star, roots-of-rock-and-roll band
- led by ex-Beatle George Harrison
- Tom Petty
- Bob Dylan
- Roy Orbison
- Jeff Lynne from Electric Light Orchestra
- First album: Traveling Wilburys Volume 1 (p3 uk16, 1988)
- "Handle with Care" (p45 uk2l) featured members trading lead vocal parts
- Second album was titled Traveling Wilburys Volume 3 (p11 uk14, 1990)
- Bruce Springsteen and the E-Street Band
- New Jersey-based singer-songwriter
- Springsteen's voice projected the image of an average working-class guy
- Reminiscent of a late 1950s or 1960s white rock and roll singer
- Lyrics draw from the Dylan approach
- Reflection on common emotional and social problems
- Simple music concepts
- Stax influences
- Notable success began with his third album: Born to Run (p3 uk17, 1975)
- Phil Spector's influence in the instrumental arrangement
- Springsteen's greatest success was in the 1980s
- Fifth album, The River (p1 uk2, 1980)
- "Hungry Heart" (p5) featured on the album
- Southern Accents (p7 uk23, 1985)
- Nebraska (p3 uk3, 1982) was more introspective
- Born in the USA (p1 uk1 1984) had six top ten American hits
- "Glory Days" (p5 uk17) among them
- "Born in the USA" among them
- The album Live 1977-1985 (p1 uk4, 1986)
- Tunnel of Love (p1 uk1, 1987)
- Released two albums simultaneously in 1992
- Human Touch (p2 uk1)
- Lucky Town (p3 uk2)
- "Born in the USA"
- Describes the decay of American values in the industrial heartland
- From the perspective of someone who is powerless to bring on change
- Mistakenly interpreted by the Reagan administration as an embrace of American values
- Form is simple but vague in the middle
- 2-bar melodic theme constantly repeated over an 8-bar chord progression
- Form and melody suggest indecision and confusion
- Vietnam veteran in the lyrics is not sure which way to turn
- John Mellencamp
- Began under the name John Cougar
- Central figure in new traditionalism Americana
- Projected image of a homespun small-town Midwesterner
- Interested in social justice and emotional self-understanding
- Radio hit "I Need a Lover" in 1979
- Third album, American Fool (1982) contained two hits
- "Hurts So Good" (p2)
- "Jack and Diane" (p1)
- Followed up with Scarecrow (p2, 1985)
- "Small Town" (p6) featured on that album
- "Small Town" is similar to Springsteen's "Born in the USA"
- Dire Straits
- Led by singer-songwriter-guitarist Mark Knopfler
- Employed a no-nonsense approach in their music
- Strong respect for older styles
- Simpler, more transparent approach to production
- Album Dire Straits (p2 uk5), included a hit single
- "Sultans of Swing" (p4)
- About the virtues of anonymous jazz virtuosos
- Album Brothers in Arms (p1 uk1, 1985), containing a hit single
- "Money for Nothing" (p1 uk4)
- Included Sting on vocals
- Innovative music video
- The Stray Cats
- Dedicated to rockabilly
- Brian Setzer: leader, vocalist, guitar virtuoso
- Drummer Slim Jim Phantom
- Bassist Lee Rocker
- Setzer is considered the world's foremost rockabilly guitarist
- Originally from Long Island
- Moved to London in late 1970s
- Series of British hits
- "Runaway Boys" (uk9, 1980)
- "Rock This Town" (uk9, 1981)
- MTV videos helped bring success in the United States
- "Rock This Town" (p9)
- "Stray Cat Strut" (p3)
- First EMI America release, Built for Speed, (p2) was successful in the United States
- Formed the Brian Setzer Big Band in the 1990s
- Resurgence of Setzer's career with the album Dirty Boogie (1998)
- Rose to the number nine spot in the states
- Two Grammies
- 1980s Blue-Eyed Soul
- Hall and Oates
- Daryl Hall and John Oates
- Strongly influenced by 1960s and 1970s black pop styles
- Hall grew up in Philadelphia
- Worked with Leon Huff, Kenny Gamble, and Thorn Bell
- First American hits in 1976
- "Sara Smile" (p4, 1976)
- "Rich Girl" (p1, 1977)
- Several hits through the first half of the 80s
- Private Eyes (p5 uk8 1981)
- "Private Eyes" - the title cut of the album
- "I Can't Go for That" also on that album
- Big Bam Boom (p5 uk28, 1984) had the single "Out of Touch" (p1 1984)
- Wham!
- Duo of George Michael and Andrew Ridgeley
- Michael was the main creative force
- Wrote most of the songs
- Produced the albums
- Approach Similar to that of Hall and Oates
- Early work inspired by 1960s and 1970s soul singers
- First album chart success in the UK: Fantastic (uk1, 1983)
- First U.S. success, Make It Big (p1 uk1, 1984), had hit singles
- "Wake Me Up Before You Go-Go" (p1)
- "Careless Whisper" (uk1)
- "Everything She Wants"
- "Freedom" (p3 uk1)
- Michael decided to go solo
- Faith (p1 uk1, 1987)
- Michael Bolton
- Continued the blue-eyed soul sound through the late 1980s into the 1990s
- "That's What Love Is All About" (p19, 1987)
- "(Sittin' on) the Dock of the Bay" (p 11 1988)
- Soul Provider (p3 uk4, 1990)
- "How Am I Supposed to Live without You" (p1 uk3)
- "When a Man Loves a Woman" (p1, 1991)
- Continuation of progressive rock and mainstream rock
- Simplification of progressive rock
- Early 1970s progressive rock style: very long and complex
- Yes
- Genesis
- Emerson, Lake and Palmer
- Later 1970s progressive rock style: simplified
- Early 1970s musicians adapted and simplified their style
- Consequently they had greater commercial success in the 1980s
- Genesis
- Peter Gabriel was replaced by Phil Collins on lead vocals
- Album And Then There Were Three (pl4 uk1, 1978) shifted toward a pop style
- A series of more pop style albums and singles followed
- Single "Follow You Follow Me" (p23 uk7)
- Album Duke (p11 uk1, 1980)
- Album Abacab (p7 uk1, 1981)
- Album Invisible Touch (p3 uk1 1986)
- Single "Invisible Touch" (p1 uk15)
- Members went on to release successful solo albums
- Phil Collins: solo artist
- Removed certain characteristics from the Genesis style
- Clever and/or philosophical lyrics
- Sophisticated harmonies
- Extended forms
- Replaced the complexities of Genesis style with more radio-friendly elements:
- Direct lyrics
- Simple harmony
- Tight arrangements
- Released Face Value (p7 uk1) in 1981
- The single "In the Air Tonight" (p19 uk2) received ample radio play
- No Jacket Required (p1 uk1, 1985) had two hit singles
- "One More Night" (p1 uk4)
- "Sussudio" (p1 uk12)
- Very successful Collins album: . . . But Seriously (p1 uk1, 1989)
- "Another Day in Paradise"(p1 uk2) on that album
- Michael Rutherford (Genesis bassist)
- Formed Mike + the Mechanics
- Eponymous debut album did moderately well (p26, 1985) with two top ten hits
- "Silent Running"
- "All I Need Is a Miracle" (p6, 1986)
- Successful album: The Living Years (p13 uk2, 1988)
- Hit single "The Living Years" (p 1 uk2)
- The Jordan approach to blues
- Dance tempos and rhythms found in big band
- Reduced instrumentation: rhythm section and his saxophone
- Upbeat humorous lyrics and stage antics
- Influenced groups like the Coasters and Chuck Berry
- Peter Gabriel
- Released four solo albums
- All were named Peter Gabriel
- The fourth was titled Security in the United States
- Breakthrough album in 1986 So (p2 uk1)
- "Sledgehammer" (p1 uk4)
- "Big Time" (p8 uk13)
- Innovative videos
- Lots of MTV exposure
- "Sledgehammer" draws from the roots of rock and roll
- Lyrics are tribute to the hokum blues in Joe Turner's "Shake, Rattle, and Roll" (l954)
- Playfully allude to sexuality
- Double meaning title of the song
- Two-part form
- Reflects southern soul approach
- Loose jam at the end of the song
- Yes
- Singer Jon Anderson and keyboardist Rick Wakeman left
- Replaced by Trevor Horn and Geoff Downes
- Trevor Horn and Geoff Downes also existed separately as the Buggles
- The Buggles' "Video Killed the Radio Star" inaugurated MTV
- The last 1970s progressive rock album: Drama (p18 uk2, 1980)
- Geoff Downes, Trevor Horn, and Steve Howe left
- Yes recruited South African singer-songwriter-guitarist Trevor Rabin
- Jon Anderson returned
- Released the album 90125 (p5 uk16, 1983)
- "Owner of a Lonely Heart" single from 90125 was their first number one in the U.S.
- Asia
- Howe (guitar) and Downes (keyboards) from Yes
- Carl Palmer (drums)
- John Wetton from King Crimson (vocals)
- Short but successful career
- Band's first album Asia (p1 uk11 1982) had two hit singles
- "Heat of the Moment" (p4) and "Don't Cry" (p10)
- Next album Alpha (p6 uk5, 1983) was successful as well
- Howe formed G.T.R. with former Genesis guitarist Steve Hackett
- That band's only album, G.T.R. (p 11, 1986)
- "When the Heart Rules the Mind" (p14) was an American hit
- Emerson, Lake and Powell
- Keith Emerson and Greg Lake regrouped with drummer Cozy Powell
- Released Emerson, Lake & Powell (p23, 1986)
- Bands and artists who continued on
- The 1980s made it clear that rock careers could span decades
- Foreigner
- 4 (p1 uk5, 1981)
- Agent Provocateur (p4 uk1, 1984)
- "I Want to Know What Love Is" (p1 uk1)
- Styx
- Kilroy Was Here (p3, 1983)
- "Mr. Roboto" (p3)
- Boston
- Third Stage (p1 1986)
- "Amanda" (p1 )
- David Bowie
- Let's Dance (p4 uk1, 1983)
- Billy Joel
- An Innocent Man (p4 uk2, 1983)
- "Tell Her about It" (p1 uk4) and
- "Uptown Girl" (p3 uk1)
- Storm Front (p1 uk5, 1989)
- "We Didn't Start the Fire" (p1 uk7)
- Rolling Stones
- Tattoo You (pt uk2, 1981)
- The classic "Start Me Up" (p2 uk7)
- Undercover (p4 uk3)
- Dirty Work (p4 uk4, 1986)
- Steel Wheels (p3 uk2, 1989)
- Paul McCartney
- 1982's Tug of War (p1 uk1)
- Old school newcomers
- Some new bands arrived with earlier styles
- They were clearly influenced by earlier artists
- AC/DC
- Influenced by the British blues revival (Zeppelin or Deep Purple)
- Powerful guitar playing by Angus Young
- High raspy vocals by Bon Scott (replaced by Brian Johnson)
- Formed in Australia in 1973 and built their popularity there
- Released a consistent string of hit records that influenced new California heavy metal bands
- Broke on to the U.S. charts with Highway to Hell (p 17) in 1979
- Back in Black (p4, 1980)
- Dirty Deeds Done Cheap (p3, 1981)
- Huey Lewis and the News
- Built their image on nostalgic rock styles from earlier times
- Sunny feel-good songs
- Formed in San Francisco in 1980
- Radio friendly songs that received generous airplay
- Regular rotation on MTV
- String of hits that spanned the first half of the 1980s
- Exemplified by their 1986 "Hip to Be Square" (p3)
- "Do You Believe in Love" (p7, 1982)
- The album Sports (p1, 1983)
- The album Fore! (p1, 1986)
- "The Power of Love" (p1, 1985) appeared in the film Back to the Future