introchapter 1chapter 2Interlude Achapter 3chapter 4chapter 5Interlude Bchapter 6chapter 7chapter 8Interlude Cchapter 9chapter 10chapter 11chapter 12chapter 13
Chapter 11
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  • The Motown twenty-fifth anniversary TV special
    • March 25, 1983, Motown Records held a televised concert
      1. Motown was in need of publicity
      2. Motown was experiencing financial difficulty
        • Berry Gordy Jr. had moved the label to Los Angeles in 1970
        • Heavy investment in film production
        • Funk Brothers had been disbanded
        • Stevie Wonder the only consistent artist still with the label
        • New artists weren't selling
        • Music videos were expensive to produce
    • Michael Jackson on Epic Records
      1. In 1983 he was the biggest pop star in the world
      2. 1982 album Thriller was becoming the most popular record in history
      3. Single-handedly integrated MTV with high-production videos
        • "Billie Jean"
        • "Beat It"
        • "Thriller"
      4. Jackson 5 agreed to a reunion performance on two conditions:
        • Michael would get a "solo" performance set
        • Michael would be top bill at the end of the show
      5. Jackson's set is a legendary television performance
        • Wearing a sequined tuxedo, glittering socks, trademark single glove
        • Spectacular choreography
        • Outstanding vocal delivery
        • climax of his set was the "Moonwalk" dance move During "Billie Jean"
  • Overall irony
    • The event is legendary
      1. Highlight was top bill of a non-Motown artist, Michael Jackson
      2. Jackson: last artist signed to Motown while in Detroit
      3. Artists who contributed more to the label also performed
    • James Jamerson
      1. One of the most important musical contributors
        • Virtuoso bass player
        • Leader of the session band
      2. Did not perform on the special
        • Was not invited
        • Had to pay for his own ticket
      3. Died shortly after the special
        • Unrecognized by the general public for his work
        • Acknowledgment in 2002 documentary Standing in the Shadows of Motown


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