introchapter 1chapter 2Interlude Achapter 3chapter 4chapter 5Interlude Bchapter 6chapter 7chapter 8Interlude Cchapter 9chapter 10chapter 11chapter 12chapter 13
Chapter 3
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  • Box 3.1 American Bandstand
    • Networks versus independent broadcasters
      1. Television paralleled the trends in radio
      2. Major labels dominated the music played on network TV and network radio
        • More conservative mainstream pop was preferred by more conservative advertisers
        • Directed at more conservative middle-class tastes
      3. Independent record labels built affiliations with local radio and local TV
        • Newer styles were presented on these programs
        • Rhythm and blues, country and western and, of course, rock and roll
      4. Popular local disk jockeys were hired to appear on local TV shows dedicated to these styles of music
        • Shows featured dancing, comedy, short films
        • There were dozens of these local shows on the air during the 1950s
    • Bandstand was originally a radio show hosted by Bob Horn on WFIL AM in Philadelphia
      1. He was asked to convert it to television in 1952
      2. Emphasis on dancing
      3. Horn was replaced by Dick Clark in 1956
      4. The became very popular and was picked up by ABC and broadcast nationally in 1957
    • Bandstand becomes "American Bandstand"
      1. Within a month it was the top rated daytime television show in America
      2. Continued to be produced in Philadelphia
      3. Dick Clark given an unusual amount of freedom to pick songs he wanted on the show
      4. Clark presented a balanced amount of black and white performers
      5. This helped soothe racial tensions in a unique way by approaching it from the young person's viewpoint
    • American Bandstand remained on the air until well after the appearance of MTV in the 1980s


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