The Musician's Guide to Theory and Analysis
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FLASH CARDS INDEX FLASH CARDS - Random Shuffle   


 Chapter 1 - Pitch and Pitch Class


 Chapter 2 - Beat, Meter, and Rhythm: Simple Meters


 Chapter 3 - Pitch Collections, Scales, and Major Keys


 Chapter 4 - Minor Keys and the Diatonic Modes


 Chapter 5 - Beat, Meter, and Rhythm: Compound Meters


 Chapter 6 - Pitch Intervals


 Chapter 7 - Triads and Seventh Chords



 Chapter 8 - Intervals in Action (Two-Voice Composition)


 Chapter 9 - Melodic and Rhythmic Embellishment in Two-Voice Composition


 Chapter 10 - Notation and Scoring


 Chapter 11 - Voicing Chords in Multiple Parts: Instrumentation



 Chapter 12 - The Basic Phrase Model: Tonic and Dominant Voice-Leading


 Chapter 13 - Embellishing Tones


 Chapter 14 - Chorale Harmonization and Figured Bass


 Chapter 15 - Expanding the Basic Phrase: Leading-Tone, Predominant, and 64 Chords


 Chapter 16 - Further Expansions of the Basic Phrase: Tonic Expansions, Root Progressions, and the Mediant Triad


 Chapter 17 - The Interaction of Melody and Harmony: More on Cadence, Phrase, and Melody


 Chapter 18 - Diatonic Sequences


 Chapter 19 - Intensifying the Dominant: Secondary Dominants and Secondary Leading-Tone Chords; New Voice-Leading Chords


 Chapter 20 - Phrase Rhythm and Motivic Analysis



 Chapter 21 - Tonicizing Scale Degrees Other Than V


 Chapter 22 - Modulation to Closely Related Keys


 Chapter 23 - Binary and Ternary Forms


 Chapter 24 - Color and Drama in Composition: Modal Mixture and Chromatic Mediants and Submediants


 Chapter 25 - Chromatic Approaches to V: The Neapolitan Sixth and Augmented Sixths



 Chapter 26 - Popular Song and Art Song


 Chapter 27 - Variation and Rondo


 Chapter 28 - Sonata-Form Movements


 Chapter 29 - Chromaticism



 Chapter 30 - Modes, Scales, and Sets


 Chapter 31 - Music Analysis with Sets


 Chapter 32 - Sets and Set Classes


 Chapter 33 - Ordered Segments and Serialism


 Chapter 34 - Twelve-Tone Rows and the Row Matrix


 Chapter 35 - New Ways to Organize Rhythm, Meter, and Duration


 Chapter 36 - New Ways to Articulate Musical Form


 Chapter 37 - The Composerís Materials Today