Anthology of Baroque Music
Available recordings:
1 |
Jacopo Peri, L’Euridice (1600), Prologue and excerpt from Scene 2 Arts Music 47274‑2 (1992). Ensemble Arpeggio; Roberto de Caro, conductor Non-commercial recording from the University of Illinois–Prologue. Non-commercial recording from the University of Illinois–Excerpt from Scene 2. Christin Hill, Tragedia (Prologue); Bruce Gladstone, Orfeo; Jori Johnson, Arcetro; Elizabeth Campbell, Dafne; Chad Peiper, violin; Nichole Mainman, cello; Kerry Heimann, harpsichord and organ; Victor Coelho, chittarone; James Tyler, lute; John Walter Hill, director |
2 |
Emilio de’ Cavalieri, Rappresentatione di anima, et di corpo (1600), excerpt EMI Classics 7243 8 26538 2 0 (1976/2000). Collegium Vocale KöÌn |
3 |
Giulio Caccini, Deh, dove son fuggiti (1602) Venetia CVJ 1; LCCN: 91‑756691. Madrigali, arie & canzoni. Accademia Claudio Monteverdi Venezia |
4 |
Giulio Caccini, Udite, udite amanti (1602) Arion ARN 268190 (1992). Le nuove musiche. Maurizia Barazzoni and Sandro Volta |
5 |
Giulio Caccini, Torna, deh torna, pargoletto mio (1602) Deutsche Harmonia Mundi 77164‑2‑RG (1984). Le nuove musiche. Montserrat Figueras, soprano |
6 |
Giuseppino Cenci, Io che l’età solea (ca. 1600) Non-commercial recording from the University of Illinois. Richard Rossi, soprano; Kerry Heimann, harpsichord |
7 |
Sigismondo d’India, Riede la primavera (1609) Lyrinx LYR CD 043 (1985). Le monde etrange de Sigismondo d’India. Claudine Ansermet, soprano; Ensemble Hoc Opus 111 |
8 |
Orazio Michi dell’Arpa, Su l’oriente (ca. 1630) Non-commercial recording from the University of Illinois. Richard Rossi, soprano; Kerry Heimann, harpsichord |
9 |
Luigi Rossi, Hor che l’oscuro manto (ca. 1640) Pleiades P103 (197_?). Chamber music for soprano and continuo. Sylvia Stahlman, soprano; Albert Fuller, harpsichord |
10 |
Claudio Monteverdi, L’Orfeo (1607), excerpts Teldec 8.35020 ZA (1985). Concentus Musicus Wien; Nikolaus Harnoncourt, conductor |
11 |
Francesca Caccini, La liberazione di Ruggiero dall’isola d’Alcina (1625), excerpt Nannerl Recordings NR‑ARS 003 (1994). James Rittenhouse, Linda De Rungs, Cecilia Amorocho, L. Ernest Gross, Ars Femina Ensemble |
12 |
Stefano Landi, Il S. Alessio (1632), Act I, Scenes 2–4 Erato 0630‑14340‑2 (1995). Maryseult Wieczorek, Patricia Petibon, Mhairi Lawson, Sophie Marin‑Degor, Cécile Eloir, Stéphanie Révidat, sopranos; Steve Dugardin, Katalin Károlyi, Armand Gavriilidès, altos; Christopher Josey, tenor; Nicolas Rivenq, Clive Bayley, Bertrand Bontoux, basses; Les Arts florissants; William Christie, conductor |
13 |
Claudio Monteverdi, Hor ch’el ciel e la terra (1638) Harmonia Mundi France HMC 901736.37. Madrigali guerrieri ed amorosi. Salome Haller, Maria Cristina Kiehr, sopranos; Bernarda Fink, Marisa Martins, mezzo‑sopranos; Christophe Laporte, countertenor; Mario Zeffiri, Kobie van Rensburg, John Bowen, Jeremy Ovenden, tenors; Victor Torres, baritone; Antonio Abete, Renaud Delaigue, basses; Concerto Vocale; René Jacobs, conductor |
14 |
Giovanni Girolamo Kapsberger, Toccata no. 5 (1604) Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file |
15 |
Girolamo Frescobaldi, Toccata nona (1627) Astrée Naïve E 8839 (1996). Partite & toccate. Pierre Hantaï, harpsichord |
16 |
Alessandro Piccinini, Ciaconna in partite variate (1623) Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file |
17 |
Girolamo Frescobaldi, Partite sopra passacagli (1627) Astrée Naïve E 8839 (1996). Partite & toccate. Pierre Hantaï, harpsichord |
18 |
Giovanni Salvatore, Versi sopra il Kyrie (1641) Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file |
19 |
Adriano Banchieri, Fantasia prima (1603) Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file |
20 |
Girolamo Frescobaldi, Canzon quarti toni, dopo il post comune (1635) Astrée Auvidis E 8714. Fiori musicali. Rinaldo Alessandrini, organ |
21 |
Giovanni Paolo Cima, Sonata, violino e violone (1610) Sony Classical S2K 66254 (1994). The Feast of San Rocco. La Capella Ducale |
22 |
Giovanni Battista Fontana, Sonata 6 (before 1630) Accord 200272. 12 sonate a 1. 2. 3 per il violino o cornetto, fagotto, chitarrone, violoncino o simile `altro istromento. Clemencic Consort |
23 |
Biagio Marini, Sonata sopra la monica (1629) Dorian DOR‑93200. Sprezzatura: virtuoso music of 17th‑century Italy. La Luna: Ingrid Matthews, Scott Metcalfe, violins; Emily Walhout, violoncello; Byron Schenkman, harpsichord and organ |
24 |
Giovanni Battista Buonamente, Sonata quarta (1626) Non-commercial recording from the University of Illinois. Robin Kearton, violin; Laura Langton Yeh, violin; Karra Duchi, cello; Sonia Lee, harpsichord |
25 |
Marco Uccellini, Sonata prima a violino solo detta la vittoria trionfante (1645) Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file |
26 |
Marco da Gagliano, Vinea mea electa (ca. 1610) Non-commercial recording from the University of Illinois. Daniel Bahr, alto; Stephen Sieck, tenor; Jung-Il Choi, tenor; Jong-Hoon Han, bass; Patrizia Metzler, director |
27 |
Lodovico Viadana, Duo seraphim clamabant (1602) Non-commercial recording from the University of Illinois. Sherezade Panthaki, soprano; Daniel Bahr, alto; Kerry Heimann, organ; also Ploix SM 33‑41; E (196_?). Schola du Grand Scolasticat des Pères du Saint Esprit de Chevilly; Lucien Deiss, conductor. |
28 |
Caterina Assandra, O salutaris hostia (1609) Non-commercial recording from the University of Illinois. Sherezade Panthaki, soprano; Jong-Hoon Han, bass; Jolanta Sosnowska, violin; Benjamin Hayek, cello; Kerry Heimann, organ; Patrizia |
29 |
Claudio Monteverdi, Nigra sum (1610) EMI CDS 7470788. Vespro della Beata Vergine (1610). Taverner Consort; Andrew Parrott, director |
30 |
Giacomo Carissimi, Historia di Jephte (before 1650) Deutsche Harmonia Mundi 05472 77322 2. Roman oratorios. Cantus Cölln; Imke David, lirone; Lidewij Scheifes, violoncello; Carsten Lohff, organ and harpsichord; Konrad Junghänel, lute and director |
31 |
Giovanni Gabrieli, In ecclesiis (ca. 1605) Archiv Produktion 00289 477 0862 (1995). Gabrieli Consort & Players; Paul McCreesh, conductor |
32 |
Lambert de Beaulieu, Balet comique de la Royne (1581), Dialogue France K617 (1997). Le balet comique de la royne. Caroline Pelon, soprano; Pascal Bertin, Ryland Angel, countertenors; Antonio Abete, bass; students and professors of the Centre de Musique Ancienne de Genève and of the Conservatoire National Supérieur de Musique de Lyon; Ensemble Elyma; Gabriel Garrido, conductor |
33 |
Pierre Francisque Caroubel, Passameze and Gaillarde (before 1611) L’Oiseau‑Lyre 414 633‑2 (1986). Dances from Terpsichore. New London Consort, Philip Pickett, director |
34 |
Michel Mazuel, Dances from the Ballet du roy des festes de Baccus (1651) Auvidis Fontalis ES 9908 (1996). Suites d’orchestre. Le Concert des nation, Jordi Savall, conductor |
35 |
Anon., Ma belle si ton ame (1603) Pure Classics 779 013‑2 (2000). Air(s) de cour. Jean‑Paul Fouchécourt, tenor; Eric Bellocq, lute |
36 |
Pierre Guédron, Quel excès de douleur (1620) Harmonia Mundi HMC 901079 (1981). Airs de cour. Concerto vocale: René Jacobs, countertenor; Konrad Junghänel, theorbe and baroque lute; Wieland Kimura, Dirk Verelst, violas |
37 |
Antoine Francisque, Prelude and Courante (1600) Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file |
38 |
René Mesangeau, Allemande from Lute (ca. 1630) Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file |
39 |
Ennemond Gaultier, Tombeau de Mazangeau (ca. 1638) Stradivarius STR 33433 (1996). Pieces de luth mises en musique par le Sr. Perrine pour le luth ou le clavessin, Paris, 1680. Paola Erdas, harpsichord |
40 |
Denis Gaultier, Mode Ionien [suite for lute] (1648) Accord 200702 (1989). La rhétorique des dieux. Louis Pernot, lute |
41 |
René Mesangeau, Sarabande for Keyboard (ca. 1630) Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file |
42 |
Jacques Champion de Chambonnières, Dances for Keyboard (ca. 1648) Deutsche Harmonia Mundi 05472‑77210‑2 (1993). Chambonnières, Suites, pavannes, préludes. Skip Sempé, harpsichord |
43 |
Eustache Du Caurroy, Unziesme Fantasie (1610) Astrée AS 86 (1982). Fantaisies. Hespèrion XX; Jordi Savall, conductor |
44 |
Étienne Moulinié, Fantasie [for viols] (1639) Harmonia Mundi France HMA 1901055 (1980). Cantique de Moÿse. Les arts florissants; William Christie, conductor |
45 |
Jehan Titelouze, Magnificat Primi Toni (1626) Chanvrelin : CHVR 015 (1999). Pièces à la Vierge. Nicolas Gorenstein, organ |
46 |
Charles Racquet, Fantasie (ca. 1636) Hyperion CDA66387 (1989). Magnificat. Edward Higginbottom, organ |
47 |
Eustache Du Caurroy, Victimae paschali laudes (1609) Collins 14972 (1996), Renaissance Masterpieces, Volume 3, Paris; or CRD Records CRD 3518 (2002), Eustache Du Caurroy, Requiem Mass & Motets. Choir of New College, Oxford; Edward Higginbottom, director |
48 |
Guillaume Bouzignac, Ecce homo (ca. 1640) Harmonia Mundi HMC 901471 (1993). Motets, Te Deum. Les arts florissants; Les pages de la Chapelle; Ensemble de violes Orlando Gibbons; William Christie, conductor |
49 |
Gregor Aichinger, Tres sunt qui testimonium dant (1607) Non-commercial recording from the University of Illinois. Daniel Bahr, alto; Stephen Sieck, tenor; Felipe Gasper, bass; Kerry Heimann, organ; Patrizia Metzler, director |
50a |
Nikolas Herman, “Erschienen ist der herrliche Tag,” chorale (1560) Cantoris Records CRCD 6031 (1996). Rites of spring. Trinity Baroque; Julian Podger, director |
50b |
Johann Hermann Schein, Erschienen ist der herrliche Tag (1626) Haydn Society HSE 9102 (1964). A Treasury of Early Music, Vol 3. Danish soloists and ensembles, under the supervision of Mogens Wöldike |
51 |
Heinrich Schütz, O quam tu pulchra, SWV 165 (1629) Accent ACC 9178 D (1991). Symphoniae sacrae I. Barbara Borden, Nele Gramss, sopranos; Rogers Covey‑Crump, countertenor; John Potter, Douglas Nasrawi, tenors; Harry van der Kamp, bass; Concerto Palatino |
52 |
Heinrich Schütz, Was hast du verwirket, SWV 307 (1639) Harmonia Mundi France HMC 901651 (1997). Kantate. Andreas Scholl, countertenor; Concerto di Viole; Basel Consort |
53 |
Heinrich Schütz, Saul, Saul, was verfolgst du mich, SWV 415 (1650) Musikproduktion Dabringhaus und Grimm MDG 332 1170‑2 (2003). Musicalische Vesper. Kölner Kammerchor; Collegium Cartusianum; Peter Neumann, conductor |
54 |
Jan Pieterszoon Sweelinck, Ricercar del nono duono (ca. 1610) Hyperion CDA67421/2 (2002). Sweelinck, Keyboard Music. Christopher Herrick, organ |
55a |
Chorale Ich ruf zu dir, herr Jesu Christ |
55b |
Samuel Scheidt, Fantasia à 4 Voc. super: ich ruffe zu dir, Herr Jesu Christ, SSWV 114 (1624) Musikproduktion Dabringhaus und Grimm MDG 614 1155‑2 (2002). Tabulatura nova. Franz Raml, organ |
56 |
Johann Froberger, Canzon (1649) Globe GLO 6022 (1994). The Complete Keyboard Works. Richard Egarr, organ |
57 |
Johann Froberger, Allemand, Courant, & Saraband (1649) Globe GLO 6022 (1994). The Complete Keyboard Works. Richard Egarr, harpsichord |
58 |
Paul Peuerl, Dances (1611) Non-commercial recordings from the University of Illinois Georgsmarienhütte CPO 999 792‑2 (2001). Lieder, Suites & Canzonas. Armonico Tributo, Lorenz Duftschmid, conductor |
59 |
Heinrich Albert, O der rauhen Grausamkeit! (1640) Deutsche Harmonia Mundi HM/IOM 906‑2 (1988). Musikalische Kürbishütte und Lieder von Liebe und Tod. Cantus Cöllin |
60 |
John Jenkins,
Fantasia in Four Parts (ca. 1640) Naxos 8.550687 (1992). All in a Garden Green. Rose Consort of Viols. Also available on Naxos 8.551203 (1995). An Introduction to Early Music. Various performers, including the Rose Consort of Viols. |
61 |
John Coprario, Fantasia-Suite no. 1 (ca. 1622) Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file |
62 |
John Dowland, The Frog Galliard (ca. 1610) Virgin Classics : CDC 7243 5 45288 2 8 (1996). Treasures from My Minde. Jacob Heringman, lute |
63 |
John Lawrence, Coranto for Lute (ca. 1625) Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file |
64 |
Orlando Gibbons, See, See, the Word Is Incarnate (ca. 1620) |
65 |
John Dowland, Far from Triumphing Court (1610) Decca 289 466 917‑2 (1999). A Musicall Banquet. Andreas Scholl, countertenor; Edin Karamazov, lute |
66 |
Francesco Cavalli, Giasone (1649), excerpts Harmonia Mundi France HMX 2901282‑‑HMX 2901284 (1988). Catherine Dubosc, soprano; Gloria Banditelli, mezzo‑soprano; Michael Chance, countertenor; supporting soloists; Concerto vocale; Réne Jacobs, conductor |
67 |
Antonio Cesti, Orontea (1656), Act II, scenes 17–18 Harmonia Mundi HMC 901100‑‑HMC 901102 (1982). Helga Müller Molinari, mezzo‑soprano; Concerto Vocale; René Jacobs, director |
68 |
Alessandro Stradella, “Dimmi Amor,” in Moro per Amore (ca. 1680) Bongiovanni GB 2153‑2 (1992). Roberta Invernizzi, Silvia Piccolo, Maria Grazia Liguori, sopranos; Marco Lazzara, Valeria Matacchini, contraltos; Marco Beasley, tenor; Riccardo Ristori, bass; Alessandro Stradella Consort; Esteban Velardi, conductor |
69 |
Barbara Strozzi, L’Eraclito amoroso (11651) Harmonia Mundi France HMC 905249 (1998). Arie, lamenti e cantate. Susanne Rydén, soprano; Musica Fiorita |
70 |
Antonio Cesti, Languia già l’alba (ca. 1660) Pleiades P103 (1971). Chamber Music for Soprano and Continuo: Italian Cantatas of the 17th and Early 18th Centuries. Sylvia Stahlman, soprano; Albert Fuller, harpsichord |
71 |
Marco Marazzoli, San Tomaso (ca. 1650) Deutsche Harmonia Mundi 05472 77322 2 (1994). Cantus Cölln; Imke David, lirone; Lidewij Scheifes, violoncello; Carsten Lohff, organ and harpsichord; Konrad Junghänel, lute and director |
72 |
Alessandro Stradella, San Giovanni Battista (1675), Part 2, excerpt Erato 2292‑45739‑2 (1992). Catherine Bott, soprano; Christine Batty, mezzo‑soprano; Gerard Lesne, alto; Richard Edgar‑Wilson, tenor; Philippe Huttlenlocher, bass; Les Musiciens du Louvre; Marc Minkowski, conductor |
73 |
Giacomo Carissimi, Suscitavit Dominus (1665) Naxos 8.555076 (2000). Ten Motets. Consortium Carissimi; Vittorio Zanon, conductor |
74 |
Isabella Leonarda, Ave suavis dilectio (1676) Opus 111 OPS 30‑206 (1997). La musa novarese. Loredana Bacchetta, soprano; Caterina Calvi, contralto; Gianluca Ferrarini, tenor; Luca Ferracin, bass; Gruppo Vocale Musica Laudantes; Riccardo Doni, maestro del coro; Cappella Strumentale del Duomo di Novara; Paolo Monticelli, conductor |
75 |
Jean-Baptiste Lully, Airs pour le carrousel de monseigneur, LWV 72 (1686) Accord 461 811‑2 (2000). Lully, ou, Le musicien du soleil., Vol. 3. La Simphonie du Marais; Hugo Reyne, conductor |
76 |
Louis Couperin, Tombeau de M. de Blancrocher (ca. 1652) Naxos 8.555936 (2001). Tombeau de M. de Blancrocher: Preludes, Pavane, Galliarde. |
77 |
Louis Couperin, Prélude (ca. 1657) Naxos 8.555936 (2001). Selected Harpsichord Works. Glen Wilson, harpsichord |
78 |
Jean de Sainte-Colombe, Concert “Le tender” (ca. 1670) Astreé ES 9933 (1992). Concerts à deux violes esgales, Tome II. Jordi Savall, Wieland Kuijken, viole da gamba |
79 |
Henry Du Mont, Tristitia vestra (1652) Ricercar RIC 120109 (1992). Cantica sacra. Ricercar consort, vocal‑instrumental ensemble; Bernard Foccroulle, organ |
80 |
Jean-Baptiste Lully, Alceste, ou le triomphe d’Alcide, LWV 50 (1674), Act I Astrée Auvidis E 8527 (1992). Colette Alliot‑Lugaz, soprano; Howard Crook, tenor; Jean‑Philippe Lafont, baritone; supporting soloists; La Grande Ecurie et la chambre du roy; Ensemble vocal Sagittarius; Jean‑Claude Malgoire, conductor |
81 |
Carlos Patiño, Maria, mater Dei (ca. 1640) Glissando 779 005‑2 (1999). Salve reyna: música española. Capilla Peñaflorida, Josep Cabré, conductor |
82 |
Juan Gutiérrez de Padilla, A siolo flasiquiyo (1653) Urtext UMA2011 (1999). Mexico barroco / Puebla I: Maitines de Navidad 1652. Angelicum de Puebla; Benjamín Juárez Echenique, director |
83 |
Juan Blas de Castro, Estávase el aldeana (ca. 1625) Accent ACC 99137 D (1999). Cancionero de la Sablonara. La Colombina |
84 |
Francisco Correa de Arauxo, Quinto tiento de medio registro de baxones de premier tono (1626) France K. 617 (1994). Orgue historique de Tlacochahuya. Dominique Ferran, organ |
85 |
Juan Bautista Josè Cabanilles, Tiento XXIV de falsas 8. punt alt (ca. 1690) Harmonia Mundi France HMU 907047 (1991). Obras de organo. John Butt, organ |
86 |
Manuel Rodrigues Coelho, Outra Ave Maris stella (1620) Non-commercial recordings from the University of Illinois Erato EDO 219 (1970). Flores de musica. Antoine Sibertin‑Blanc, organ |
87 |
Gaspar Sanz, Jacaras (1675) Auvidis Astrée E 8576 (1995). Instrucción de música sobre la guitarra española. Hopkinson Smith, baroque guitar |
88 |
Wolfgang Carl Briegel, Was frag ich nach der Welt! (1670) Non-commercial recording from the University of Illinois. Sherezade Panthaki, soprano; Jolanta Sosnowska, violin; Patrizia Metzler, violin; Kerry Heimann, organ |
89a |
“Joseph, lieber Joseph mein,” the traditional song reconstructed |
89b |
Philipp Friedrich Böddecker, Natus est Jesus (1651) BIS BIS‑CD‑1135 (2000). Christmas Music. Emma Kirkby, soprano |
90 |
Matthias Weckmann, Zion spricht: Der Herr hat mich verlassen (1663) Ricercar RIC 109098 (1992). Das Kantatenwerk. Greta de Reyghere, soprano; James Bowman, countertenor; Ian Honeyman, tenor; Max van Egmond, bass; Ricercar Consort |
91 |
Christoph Bernhard, Euch ist’s gegeben zu wissen das Geheimnis (1665) Christophorus CHR 77177 (1995). Geistliche Harmonien 1665. Parthenia Baroque; Christian Brembeck, conductor |
92a |
Martin Luther, “Ein feste Burg ist unser Gott” (1525) |
92b |
Franz Tunder, Ein feste Burg ist unser Gott (ca. 1650) Harmonia Mundi France HMC 901703 (2000). Avant Bach. Deborah York, Susan Hamilton, sopranos; Daniel Taylor, alto; Jan Kobow, Benoit Haller, tenors; Peter Kooy, bass; Collegium Vocale; Philippe Herreweghe, conductor |
93a |
Chorale, “Komm, heiliger Geist, Herre Gott” |
94b |
Franz Tunder, Komm, heiliger Geist (ca. 1650) Loft Recordings LRCD 1048–LRCD 1049 (2002). Organ Works. Pamela Ruiter‑Feenstra, organ |
94 |
Dieterich Buxtehude, Passacaglia, BuxWV 161 (ca. 1680) Dacapo Records 8.226002 (2002). Complete Works for Organ, Vol. 1. Bine Bryndorf, organ |
95 |
Dieterich Buxtehude, Praeludium, BuxWV 137 (ca. 1680) Dacapo Records 8.226002 (2002). Complete Works for Organ,.Vol. 1. Bine Bryndorf, organ |
96a |
Chorale, “An Wasserflüssen Babylon” |
96b |
Johann Pachelbel, An Wasserflüssen Babylon (ca. 1680) Centaur CRC 2491 (1997). The Complete Organ Works, Vol. 11. Joseph Payne, organ |
97 |
Johann Heinrich Schmelzer, Corrente per l’Intrada di S.M.c. & di tutti i Cavaglieri from La contesa dell’aria e dell’acqua (1667) Titanic Ti‑97 (1981). The New York Cornet & Sacbut Ensemble. The New York Cornet & Sacbut Ensemble |
98 |
Johann Heinrich Schmelzer, Sonata Natalitia â 3 Chori Auth (1673) Teldec 8.42100 (1989). Sacro profanus concentus musicusC1662. Concentus musicus Wien; Nikolaus Harnoncourt, conductor |
99 |
Johann Rosenmüller, Sonata seconda (1667) Astrée Auvidis E 8709 (1984). Sonate da camera & sinfonie. Hesperion XX; Jordi Savall, conductor |
100 |
Heinrich Ignaz Franz von Biber, Battalia (1673) Archiv Produktion 429 230‑2 (1989). Scherzi musicali. Musica Antiqua Köln; Reinhard Goebel, conductor |
101 |
Maurizio Cazzati, Sonata settima, La Rossella (1656) Pierre Verany PV797024 (1996). Sonates pour deux violons & continuo, opus XVIII. Ensemble Mensa Sonora |
102 |
Giovanni Battista Vitali, Balletto ottava and Corrente ottava (1683) Mondo musica MM 96002 (1996). Varie partite del passamezzo, Op. 7. Accademia Farnese |
103 |
Giovanni Maria Bononcini, Sonata XI, del secondo tuono una quarta più alto (1672) Non-commercial recording from the University of Illinois. Robin Kearton, Laura Langton Yeh, violins; Karra Duchi, cello; Sonia Lee, harpsichord |
104 |
Arcangelo Corelli, Op. IV, Sonata IV (1694) Frequenz 350‑202 (1990). Opera omnia. Accademia Bizantina |
105 |
Arcangelo Corelli, Op. VI, Concert I (ca. 1680?) Frequenz 350‑202 (1990). Opera omnia. Accademia Bizantina |
106 |
Giuseppe Torelli, Sinfonia con tromba e violini unissoni, G 9 (1693?) Bongiovanni GB 5523‑2 (1993). L’opera completa per 1, 2, 4 trombe. Per‑Olov Lindeke, David Staff, Edward Tarr, and/or Gabriele Cassone, trumpet(s); assisting soloists; Cappella musicale della Basilica di San Petronio; Sergio Vartolo, conductor |
107 |
Antonio Vivaldi, Concerto III, RV 310, Op. 3, no. 3 (1711) Chandos CHAN 0689(2) (2002). L’estro armonico, Op. 3. Federico Guglielmo, violin; L’Arte dell’Arco; Christopher Hogwood, harpsichord and conductor |
108 |
Pelham Humfrey, Hear O Heav’ns (ca. 1670) Harmonia Mundi France HMU 907053. Verse Anthems. Donna Deam, soprano; Drew Minter, countertenor; Rogers Covey‑Crump, John Potter, tenors; David Thomas, bass; Choir of Clare College, Cambridge; Romanesca (instrumental ensemble); Nicholas McGegan, conductor |
109 |
Matthew Locke, O Be Joyful in the Lord, All Ye Lands (1664) Hyperion CDA66373 (1989). Anthems, Motets, and the Oxford Ode. Choir of New College, Oxford; Parley of Instruments; Edward Higginbottom, conductor. |
110 |
Matthew Locke, "The Delights of the Bottle," from Psyche (1675) Hyperion CDA67126 (1999). English Lute Songs. Robin Blaze, countertenor; Elizabeth Kenny, lute |
111 |
John Blow, Lovely Salina (1683) Musica Oscura 070979 (1995). Sound the Trumpets from Shore to Shore. Emma Kirkby, soprano |
112 |
Henry Purcell, In Guilty Night, Z 134 (ca. 1690) Virgin Classics 7243 5 45061 2 3 (1994). Te Deum & Jubilate. Taverner Consort, Choir and Players; Andrew Parrott, conductor |
113 |
John Banister, the Musick att the Bath (1663) Hyperion CDA66667 (1993). Four and Twenty Fiddlers. The Parley of Instruments Renaissance Violin Band; Peter Holman, director |
114 |
Henry Purcell, The Fairy Queen (1692), Act II, “The Masque of Sleep” Archiv Produktion 419 221‑2 (1987). Eiddwen Harrhy, Jennifer Smith, Judith Nelson, Elisabeth Priday, sopranos; Timothy Penrose, Ashley Stafford, countertenors; Wynford Evans, Martyn Hill, tenors; Stephan Varcoe, David Thomas, basses; Monteverdi Choir; English Baroque Soloists; John Eliot Gardiner, conductor |
115 |
Henry Purcell, Dido and Aeneas (1689), excerpts Editions de l’Oiseau‑Lyre 436 992‑2 (1992). Catherine Bott; Emma Kirby; John Mark Ainsley; David Thomas; Elisabeth Priday; Sara Stowe; Julianne Baird; Daniel Lochmann; Michael Chance; Chorus and Orchestra of The Academy of Ancient Music, Christopher Hogwood, conductor. |
116 |
George Frideric Handel, Tamerlano (1724), HWV 18, excerpts Avie AV 0001 (2001). Elizabeth Norberg‑Schulz, soprano; Anna Bonitatibus, mezzo‑soprano; Monica Bacelli, contralto; Graham Pushee, alto; Tom Randle, tenor; Antonio Abete, bass; English Concert; Trevor Pinnock, conductor |
117 |
Alessandro Scarlatti, Cain, ovvero Il primo omicidio (1707), Part II, excerpt Harmonia Mundi France HMC 901649 (1997). Alessandro Scarlatti, Il primo omicidio. Graciela Oddone, Dorothea Röschmann, sopranos; Bernarda Fink, alto; René Jacobs, countertenor; Richard Croft, tenor; Antonio Abete, bass; Akademie für Alte Musik Berlin; René Jacobs, conductor |
118 |
Alessandro Scarlatti, Il genio di Mitilde (1711) Conifer Classics : 75605 51319 2 (1998). Alessandro Scarlatti, Cantatas, Vol. II. |
119 |
Antonio Vivaldi, Jubilate, o amoeni chori and Gloria in excelsis Deo, RV 588 (1717), excerpt Decca : 289 458 837‑2 (1996). Gloria. Catherine Bott, Julia Gooding, sopranos; Christopher Robson, countertenor; Andrew King, tenor; Simon Grant, bass; New London Consort (on authentic instruments); Philip Pickett, conductor |
120 |
Francesco Antonio Bonporti, Ite molles, Motetto per il Signore (1701) Dynamic CDS 280 (2000). Francesco Antonio Bonporti, 6 Motetti a canto solo, op. 3. Gemma Bertagnolli, soprano; Accademia I Filarmonici |
121 |
Jean-Philippe Rameau, Hippolyte et Aricie (1733), Act IV, second half Erato 0630‑15517‑2 (1996). Anne‑Maria Panzarella, soprano; Lorraine Hunt, Eirian James, mezzo‑sopranos; Mark Padmore, tenor; Laurent Naouri, bass; Les Arts Florissants; William Christie, conductor |
122 |
François Couperin, La Ténébreuse, Allemande (1713) Erato WE 849 (1995). François Couperin, Premier livre de Pièces de clavecin. Olivier Baumont, harpisichord |
123 |
François Couperin, Le Petit-Rien (1722) Astrée E7758 (1980). François Couperin, Troiseéme livre de piéces de clavecin. Blandine Verlet, harpsichord |
124 |
Elisabeth Jacquet de La Guerre, Sonata no. 2 (1707) Opus 111 OP 30341 (2001). Donne barocche / women composers from the baroque period ‘ les femmes compositeurs de l’époque baroque. Bizzarrie Armoniche |
125 |
George Frideric Handel, Saul, HWV 53 (1738), excerpts Archiv Produktion 474 510‑2 (2002). Susan Gritton, Nancy Argenta, sopranos; Andreas Scholl, countertenor; Paul Agnew, Mark Padmore, tenors; Neal Davies, baritone; Gabrieli Consort & Players; Paul McCreesh, conductor |
126 |
Johann Sebastian Bach, Passio D.N.J.C. secondum Matthaeum (“St. Matthew Passion”), BWV 244 (1727, revised 1736) Archiv Produktion 427 648‑2 (1988). Barbara Bonney, Ann Monoyios, sopranos; Anne Sofie von Otter, alto (contralto); Anthony Rolfe Johnson, Howard Crook, tenors; Michael Chance, countertenor; Andreas Schmidt, Olaf Bär, baritones; Cornelius Hauptmann, bass; Monteverdi Choir; London Oratory Junior Choir; English Baroque Soloists (on period instruments); John Eliot Gardiner, conductor |
127 |
Johann Sebastian Bach, Passacaglia and Fugue, BWV 582 (ca. 1707) Archiv Produktion 413 638‑2 (1984). Johann Sebastian Bach, Orgelwerke. Ton Koopman, organ |
128a |
Chorale, “Allein Gott in der Höh sei Her” |
128b |
Johann Sebastian Bach, Allein Gott in her Höh sei Ehr, BWV 663 (ca. 1708–17, revised ca. 1749) London 421 621‑2 (1990). Johann Sebastian Bach, The Organ Works, Vol. 4. Peter Hurford, organ |
129 |
Johann Sebastian Bach, Praeludium 21 and Fuga 21 à 3 (1722) Archiv Produktion 413 439‑2 (1983). Kenneth Gilbert, harpsichord |
130 |
Johann Sebastian Bach, Concerto 1mo from Six Concerts Avec plusierus Instruments (Brandenburg Concerto no. 1, ?1713/?1716/1721), BWV 1046 Telarc CD‑80354 (1993). Johann Sebastian Bach, Brandenburg Concertos. Boston Baroque, Martin Pearlman, director |