Silvestre Revueltas
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- Biography |
Mexican violinist, conductor, and composer. He helped to create an original Mexican music based on indigenous folk styles.
The first half of the twentieth century was a time of political and creative
upheaval in Mexican society. The Mexican Revolution (1910–20), along with
global events such as the Spanish Civil War (1936–39), helped to shape
a generation of artists (painters and writers as well as musicians) who grounded
their work in social issues and in the newly emerging Mexican nationalism. Perhaps
the most famous of these is the muralist Diego Rivera. In music, this trend
was seen in the music of Carlos Chávez and Silvestre Revueltas.
Reveultas's work as a composer came relatively late in his life, beginning
when he took on the duties of associate conductor of the Mexico Symphony Orchestra
(1931–34). Before that he played violin in a theater orchestra in San
Antonio, Texas, and conducted an orchestra in Mobile, Alabama. He also studied
in the United States (in Chicago and Austin), building on his early training
in Durango and Mexico City. In the last years of his life, which ended early
due to complications of alcoholism, he taught at the conservatory in Mexico
City.
The music of Revueltas is striking in its use of distinctive tone colors and
complex rhythmic structures, often showing the influence of European composers
such as Igor Stravinsky. More importantly, however, Revueltas strove to create
a music that reflected the indigenous Mexican culture. To do this, he often
used elements of the folk songs and dances of the mestizo culture (a blend of
European and native traditions that we recognize in styles such as mariachi
music). Revueltas also took elements of the so-called Aztec Renaissance, which
tried to evoke pre-Columbian musical and cultural practice. All of this creates
a musical style of great variety, one infused with Revueltas's distinctive
wit.
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