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Prelude Listening to Music Today
1 Melody: Musical Line
2 Rhythm and Meter: Musical Time
3 Harmony: Musical Space
4 The Organization of Musical Sounds
5 Musical Texture
6 Musical Form
7 Musical Expression: Tempo and Dynamics
8 Voices and Musical Instrument Families
9 Western Musical Instruments
10 Musical Ensembles
11 Style and Function of Music in Society
12 The Culture of the Middle Ages
13 Medieval Music
14 The Renaissance Spirit
15 Renaissance Sacred Music
16 Renaissance Secular Music
17 The Baroque Spirit
18 Vocal Music of the Baroque
19 Orchestral Music of the Baroque
20 Baroque Keyboard Music
21 The Classical Spirit
22 The Development of Classical Forms
23 The Classical Symphony
24 The Classical Concerto and Sonata
25 Classical Opera
26 The Spirit of Romanticism
27 The Romantic Miniature
28 Romantic Program Music
29 Romantic Opera
30 The Late Romantics
31 America's Emerging Musical Voice
32 The Impressionist Era
33 Main Currents in Early-Twentieth-Century Music
34 Early-Twentieth-Century Innovators
35 Nationalism and Music
36 Ragtime, Blues, and Jazz
37 New Directions
38 Contemporary Composers Look to World Music
39 Music for the Stage and Screen
40 The Many Voices of Rock
41 Some Current Trends

Chapter 36: Ragtime, Blues, and Jazz

Study Plan

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"All riddles are blues,
And all blues are sad,
And I'm only mentioning
Some blues I've had." —MAYA ANGELOU

Key Points

  • Jazz drew elements from African traditions and from Western popular and art music. Its roots are in West African music and in nineteenth-century African- American ceremonial and work songs.
  • Ragtime developed from an African-American piano style characterized by syncopated rhythms and sectional forms. Scott Joplin, often considered the "king of ragtime," is the first African-American composer to win international fame.
  • Blues is an American genre of folk music based on a simple, repetitive, poetic-musical form with three-line strophes set to a repeating harmonic pattern of twelve bars.
  • Louis Armstrong (trumpet) was first associated with New Orleans-style jazz, characterized by a small ensemble of players improvising simultaneously.
  • The 1930s saw the advent of the swing era (or big band era) and the brilliantly composed jazz of Duke Ellington.
  • In the late 1940s, big band jazz gave way to smaller group styles, including bebop, cool jazz, and West Coast jazz.
  • Later jazz styles include third stream jazz, which combined elements of art music and jazz, as well as fusion, Neoclassical style, free jazz, and new-age jazz.
  • Many art and popular music composers have been influenced by ragtime, blues, and jazz, including Stravinsky, Ravel, Copland, and George Gershwin.

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