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Prelude Listening to Music Today
1 Melody: Musical Line
2 Rhythm and Meter: Musical Time
3 Harmony: Musical Space
4 The Organization of Musical Sounds
5 Musical Texture
6 Musical Form
7 Musical Expression: Tempo and Dynamics
8 Voices and Musical Instrument Families
9 Western Musical Instruments
10 Musical Ensembles
11 Style and Function of Music in Society
12 The Culture of the Middle Ages
13 Medieval Music
14 The Renaissance Spirit
15 Renaissance Sacred Music
16 Renaissance Secular Music
17 The Baroque Spirit
18 Vocal Music of the Baroque
19 Orchestral Music of the Baroque
20 Baroque Keyboard Music
21 The Classical Spirit
22 The Development of Classical Forms
23 The Classical Symphony
24 The Classical Concerto and Sonata
25 Classical Opera
26 The Spirit of Romanticism
27 The Romantic Miniature
28 Romantic Program Music
29 Romantic Opera
30 The Late Romantics
31 America's Emerging Musical Voice
32 The Impressionist Era
33 Main Currents in Early-Twentieth-Century Music
34 Early-Twentieth-Century Innovators
35 Nationalism and Music
36 Ragtime, Blues, and Jazz
37 New Directions
38 Contemporary Composers Look to World Music
39 Music for the Stage and Screen
40 The Many Voices of Rock
41 Some Current Trends

Chapter 32: The Impressionist Era

Study Plan

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"For we desire above all—nuance,
Not color but half-shades!
Ah! nuance alone unites
Dream with dream and flute with horn." —PAUL VERLAINE

Key Points

  • Two important movements surfaced at the turn of the twentieth century: Post-Romanticism in Germany and Austria; and Impressionism, in France.
  • Impressionism was a movement developed by painters who tried to capture their "first impression" of a subject through varied treatments of light and color.
  • The literary response to Impressionism was Symbolism, in which writings are suggestive of images and ideas rather than literally descriptive.
  • Impressionism in music is characterized by exotic scales (chromatic, whole tone), unresolved dissonances, parallel chords, rich orchestral color, and free rhythm, all generally cast in small-scale programmatic forms.
  • The most important French Impressionist composer was Claude Debussy. His orchestral work, Prelude to "The Afternoon of a Faun," was inspired by a Symbolist poem.

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