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Prelude Listening to Music Today
1 Melody: Musical Line
2 Rhythm and Meter: Musical Time
3 Harmony: Musical Space
4 The Organization of Musical Sounds
5 Musical Texture
6 Musical Form
7 Musical Expression: Tempo and Dynamics
8 Voices and Musical Instrument Families
9 Western Musical Instruments
10 Musical Ensembles
11 Style and Function of Music in Society
12 The Culture of the Middle Ages
13 Medieval Music
14 The Renaissance Spirit
15 Renaissance Sacred Music
16 Renaissance Secular Music
17 The Baroque Spirit
18 Vocal Music of the Baroque
19 Orchestral Music of the Baroque
20 Baroque Keyboard Music
21 The Classical Spirit
22 The Development of Classical Forms
23 The Classical Symphony
24 The Classical Concerto and Sonata
25 Classical Opera
26 The Spirit of Romanticism
27 The Romantic Miniature
28 Romantic Program Music
29 Romantic Opera
30 The Late Romantics
31 America's Emerging Musical Voice
32 The Impressionist Era
33 Main Currents in Early-Twentieth-Century Music
34 Early-Twentieth-Century Innovators
35 Nationalism and Music
36 Ragtime, Blues, and Jazz
37 New Directions
38 Contemporary Composers Look to World Music
39 Music for the Stage and Screen
40 The Many Voices of Rock
41 Some Current Trends

Chapter 18: Vocal Music of the Baroque

Study Plan

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"Opera is the delight of Princes." —MARCO DA GAGLIANO

Key Points

  • The most important vocal genres of the Baroque were opera , oratorio, and cantata.
  • An opera is a large-scale music drama that combines costumed staging with singing and instrumental music. Opera began in Italy around 1600 and soon spread to France and England. There, its greatest proponent was Henry Purcell, who wrote Dido and Aeneas.
  • The principal components of opera are the orchestral overture, solo arias (lyrical songs), recitatives (speechlike declamations), and ensemble numbers, including choruses.
  • An oratorio, such as George Frideric Handel's Messiah, is a large-scale drama with a religious or biblical text performed by solo voices, chorus, and orchestra. It is not staged or costumed.
  • Cantatas are multimovement works with solo arias, recitatives, and choruses, all with orchestral accompaniment. Lutheran cantatas, like those of German composer Johann Sebastian Bach, are generally unified by a chorale, or hymn tune.

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