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Prelude Listening to Music Today
1 Melody: Musical Line
2 Rhythm and Meter: Musical Time
3 Harmony: Musical Space
4 The Organization of Musical Sounds
5 Musical Texture
6 Musical Form
7 Musical Expression: Tempo and Dynamics
8 Voices and Musical Instrument Families
9 Western Musical Instruments
10 Musical Ensembles
11 Style and Function of Music in Society
12 The Culture of the Middle Ages
13 Medieval Music
14 The Renaissance Spirit
15 Renaissance Sacred Music
16 Renaissance Secular Music
17 The Baroque Spirit
18 Vocal Music of the Baroque
19 Orchestral Music of the Baroque
20 Baroque Keyboard Music
21 The Classical Spirit
22 The Development of Classical Forms
23 The Classical Symphony
24 The Classical Concerto and Sonata
25 Classical Opera
26 The Spirit of Romanticism
27 The Romantic Miniature
28 Romantic Program Music
29 Romantic Opera
30 The Late Romantics
31 America's Emerging Musical Voice
32 The Impressionist Era
33 Main Currents in Early-Twentieth-Century Music
34 Early-Twentieth-Century Innovators
35 Nationalism and Music
36 Ragtime, Blues, and Jazz
37 New Directions
38 Contemporary Composers Look to World Music
39 Music for the Stage and Screen
40 The Many Voices of Rock
41 Some Current Trends

Chapter 17: The Baroque Spirit

Study Plan

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"These harmonic notes are the language of the soul and the instruments of the heart." —BARBARA STROZZI

Key Points

  • The Baroque era (1600–1750) was a time of turbulent changes in a society that saw religious wars (Protestants vs. Catholics) as well as exploration and colonization of the New World.
  • The era also saw the rise of middle-class culture, with music-making centered in the home; art often portrayed scenes of middle-class life.
  • The Baroque marks the introduction of a new style—monody, featuring solo song with instrumental accompaniment; its goal was to recreate the musical-dramatic art of ancient Greece.
  • Harmony was notated with figured bass, a shorthand that allowed the performer to supply the chords through improvisation. The bass part, or basso continuo, was often played by two instruments (harpsichord and cello, for example).
  • The major-minor tonality system was established in the Baroque era, as was the equal temperament tuning system.
  • While early Baroque music moved more freely, later Baroque style is characterized by regular rhythms and continuous melodic expansion.
  • As musical instruments developed technically, the level of virtuosity and playing techniques rose.
  • The union of text and music was expressed in the Baroque doctrine of the affections.

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