Chapter 8: Quiz

" // Questions and Answers number_answers = new Array(5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5) q1="For which composer did Martin Luther have particular admiration?"; q1a="Josquin des Prez"; q1b="Orlando di Lasso"; q1c="Adrian Willaert"; q1d="Tomas Luis de Victoria"; q1e="Giovanni Pierluigi Palestrina"; q1review=""; q1answer="a"; q2="What did Martin Luther call his simplified order of service, intended for use by smaller congregations?"; q2a="the Lutheran Mass"; q2b="the Short Service"; q2c="the Great Service"; q2d="the German Mass"; q2e="none of the above"; q2review=""; q2answer="d"; q3="What is a contrafactum?"; q3a="a type of polyphonic elaboration of a chorale, with the melody in the superius or uppermost voice"; q3b="preexisting music to which a new text, usually sacred, is added"; q3c="a chromatically altered note from outside the system of diatonic modes"; q3d="a new bass line added below an existing chorale melody"; q3e="a contrapuntal device closely related to canon"; q3review=""; q3answer="b"; q4="Which of the following characterized Jean Calvin's attitude toward music?"; q4a="He firmly rejected all music as a component of Calvinist worship."; q4b="He thought that music was not a source of temptation."; q4c="He allowed only unaccompanied singing of psalms at church services."; q4d="He greatly admired Franco-Flemish polyphony, finding in it the ideal vehicle for preparing listeners for worship."; q4e="b and c only"; q4review=""; q4answer="c"; q5="The Council of Trent __________."; q5a="met intermittently in a city in modern Germany"; q5b="devoted most of its time to discussing complaints about church music"; q5c="directed local bishops to implement reforms in church music"; q5d="supervised the revision of secular polyphony"; q5e="elected Pope Marcellus, one of the great Renaissance patrons of music and the namesake of Palestrina's Missa Papae Marcelli<\/i>"; q5review=""; q5answer="c"; q6="Which dissonance figures are found regularly in the Palestrina style?"; q6a="suspensions"; q6b="passing tones"; q6c="cambiatas"; q6d="all of the above"; q6e="none of the above"; q6review=""; q6answer="d"; q7="Palestrina spent most of his career at institutions in __________."; q7a="Palestrina"; q7b="Naples"; q7c="Venice"; q7d="Ferrara"; q7e="Rome"; q7review=""; q7answer="e"; q8="What are the principal forms of Anglican church music?"; q8a="Anthem and Service"; q8b="Mass and motet"; q8c="madrigal and motet"; q8d="chorale and chorale-motet"; q8e="none of the above"; q8review=""; q8answer="a"; q9="He wanted the congregation to participate in singing, and wrote some music in the vernacular for them to sing."; q9a="Martin Luther"; q9b="Jean Calvin"; q9c="Pierluigi da Palestrina"; q9d="all of the above"; q9e="none of the above"; q9review=""; q9answer="a"; q10="He began the revision of the Gregorian chant repertoire although he also composed polyphonic works."; q10a="Martin Luther"; q10b="Jean Calvin"; q10c="Pierluigi da Palestrina"; q10d="all of the above"; q10e="none of the above"; q10review=""; q10answer="c"; q11="Which composer worked both in Spain and in Italy?"; q11a="Victoria"; q11b="Lasso"; q11c="Palestrina"; q11d="Taverner"; q11e="none of the above"; q11review=""; q11answer="a"; q12="Which composer composed motets for English Catholics?"; q12a="Taverner"; q12b="Tallis"; q12c="Byrd"; q12d="William Cornysh the Younger"; q12e="none of the above"; q12review=""; q12answer="c"; q13="The principal musical genre or private devotion in the Calvinist church was __________."; q13a="the four-part chorale"; q13b="the anthem"; q13c="the Latin motet"; q13d="the four-part psalm setting"; q13e="none of the above"; q13review=""; q13answer="d"; q14="Which feature(s) do most Protestant musical genres have in common?"; q14a="texts are in the vernacular"; q14b="most music is homophonic"; q14c="strophic forms predominate"; q14d="all of the above"; q14e="none of the above"; q14review=""; q14answer="d"; q15="Which of the following polyphonic Mass types did Palestrina use?"; q15a="imitation Mass"; q15b="cantus firmus Mass"; q15c="Masses that weren't based on preexisting material"; q15d="all of the above"; q15e="Palestrina did not compose polyphonic Masses."; q15review=""; q15answer="d"; q16="Which of the following statements best describes the Catholic Church's response to Protestant criticisms of its music?"; q16a="It ignored them."; q16b="It followed all the recommendations of the reformers."; q16c="It changed its musical practices only slightly."; q16d="It leveled attacks against the reformers' opinions, and succeeded in getting them to change their minds."; q16e="none of the above."; q16review=""; q16answer="c"; // End of hiding the script. -->