Chapter 6: Quiz

" // Questions and Answers number_answers = new Array(5,5,5,5,5,5,5,5,5,5,5,5,5,5) q1="The Renaissance period is marked by an interest in __________."; q1a="ancient Greek culture"; q1b="religious conversion"; q1c="exotic cultures"; q1d="all of the above"; q1e="none of the above"; q1review=""; q1answer="a"; q2="Renaissance theorists addressed which of these issues?"; q2a="consonance and dissonance"; q2b="modal theory"; q2c="music's affective power"; q2d="all of the above"; q2e="none of the above"; q2review=""; q2answer="d"; q3="What dates are considered to be the Renaissance period in music?"; q3a="1200–1450"; q3b="1300–1500"; q3c="1340–1550"; q3d="1450–1600"; q3e="none of the above"; q3review=""; q3answer="d"; q4="In the early sixteenth century, most of the musicians working in Italy came from __________."; q4a="Italy"; q4b="France"; q4c="England, Spain, or southern France"; q4d="France, the Netherlands, or Flanders"; q4e="Scandinavia"; q4review=""; q4answer="d"; q5="A composer who used the Mass as a vehicle for experimentation with canon, proportion, and mode was __________."; q5a="Du Fay"; q5b="Ockeghem"; q5c="Tinctoris"; q5d="Busnois"; q5e="Isaac"; q5review=""; q5answer="b"; q6="Which composers were roughly contemporary with Josquin des Prez?"; q6a="Obrecht and Isaac"; q6b="Du Fay and Binchois"; q6c="Ockeghem and Busnois"; q6d="Tinctoris and Glareanus"; q6e="none of the above"; q6review=""; q6answer="a"; q7="A Mass that uses all the voices of a preexisting work as the basis for elaboration is called a(n) __________."; q7a="cantus firmus Mass"; q7b="Franco-Flemish Mass"; q7c="prolation Mass"; q7d="imitation Mass"; q7e="mensuration canon Mass"; q7review=""; q7answer="d"; q8="The first collection of polyphonic chansons printed with movable type was published by __________."; q8a="Gaffurio"; q8b="Ockeghem"; q8c="Putrucci"; q8d="Josquin"; q8e="none of the above"; q8review=""; q8answer="c"; q9="The texts of which genre allowed Josquin more freedom to experiment?"; q9a="chanson"; q9b="Mass"; q9c="motet"; q9d="any of the above"; q9e="none of the above"; q9review=""; q9answer="c"; q10="Which of the following techniques did Josquin use in motets?"; q10a="one melody for each section of text"; q10b="imitation between pairs of voices"; q10c="representation of words by melodic or rhythmic devices"; q10d="all of the above"; q10e="none of the above"; q10review=""; q10answer="d"; q11="Josquin used which of these preexisting materials in his Masses?"; q11a="secular songs for cantus firmi, such as L'homme armé<\/i>"; q11b="plainchant cantus firmi"; q11c="all the voices of a preexisting polyphonic work"; q11d="all of the above"; q11e="none of the above"; q11review=""; q11answer="d"; q12="Which of these lists is in the correct chronological order?"; q12a="Du Fay, Ockeghem, Josquin"; q12b="Isaac, Ockeghem, Josquin"; q12c="Josquin, Obrecht, Ockeghem"; q12d="Ockeghem, Du Fay, Josquin"; q12e="none of the above"; q12review=""; q12answer="a"; q13="Which of these compositional techniques did Josquin use in his motets?"; q13a="imitation"; q13b="parody"; q13c="mensuration canon"; q13d="block chords"; q13e="none of the above"; q13review=""; q13answer="a"; q14="Which composer used solfége syllables to create the cantus firmus for a Mass?"; q14a="Ockeghem"; q14b="Josquin"; q14c="Busnois"; q14d="Isaac"; q14e="none of the above"; q14review=""; q14answer="b"; // End of hiding the script. -->