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| Chapter 18: Opera, Music Drama, and
Church Music in the Nineteenth Century |
| Church Music |
- Romanticism and Church Music
- Berlioz
- He composed religious works for special occassions.
- His Grande Messe des morts (Requiem, 1837) and
Te Deum (1855) are dramatic symphonies with voices
singing inspiring, liturgical texts.
- His works call for huge forces with brilliant orchestral
effects.
- Liszt
- He also composed sacred music for special occassions.
- Liszt wrote about his ideal of Romantic sacred music.
- He called his new music "humanitarian."
- He believed in using contrasting values in these
works, for example dramatic and sacred, splendid and
simple (see quotation, p. 447, in CHWM)
- The Cecilian movement
- Named after St. Cecilia, the patron saint of music in the
Catholic Church.
- Inspired by the Romantic interest in the past
- Revived sixteenth-century a cappella style
- Inspired the restoration of Gregorian chant
- Anton Bruckner (18241896)
- Organist in Linz and Vienna
- Religious person with training in counterpoint
- Composed Masses as well as symphonies
- Composed motets (e.g., NAWM 115, Virga Jesse)
- Other religious music
- Rossini composed a Stabat Mater that was banned
for its operatic style.
- Verdi composed a Requiem (1874) with powerful choruses
in memory of a famous author.
- Brahms' Ein deutsches Requiem (A German Requiem,
1868)
- Inspired by Handel's choral music
- Combines sacred and newly-written texts
- Nineteenth-century harmonic idiom.
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