Anthology of Baroque Music

                

Available recordings:

 

1

Jacopo Peri, L’Euridice (1600), Prologue and excerpt from Scene 2

Arts Music 47274‑2 (1992).  Ensemble Arpeggio; Roberto de Caro, conductor

Non-commercial recording from the University of Illinois–Prologue.

Non-commercial recording from the University of Illinois–Excerpt from Scene 2.

Christin Hill, Tragedia (Prologue); Bruce Gladstone, Orfeo; Jori Johnson, Arcetro; Elizabeth Campbell, Dafne; Chad Peiper, violin; Nichole Mainman, cello; Kerry Heimann, harpsichord and organ; Victor Coelho, chittarone; James Tyler, lute; John Walter Hill, director

2

Emilio de’ Cavalieri, Rappresentatione di anima, et di corpo (1600), excerpt

EMI Classics 7243 8 26538 2 0 (1976/2000). Collegium Vocale KöÌn

3

Giulio Caccini, Deh, dove son fuggiti (1602)

Venetia CVJ 1; LCCN: 91‑756691. Madrigali, arie & canzoni. Accademia Claudio Monteverdi Venezia

4

Giulio Caccini, Udite, udite amanti (1602)

Arion ARN 268190 (1992). Le nuove musiche. Maurizia Barazzoni and Sandro Volta

5

Giulio Caccini, Torna, deh torna, pargoletto mio (1602)

Deutsche Harmonia Mundi 77164‑2‑RG (1984). Le nuove musiche. Montserrat Figueras, soprano

6

Giuseppino Cenci, Io che l’età solea (ca. 1600)

Non-commercial recording from the University of Illinois. Richard Rossi, soprano; Kerry Heimann, harpsichord

7

Sigismondo d’India, Riede la primavera (1609)

Lyrinx  LYR CD 043 (1985). Le monde etrange de Sigismondo d’India. Claudine Ansermet, soprano; Ensemble Hoc Opus 111

8

Orazio Michi dell’Arpa, Su l’oriente (ca. 1630)

Non-commercial recording from the University of Illinois. Richard Rossi, soprano; Kerry Heimann, harpsichord

9

Luigi Rossi, Hor che l’oscuro manto (ca. 1640)

Pleiades  P103 (197_?). Chamber music for soprano and continuo. Sylvia Stahlman, soprano; Albert Fuller, harpsichord

10

Claudio Monteverdi, L’Orfeo (1607), excerpts

Teldec  8.35020 ZA (1985). Concentus Musicus Wien; Nikolaus Harnoncourt, conductor

11

Francesca Caccini, La liberazione di Ruggiero dall’isola d’Alcina (1625), excerpt

Nannerl Recordings NR‑ARS 003 (1994). James Rittenhouse, Linda De Rungs, Cecilia Amorocho, L. Ernest Gross, Ars Femina Ensemble

12

Stefano Landi, Il S. Alessio (1632), Act I, Scenes 2–4

Erato 0630‑14340‑2 (1995). Maryseult Wieczorek, Patricia Petibon, Mhairi Lawson, Sophie Marin‑Degor, Cécile Eloir, Stéphanie Révidat, sopranos; Steve Dugardin, Katalin Károlyi, Armand Gavriilidès, altos; Christopher Josey, tenor; Nicolas Rivenq, Clive Bayley, Bertrand Bontoux, basses; Les Arts florissants; William Christie, conductor

13

Claudio Monteverdi, Hor ch’el ciel e la terra (1638)

Harmonia Mundi France HMC 901736.37.  Madrigali guerrieri ed amorosi. Salome Haller, Maria Cristina Kiehr, sopranos; Bernarda Fink, Marisa Martins, mezzo‑sopranos; Christophe Laporte, countertenor; Mario Zeffiri, Kobie van Rensburg, John Bowen, Jeremy Ovenden, tenors; Victor Torres, baritone; Antonio Abete, Renaud Delaigue, basses; Concerto Vocale; René Jacobs, conductor

14

Giovanni Girolamo Kapsberger, Toccata no. 5 (1604)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

15

Girolamo Frescobaldi, Toccata nona (1627)

Astrée Naïve E 8839 (1996). Partite & toccate. Pierre Hantaï, harpsichord

16

Alessandro Piccinini, Ciaconna in partite variate (1623)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

17

Girolamo Frescobaldi, Partite sopra passacagli (1627)

Astrée Naïve E 8839 (1996). Partite & toccate. Pierre Hantaï, harpsichord

18

Giovanni Salvatore, Versi sopra il Kyrie (1641)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

19

Adriano Banchieri, Fantasia prima (1603)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

20

Girolamo Frescobaldi, Canzon quarti toni, dopo il post comune (1635)

Astrée Auvidis E 8714. Fiori musicali. Rinaldo Alessandrini, organ

21

Giovanni Paolo Cima, Sonata, violino e violone (1610)

Sony Classical  S2K 66254 (1994). The Feast of San Rocco. La Capella Ducale

22

Giovanni Battista Fontana, Sonata 6 (before 1630)

Accord 200272. 12 sonate a 1. 2. 3 per il violino o cornetto, fagotto, chitarrone, violoncino o simile `altro istromento. Clemencic Consort

23

Biagio Marini, Sonata sopra la monica (1629)

Dorian DOR‑93200.  Sprezzatura: virtuoso music of 17th‑century Italy.  La Luna: Ingrid Matthews, Scott Metcalfe, violins; Emily Walhout, violoncello; Byron Schenkman, harpsichord and organ

24

Giovanni Battista Buonamente, Sonata quarta (1626)

Non-commercial recording from the University of Illinois. Robin Kearton, violin; Laura Langton Yeh, violin; Karra Duchi, cello; Sonia Lee, harpsichord

25

Marco Uccellini, Sonata prima a violino solo detta la vittoria trionfante (1645)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

26

Marco da Gagliano, Vinea mea electa (ca. 1610)

Non-commercial recording from the University of Illinois. Daniel Bahr, alto; Stephen Sieck, tenor; Jung-Il Choi, tenor; Jong-Hoon Han, bass; Patrizia Metzler, director

27

Lodovico Viadana, Duo seraphim clamabant (1602)

Non-commercial recording from the University of Illinois. Sherezade Panthaki, soprano; Daniel Bahr, alto; Kerry Heimann, organ; also Ploix SM 33‑41; E (196_?). Schola du Grand Scolasticat des Pères du Saint Esprit de Chevilly; Lucien Deiss, conductor.

28

Caterina Assandra, O salutaris hostia (1609)

Non-commercial recording from the University of Illinois. Sherezade Panthaki, soprano; Jong-Hoon Han, bass; Jolanta Sosnowska, violin; Benjamin Hayek, cello; Kerry Heimann, organ; Patrizia

29

Claudio Monteverdi, Nigra sum (1610)

EMI  CDS 7470788. Vespro della Beata Vergine (1610). Taverner Consort; Andrew Parrott, director

30

Giacomo Carissimi, Historia di Jephte (before 1650)

Deutsche Harmonia Mundi 05472 77322 2. Roman oratorios. Cantus Cölln; Imke David, lirone; Lidewij Scheifes, violoncello; Carsten Lohff, organ and harpsichord; Konrad Junghänel, lute and director

31

Giovanni Gabrieli, In ecclesiis (ca. 1605)

Archiv Produktion 00289 477 0862 (1995). Gabrieli Consort & Players; Paul McCreesh, conductor

32

Lambert de Beaulieu, Balet comique de la Royne (1581), Dialogue

France K617 (1997). Le balet comique de la royne. Caroline Pelon, soprano; Pascal Bertin, Ryland Angel, countertenors; Antonio Abete, bass; students and professors of the Centre de Musique Ancienne de Genève and of the Conservatoire National Supérieur de Musique de Lyon; Ensemble Elyma; Gabriel Garrido, conductor

33

Pierre Francisque Caroubel, Passameze and Gaillarde (before 1611)

L’Oiseau‑Lyre 414 633‑2 (1986). Dances from Terpsichore. New London Consort, Philip Pickett, director

34

Michel Mazuel, Dances from the Ballet du roy des festes de Baccus (1651)

Auvidis Fontalis ES 9908 (1996). Suites d’orchestre. Le Concert des nation, Jordi Savall, conductor

35

Anon., Ma belle si ton ame (1603)

Pure Classics 779 013‑2 (2000). Air(s) de cour. Jean‑Paul Fouchécourt, tenor; Eric Bellocq, lute

36

Pierre Guédron, Quel excès de douleur (1620)

Harmonia Mundi HMC 901079 (1981). Airs de cour. Concerto vocale: René Jacobs, countertenor; Konrad Junghänel, theorbe and baroque lute; Wieland Kimura, Dirk Verelst, violas

37

Antoine Francisque, Prelude and Courante (1600)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

38

René Mesangeau, Allemande from Lute (ca. 1630)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

39

Ennemond Gaultier, Tombeau de Mazangeau (ca. 1638)

Stradivarius STR 33433 (1996). Pieces de luth mises en musique par le Sr. Perrine pour le luth ou le clavessin, Paris, 1680. Paola Erdas, harpsichord

40

Denis Gaultier, Mode Ionien [suite for lute] (1648)

Accord 200702 (1989). La rhétorique des dieux. Louis Pernot, lute

41

René Mesangeau, Sarabande for Keyboard (ca. 1630)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

42

Jacques Champion de Chambonnières, Dances for Keyboard (ca. 1648)

Deutsche Harmonia Mundi 05472‑77210‑2 (1993). Chambonnières,  Suites, pavannes, préludes.

Skip Sempé, harpsichord

43

Eustache Du Caurroy, Unziesme Fantasie (1610)

Astrée  AS 86 (1982). Fantaisies. Hespèrion XX; Jordi Savall, conductor

44

Étienne Moulinié, Fantasie [for viols] (1639)

Harmonia Mundi France HMA 1901055 (1980). Cantique de Moÿse. Les arts florissants; William Christie, conductor

45

Jehan Titelouze, Magnificat Primi Toni (1626)

Chanvrelin : CHVR 015 (1999). Pièces à la Vierge. Nicolas Gorenstein, organ

46

Charles Racquet, Fantasie (ca. 1636)

Hyperion CDA66387 (1989). Magnificat. Edward Higginbottom, organ

47

Eustache Du Caurroy, Victimae paschali laudes (1609)

Collins 14972 (1996), Renaissance Masterpieces, Volume 3, Paris; or CRD Records CRD 3518 (2002), Eustache Du Caurroy, Requiem Mass & Motets. Choir of New College, Oxford; Edward Higginbottom, director

48

Guillaume Bouzignac, Ecce homo (ca. 1640)

Harmonia Mundi HMC 901471 (1993). Motets, Te Deum. Les arts florissants; Les pages de la Chapelle; Ensemble de violes Orlando Gibbons; William Christie, conductor

49

Gregor Aichinger, Tres sunt qui testimonium dant (1607)

Non-commercial recording from the University of Illinois. Daniel Bahr, alto; Stephen Sieck, tenor; Felipe Gasper, bass; Kerry Heimann, organ; Patrizia Metzler, director

50a

Nikolas Herman, “Erschienen ist der herrliche Tag,” chorale (1560)

Cantoris Records CRCD 6031 (1996). Rites of spring. Trinity Baroque; Julian Podger, director

50b

Johann Hermann Schein, Erschienen ist der herrliche Tag (1626)

Haydn Society HSE 9102 (1964). A Treasury of Early Music, Vol 3. Danish soloists and ensembles, under the supervision of Mogens Wöldike

51

Heinrich Schütz, O quam tu pulchra, SWV 165 (1629)

Accent ACC 9178 D (1991). Symphoniae sacrae I. Barbara Borden, Nele Gramss, sopranos; Rogers Covey‑Crump, countertenor; John Potter, Douglas Nasrawi, tenors; Harry van der Kamp, bass; Concerto Palatino

52

Heinrich Schütz, Was hast du verwirket, SWV 307 (1639)

Harmonia Mundi France HMC 901651 (1997). Kantate. Andreas Scholl, countertenor; Concerto di Viole; Basel Consort

53

Heinrich Schütz, Saul, Saul, was verfolgst du mich, SWV 415 (1650)

Musikproduktion Dabringhaus und Grimm MDG 332 1170‑2 (2003). Musicalische Vesper. Kölner Kammerchor; Collegium Cartusianum; Peter Neumann, conductor

54

Jan Pieterszoon Sweelinck, Ricercar del nono duono (ca. 1610)

Hyperion CDA67421/2 (2002). Sweelinck, Keyboard Music. Christopher Herrick, organ

55a

Chorale Ich ruf zu dir, herr Jesu Christ

55b

Samuel Scheidt, Fantasia à 4 Voc. super: ich ruffe zu dir, Herr Jesu Christ, SSWV 114 (1624)

Musikproduktion Dabringhaus und Grimm MDG 614 1155‑2 (2002). Tabulatura nova. Franz Raml, organ

56

Johann Froberger, Canzon (1649)

Globe GLO 6022 (1994). The Complete Keyboard Works. Richard Egarr, organ

57

Johann Froberger, Allemand, Courant, & Saraband (1649)

Globe GLO 6022 (1994). The Complete Keyboard Works. Richard Egarr, harpsichord

58

Paul Peuerl, Dances (1611)

Non-commercial recordings from the University of Illinois

Georgsmarienhütte CPO 999 792‑2 (2001). Lieder, Suites & Canzonas. Armonico Tributo, Lorenz Duftschmid, conductor

59

Heinrich Albert, O der rauhen Grausamkeit! (1640)

Deutsche Harmonia Mundi HM/IOM 906‑2 (1988). Musikalische Kürbishütte und Lieder von Liebe und Tod. Cantus Cöllin

60

John Jenkins, Fantasia in Four Parts (ca. 1640)
Non-commercial recording from the University of Illinois

Naxos 8.550687 (1992). All in a Garden Green. Rose Consort of Viols. Also available on Naxos 8.551203 (1995). An Introduction to Early Music. Various performers, including the Rose Consort of Viols.

61

John Coprario, Fantasia-Suite no. 1 (ca. 1622)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

62

John Dowland, The Frog Galliard (ca. 1610)

Virgin Classics : CDC 7243 5 45288 2 8 (1996). Treasures from My Minde. Jacob Heringman, lute

63

John Lawrence, Coranto for Lute (ca. 1625)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

64

Orlando Gibbons, See, See, the Word Is Incarnate (ca. 1620)

65

John Dowland, Far from Triumphing Court (1610)

Decca 289 466 917‑2 (1999). A Musicall Banquet. Andreas Scholl, countertenor; Edin Karamazov, lute

66

Francesco Cavalli, Giasone (1649), excerpts

Harmonia Mundi France HMX 2901282‑‑HMX 2901284 (1988). Catherine Dubosc, soprano; Gloria Banditelli, mezzo‑soprano; Michael Chance, countertenor; supporting soloists; Concerto vocale; Réne Jacobs, conductor

67

Antonio Cesti, Orontea (1656), Act II, scenes 17–18

Harmonia Mundi HMC 901100‑‑HMC 901102 (1982). Helga Müller Molinari, mezzo‑soprano; Concerto Vocale; René Jacobs, director

68

Alessandro Stradella, “Dimmi Amor,” in Moro per Amore (ca. 1680)

Bongiovanni GB 2153‑2 (1992).  Roberta Invernizzi, Silvia Piccolo, Maria Grazia Liguori, sopranos; Marco Lazzara, Valeria Matacchini, contraltos; Marco Beasley, tenor; Riccardo Ristori, bass; Alessandro Stradella Consort; Esteban Velardi, conductor

69

Barbara Strozzi, L’Eraclito amoroso (11651)

Harmonia Mundi France HMC 905249 (1998). Arie, lamenti e cantate. Susanne Rydén, soprano; Musica Fiorita

70

Antonio Cesti, Languia già l’alba (ca. 1660)

Pleiades P103 (1971). Chamber Music for Soprano and Continuo: Italian Cantatas of the 17th and Early 18th Centuries. Sylvia Stahlman, soprano; Albert Fuller, harpsichord

71

Marco Marazzoli, San Tomaso (ca. 1650)

Deutsche Harmonia Mundi 05472 77322 2 (1994). Cantus Cölln; Imke David, lirone; Lidewij Scheifes, violoncello; Carsten Lohff, organ and harpsichord; Konrad Junghänel, lute and director

72

Alessandro Stradella, San Giovanni Battista (1675), Part 2, excerpt

Erato 2292‑45739‑2 (1992). Catherine Bott, soprano; Christine Batty, mezzo‑soprano; Gerard Lesne, alto; Richard Edgar‑Wilson, tenor; Philippe Huttlenlocher, bass; Les Musiciens du Louvre; Marc Minkowski, conductor

73

Giacomo Carissimi, Suscitavit Dominus (1665)

Naxos 8.555076 (2000). Ten Motets. Consortium Carissimi; Vittorio Zanon, conductor

74

Isabella Leonarda, Ave suavis dilectio (1676)

Opus 111 OPS 30‑206 (1997). La musa novarese. Loredana Bacchetta, soprano; Caterina Calvi, contralto; Gianluca Ferrarini, tenor; Luca Ferracin, bass; Gruppo Vocale Musica Laudantes; Riccardo Doni, maestro del coro; Cappella Strumentale del Duomo di Novara; Paolo Monticelli, conductor

75

Jean-Baptiste Lully, Airs pour le carrousel de monseigneur, LWV 72 (1686)

Accord 461 811‑2 (2000). Lully, ou, Le musicien du soleil., Vol. 3.  La Simphonie du Marais; Hugo Reyne, conductor

76

Louis Couperin, Tombeau de M. de Blancrocher (ca. 1652)

Naxos 8.555936 (2001). Tombeau de M. de Blancrocher: Preludes, Pavane, Galliarde.

77

Louis Couperin, Prélude (ca. 1657)

Naxos 8.555936 (2001). Selected Harpsichord Works. Glen Wilson, harpsichord

78

Jean de Sainte-Colombe, Concert “Le tender”  (ca. 1670)

Astreé ES 9933 (1992). Concerts à deux violes esgales, Tome II. Jordi Savall, Wieland Kuijken, viole da gamba

79

Henry Du Mont, Tristitia vestra (1652)

Ricercar RIC 120109 (1992). Cantica sacra. Ricercar consort, vocal‑instrumental ensemble; Bernard Foccroulle, organ

80

Jean-Baptiste Lully, Alceste, ou le triomphe d’Alcide, LWV 50 (1674), Act I

Astrée Auvidis E 8527 (1992). Colette Alliot‑Lugaz, soprano; Howard Crook, tenor; Jean‑Philippe Lafont, baritone; supporting soloists; La Grande Ecurie et la chambre du roy; Ensemble vocal Sagittarius; Jean‑Claude Malgoire, conductor

81

Carlos Patiño, Maria, mater Dei (ca. 1640)

Glissando 779 005‑2 (1999). Salve reyna: música española. Capilla Peñaflorida, Josep Cabré, conductor

82

Juan Gutiérrez de Padilla, A siolo flasiquiyo (1653)

Urtext UMA2011 (1999). Mexico barroco / Puebla I: Maitines de Navidad 1652. Angelicum de Puebla; Benjamín Juárez Echenique, director

83

Juan Blas de Castro, Estávase el aldeana (ca. 1625)

Accent ACC 99137 D (1999). Cancionero de la Sablonara. La Colombina

84

Francisco Correa de Arauxo, Quinto tiento de medio registro de baxones de premier tono (1626)

France K. 617 (1994). Orgue historique de Tlacochahuya. Dominique Ferran, organ

85

Juan Bautista Josè Cabanilles, Tiento XXIV de falsas 8. punt alt (ca. 1690)

Harmonia Mundi France  HMU 907047 (1991). Obras de organo. John Butt, organ

86

Manuel Rodrigues Coelho, Outra Ave Maris stella (1620)

Non-commercial recordings from the University of Illinois

Erato  EDO 219 (1970). Flores de musica. Antoine Sibertin‑Blanc, organ

87

Gaspar Sanz, Jacaras (1675)

Auvidis Astrée  E 8576 (1995). Instrucción de música sobre la guitarra española. Hopkinson Smith, baroque guitar

88

Wolfgang Carl Briegel, Was frag ich nach der Welt! (1670)

Non-commercial recording from the University of Illinois. Sherezade Panthaki, soprano; Jolanta Sosnowska, violin; Patrizia Metzler, violin; Kerry Heimann, organ

89a

Joseph, lieber Joseph mein,” the traditional song reconstructed

89b

Philipp Friedrich Böddecker, Natus est Jesus (1651)

BIS  BIS‑CD‑1135 (2000). Christmas Music. Emma Kirkby, soprano

90

Matthias Weckmann, Zion spricht: Der Herr hat mich verlassen (1663)

Ricercar  RIC 109098 (1992). Das Kantatenwerk. Greta de Reyghere, soprano; James Bowman, countertenor; Ian Honeyman, tenor; Max van Egmond, bass; Ricercar Consort

91

Christoph Bernhard, Euch ist’s gegeben zu wissen das Geheimnis (1665)

Christophorus CHR 77177 (1995). Geistliche Harmonien 1665. Parthenia Baroque; Christian Brembeck, conductor

92a

Martin Luther, “Ein feste Burg ist unser Gott” (1525)

92b

Franz Tunder, Ein feste Burg ist unser Gott (ca. 1650)

            Harmonia Mundi France  HMC 901703 (2000). Avant Bach. Deborah York, Susan Hamilton, sopranos; Daniel Taylor, alto; Jan Kobow, Benoit Haller, tenors; Peter Kooy, bass; Collegium Vocale; Philippe Herreweghe, conductor

93a

Chorale, “Komm, heiliger Geist, Herre Gott”

94b

Franz Tunder, Komm, heiliger Geist (ca. 1650)

Loft Recordings LRCD 1048–LRCD 1049 (2002).  Organ Works.  Pamela Ruiter‑Feenstra, organ

94

Dieterich Buxtehude, Passacaglia, BuxWV 161 (ca. 1680)

Dacapo Records 8.226002 (2002). Complete Works for Organ, Vol. 1. Bine Bryndorf, organ

95

Dieterich Buxtehude, Praeludium, BuxWV 137 (ca. 1680)

Dacapo Records 8.226002 (2002). Complete Works for Organ,.Vol. 1. Bine Bryndorf, organ

96a

Chorale, “An Wasserflüssen Babylon”

96b

Johann Pachelbel, An Wasserflüssen Babylon (ca. 1680)

Centaur CRC 2491 (1997).  The Complete Organ Works, Vol. 11.  Joseph Payne, organ

97

Johann Heinrich Schmelzer, Corrente per l’Intrada di S.M.c. & di tutti i Cavaglieri from La contesa dell’aria e dell’acqua (1667)

Titanic Ti‑97 (1981).  The New York Cornet & Sacbut Ensemble. The New York Cornet & Sacbut Ensemble

98

Johann Heinrich Schmelzer, Sonata Natalitia â 3 Chori Auth (1673)

Teldec 8.42100 (1989). Sacro profanus concentus musicusC1662. Concentus musicus Wien; Nikolaus Harnoncourt, conductor

99

Johann Rosenmüller, Sonata seconda (1667)

Astrée Auvidis  E 8709 (1984). Sonate da camera & sinfonie. Hesperion XX; Jordi Savall, conductor

100

Heinrich Ignaz Franz von Biber, Battalia (1673)

Archiv Produktion  429 230‑2 (1989). Scherzi musicali. Musica Antiqua Köln; Reinhard Goebel, conductor

101

Maurizio Cazzati, Sonata settima, La Rossella (1656)

Pierre Verany PV797024 (1996). Sonates pour deux violons & continuo, opus XVIII. Ensemble Mensa Sonora

102

Giovanni Battista Vitali, Balletto ottava and Corrente ottava (1683)

Mondo musica MM 96002 (1996). Varie partite del passamezzo, Op. 7. Accademia Farnese

103

Giovanni Maria Bononcini, Sonata XI, del secondo tuono una quarta più alto (1672)

Non-commercial recording from the University of Illinois. Robin Kearton, Laura Langton Yeh, violins; Karra Duchi, cello; Sonia Lee, harpsichord

104

Arcangelo Corelli, Op. IV, Sonata IV  (1694)

Frequenz 350‑202 (1990). Opera omnia. Accademia Bizantina

105

Arcangelo Corelli, Op. VI, Concert I (ca. 1680?)

Frequenz 350‑202 (1990). Opera omnia. Accademia Bizantina

106

Giuseppe Torelli, Sinfonia con tromba e violini unissoni, G 9 (1693?)

Bongiovanni GB 5523‑2 (1993). L’opera completa per 1, 2, 4 trombe. Per‑Olov Lindeke, David Staff, Edward Tarr, and/or Gabriele Cassone, trumpet(s); assisting soloists; Cappella musicale della Basilica di San Petronio; Sergio Vartolo, conductor

107

Antonio Vivaldi, Concerto III, RV 310, Op. 3, no. 3 (1711)

Chandos CHAN 0689(2) (2002). L’estro armonico, Op. 3. Federico Guglielmo, violin; L’Arte dell’Arco; Christopher Hogwood, harpsichord and conductor

108

Pelham Humfrey, Hear O Heav’ns (ca. 1670)

Harmonia Mundi France HMU 907053. Verse Anthems. Donna Deam, soprano; Drew Minter, countertenor; Rogers Covey‑Crump, John Potter, tenors; David Thomas, bass; Choir of Clare College, Cambridge; Romanesca (instrumental ensemble); Nicholas McGegan, conductor

109

Matthew Locke, O Be Joyful in the Lord, All Ye Lands (1664)

Hyperion CDA66373 (1989). Anthems, Motets, and the Oxford Ode. Choir of New College, Oxford; Parley of Instruments; Edward Higginbottom, conductor.

110

Matthew Locke, "The Delights of the Bottle," from Psyche (1675)

Hyperion CDA67126 (1999). English Lute Songs. Robin Blaze, countertenor; Elizabeth Kenny, lute

111

John Blow, Lovely Salina (1683)

Musica Oscura 070979 (1995). Sound the Trumpets from Shore to Shore. Emma Kirkby, soprano

112

Henry Purcell, In Guilty Night, Z 134 (ca. 1690)

Virgin Classics 7243 5 45061 2 3 (1994). Te Deum & Jubilate. Taverner Consort, Choir and Players; Andrew Parrott, conductor

113

John Banister, the Musick att the Bath (1663)

Hyperion CDA66667 (1993). Four and Twenty Fiddlers. The Parley of Instruments Renaissance Violin Band; Peter Holman, director

114

Henry Purcell, The Fairy Queen (1692), Act II, “The Masque of Sleep”

Archiv Produktion 419 221‑2 (1987). Eiddwen Harrhy, Jennifer Smith, Judith Nelson, Elisabeth Priday, sopranos; Timothy Penrose, Ashley Stafford, countertenors; Wynford Evans, Martyn Hill, tenors; Stephan Varcoe, David Thomas, basses; Monteverdi Choir; English Baroque Soloists; John Eliot Gardiner, conductor

115

Henry Purcell, Dido and Aeneas (1689), excerpts

Editions de l’Oiseau‑Lyre 436 992‑2 (1992). Catherine Bott; Emma Kirby; John Mark Ainsley; David Thomas; Elisabeth Priday; Sara Stowe; Julianne Baird; Daniel Lochmann; Michael Chance; Chorus and Orchestra of The Academy of Ancient Music, Christopher Hogwood, conductor.

116

George Frideric Handel, Tamerlano (1724), HWV 18, excerpts

Avie AV 0001 (2001). Elizabeth Norberg‑Schulz, soprano; Anna Bonitatibus, mezzo‑soprano; Monica Bacelli, contralto; Graham Pushee, alto; Tom Randle, tenor; Antonio Abete, bass; English Concert; Trevor Pinnock, conductor

117

Alessandro Scarlatti, Cain, ovvero Il primo omicidio (1707), Part II, excerpt

Harmonia Mundi France HMC 901649 (1997). Alessandro Scarlatti, Il primo omicidio. Graciela Oddone, Dorothea Röschmann, sopranos; Bernarda Fink, alto; René Jacobs, countertenor; Richard Croft, tenor; Antonio Abete, bass; Akademie für Alte Musik Berlin; René Jacobs, conductor

118

Alessandro Scarlatti, Il genio di Mitilde (1711)

Conifer Classics : 75605 51319 2 (1998). Alessandro Scarlatti, Cantatas, Vol. II.

119

Antonio Vivaldi, Jubilate, o amoeni chori and Gloria in excelsis Deo, RV 588 (1717), excerpt

Decca : 289 458 837‑2 (1996). Gloria. Catherine Bott, Julia Gooding, sopranos; Christopher Robson, countertenor; Andrew King, tenor; Simon Grant, bass; New London Consort (on authentic instruments); Philip Pickett, conductor

120

Francesco Antonio Bonporti, Ite molles, Motetto per il Signore (1701)

Dynamic CDS 280 (2000). Francesco Antonio Bonporti, 6 Motetti a canto solo, op. 3. Gemma Bertagnolli, soprano; Accademia I Filarmonici

121

Jean-Philippe Rameau, Hippolyte et Aricie (1733), Act IV, second half

Erato  0630‑15517‑2 (1996). Anne‑Maria Panzarella, soprano; Lorraine Hunt, Eirian James, mezzo‑sopranos; Mark Padmore, tenor; Laurent Naouri, bass; Les Arts Florissants; William Christie, conductor

122

François Couperin, La Ténébreuse, Allemande (1713)

Erato WE 849 (1995). François Couperin, Premier livre de Pièces de clavecin. Olivier Baumont, harpisichord

123

François Couperin, Le Petit-Rien (1722)

Astrée E7758 (1980). François Couperin, Troiseéme livre de piéces de clavecin. Blandine Verlet, harpsichord

124

Elisabeth Jacquet de La Guerre, Sonata no. 2 (1707)

Opus 111 OP 30341 (2001). Donne barocche / women composers from the baroque period ‘ les femmes compositeurs de l’époque baroque. Bizzarrie Armoniche

125

George Frideric Handel, Saul, HWV 53 (1738), excerpts

Archiv Produktion 474 510‑2 (2002). Susan Gritton, Nancy Argenta, sopranos; Andreas Scholl, countertenor; Paul Agnew, Mark Padmore, tenors; Neal Davies, baritone; Gabrieli Consort & Players; Paul McCreesh, conductor

126

Johann Sebastian Bach, Passio D.N.J.C. secondum Matthaeum (“St. Matthew Passion”), BWV 244

(1727, revised 1736)

Archiv Produktion 427 648‑2 (1988). Barbara Bonney, Ann Monoyios, sopranos; Anne Sofie von Otter, alto (contralto); Anthony Rolfe Johnson, Howard Crook, tenors; Michael Chance, countertenor; Andreas Schmidt, Olaf Bär, baritones; Cornelius Hauptmann, bass; Monteverdi Choir; London Oratory Junior Choir; English Baroque Soloists (on period instruments); John Eliot Gardiner, conductor

127

Johann Sebastian Bach, Passacaglia and Fugue, BWV 582 (ca. 1707)

Archiv Produktion 413 638‑2 (1984). Johann Sebastian Bach, Orgelwerke. Ton Koopman, organ

128a

Chorale, “Allein Gott in der Höh sei Her”

128b

Johann Sebastian Bach, Allein Gott in her Höh sei Ehr, BWV 663 (ca. 1708–17, revised ca. 1749)

London  421 621‑2 (1990). Johann Sebastian Bach, The Organ Works, Vol. 4. Peter Hurford, organ

129

Johann Sebastian Bach, Praeludium 21 and Fuga 21 à 3 (1722)

Archiv Produktion 413 439‑2 (1983). Kenneth Gilbert, harpsichord

130

Johann Sebastian Bach, Concerto 1mo from Six Concerts Avec plusierus Instruments (Brandenburg Concerto no. 1, ?1713/?1716/1721), BWV 1046

Telarc CD‑80354 (1993). Johann Sebastian Bach, Brandenburg Concertos. Boston Baroque, Martin Pearlman, director