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W1 Claudio Monteverdi, “Lamento d’Arianna,” from L’Arianna (1608)
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W2 Giovanni Gabrieli, Sonata con tre violini (1612)
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W3 Alessandro Grandi, Veniat dilectus meus (1619)
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W4 Giovanni Francesco Anerio, Vivean felice (1619)
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W5 Claudio Monteverdi, Gloria a 7 (1641)
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W6 Nicolas Formé, Ecce tu pulchra es (1638)
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W7a Chorale, “Als der gütiger Gott”
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W7b Michael Praetorius, Als der gütiger Gott (1619)
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W8a Chorale, “Nun komm der Heiden Heiland”
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W8b Samuel Scheidt, Nun komm der Heiden Heiland (1635)
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W9 Orlando Gibbons, Peascod Time ( ca. 1620)
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W10 Thomas Tomkins, Fantasy (1648)
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W11 William Lawes, Britannia triumphans (1638)
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W12 Claudio Monteverdi, Iro’s lament from Il ritorno d’Ulisse in patria (1639/40)
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W13 Claudio Monteverdi, L’incoronazione di Poppea (1642/3), Act I, scenes 1–4
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W14 Francesco Cavalli, Messa concertata, Kyrie (1656)
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W15 Jean Henry d’Anglebert, Suite in D (1689)
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W16 Marin Marais, Suite no. 6 from Premier livre des pieces a deux violes (1686)
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W17 Henry Du Mont, Quemadmodum desiderat cervus (ca. 1663–73)
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W18 Guillaume Gabriel Nivers, Suite in Tone 2, from his 3. Livre d’orgue des huits tons de l’église (1686)
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W19 Mateo Romero, Dixit Dominus a 8 (ca. 1625)
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W20 Juan Bautista Comes, Bien te puedes alegrar (ca. 1615)
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W21 [Juan Hidalgo], Fortunas de Andrómeda y Perseo (1653)
a. “Oye, aguarda. Mas, ¡ay triste!” Act I
b. Recitative dialogue between Palas and Mercurio, Act I
c. “Ya escucho tu acento,” Act II
d. “¿Qué puieres Discordia?” Act II
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W22 Sebastián Aguilera de Heredia, Tiento de 4 o tono (ca. 1600)
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W23 José Jiménez, Batalla de 6 o tono (ca. 1650)
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W24a Chorale “ Nun lasst uns be Leib begraben” with the words “ Ihr lieben Christen, freut euch nun”
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W24b Dieterich Buxtehude, Ihr lieben Christen, freut euch nun, BuxWV 51 (ca. 1680)
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W25 Heinrich Ignaz Franz Biber or Andreas Hofer?, Plaudite tympana (1682)
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W26 Pavel Josef Vejvanovský, Sonata vespertina ab. 8 (1665)
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W27 Alessandro Stradella, Sonata di viole (ca. 1675)
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W28 John Blow, God Spake Sometime in Visions (1685)
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W29 Henry Purcell, Sound the Trumpet, Beat the Drum (1687)
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W30 Henry Purcell, Fantasia (1680)
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W31 Henry Purcell, Sonata XII, from Sonnata’s of III Parts (1683)
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W32 John Blow, Ground in E-La-Mi (ca. 1680)
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W33 William Croft, Voluntary in D (ca. 1710)
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W34 Pelham Humfrey, Pietro Reggio, and Matthew Locke, “Masque of Devils” from The Tempest (1674)
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W35 Carlo Francesco Pollarolo, Gl’inganni felici (1696), Act I, scenes 6–8
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W36 Marc-Antoine Charpentier, Médée (1693), Act IV, scenes 3–7
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W37 Louis-Nicolas Clérambault, Orphée (1710)
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W38 Michel-Richard de Lalande, Te Deum laudamus (1684-1726)
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W39 François Couperin, Troiséme Leçons à deux voix (ca. 1713–17)
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W40 François Couperin, Messe à l’usage ordinaire des paroisses (1690)
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W41 Jean-Philippe Rameau, Suite in A Minor, from the Premier livre de piéces de clavecin (1706)
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W42 François Couperin, “Les Fastes de la grande et ancienne Mxnxstrxndxsx,” from his Second livre de pièces de clavecin (1716)
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W43 Georg Philipp Telemann, Gott der Hoffnung erfülle euch (1717)
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W44 Johann Mattheson, Die heilsame Geburth und Menschwerdung unsers Herrn und Heylandes Jesu Christi (1715)
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W45 Johann Sebastian Bach, Ein feste Burg ist unser Gott, BWV 80 (1716–1740)
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List of available recordings of the works included in the Anthology of Baroque Music (contains links to MP3 audio files)

List of available recordings of the works included in the Anthology of Baroque Music Web Supplement (contains links to MP3 audio files)

John Walter Hill’s Web site, including non-commercial recordings of the works included in both the Anthology of Baroque Music and the Web supplement

To learn more about the Baroque Music package, please visit www.wwnorton.com/ college/titles/music/
hill

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