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| CHAPTER 32 | THROUGH THE PICTURE WINDOW: SOCIETY AND CULTURE, 1945-1960 | OUTLINE |
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CHAPTER OUTLINE |
- Postwar economy
- Growth and prosperity
- Military spending
- International trade dominance
- Technological innovation
- Baby boom and consumer demand
- GI Bill of Rights
- Economic measure
- Veterans Administration
- Benefits and effects
- Participants
- Consumer culture
- Television
- Popularity
- “Electronic hearth”
- Dispersion of affluence
- Labor and blacks
- Exceptions
- Marketing and packaging
- Credit cards
- Growth of suburbs
- Rural-to-urban migration
- Levittowns
- Automobiles and roads
- “White flight”
- African-American migration
- Reasons for moving
- Effects on northern cities
- Postwar conformity
- Corporate life
- White-collar jobs
- Large corporations
- Women and the cult of domesticity
- Religion
- Growth in church membership
- Religious revival
- Patriotism
- Marketing of religion
- Reverend Norman Vincent Peale and positive thinking
- Neo-orthodoxy
- Critical of religiosity
- Reinhold Niebuhr
- Social critics of conformity
- John Kenneth Galbraith’s The Affluent Society
- The Crack in the Picture Window
- David Riesman and The Lonely Crowd
- Youth culture
- Consumerism at shopping malls
- Permissive parents
- Juvenile delinquency
- Mobility
- Rock ’n’ roll
- Origins
- Bridge between white and black music
- Elvis Presley
- Vehicle for youth revolt
- Controversial
- Alienation and liberation in the arts
- Drama
- Oppressiveness of mass culture
- Arthur Miller’s Death of a Salesman
- The novel
- The individual’s struggle for survival
- From Here to Eternity by James Jones
- Ralph Ellison, Invisible Man
- Painting
- Edward Hopper and desolate loneliness
- Abstract expressionism
- Violent and chaotic modern society
- Jackson Pollock
- Willem de Kooning, Mark Rothko, et al.
- The Beats
- Liberation of self-expression
- Greenwich Village background
- Howl by Allen Ginsberg
- Jack Kerouac’s On the Road
- Anti-heroes
- James Dean and Marlon Brando
- Mort Sahl and Lenny Bruce
- Bob Dylan
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