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This section includes: Notes
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Notes:
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In the midst of the massiveand often cataclysmicsocial changes that
violently reshaped Europe during the eighteenth century, philosophers
and other thinkers championed reason and the power of the human mind,
contributing to the somewhat misleading appellation of this
prerevolutionary period as an "Age of Enlightenment."
- Because literature was produced by a small
cultural elite, it tended to address limited audiences of
the authors' social peers, who would not necessarily
notice the class- and race-specific values that served as
a basis for proper conduct and actions outlined in poems,
novels, and belles lettres.
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The notion of a permanent, divinely ordained, natural order offered
comfort to those aware of the flaws in the actual social order.
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Reliance on convention as a mode of social and literary control
expresses the constant efforts to achieve an ever-elusive stability in
the eighteenth century.
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By exercising their right to criticize their fellow men and women,
satirists evoked a rhetorical ascendancy that was obtained by an
implicit alliance with literary and moral tradition.
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Though she outwardly declared her humility and religious subordination,
Sor (Sister) Juana InÈs de la Cruz managed to advance claims for
women's rights in a more profound and far-reaching way than anyone had
achieved in the past.
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* blue words within the text indicate important notes to remember
- In
the midst of the massiveand often cataclysmicsocial
changes that violently reshaped Europe during the eighteenth
century, philosophers and other thinkers championed reason
and the power of the human mind, contributing to the somewhat
misleading appellation of this prerevolutionary period as
an "Age of Enlightenment." New commerce
permitted the accumulation of new wealth, which threatened
the established hierarchies of social order, particularly
the monarchies, when the newly wealthy demanded political
power. Similarly, the schisms within the Christian Church
gave witness to the revocation of the Edict of Nantes, which
had granted toleration of Protestants in France, as well
as to rebellions around the succession to the throne in
England. Religious differences carried over into social
and political differences, so that division within European
powers, especially France and England, were of greater significance
than divisions between them. The Age of Enlightenment also
watched as the American and French revolutions changed the
ethos and tenor of European life.
- Both French and English
society were strictly hierarchical. Because
literature was produced by a small cultural elite, it tended
to address limited audiences of the authors' social
peers, who would not necessarily notice the class- and race-specific
values that served as a basis for proper conduct and actions
outlined in poems, novels, and belles lettres. For
the upper classes, public life mattered more than private
life. In France, women controlled the intellectual life
of literary salons; in England, women were allowed no such
commanding positions. Beginning around 1660, authors such
as MoliËre, Swift, Pope, and Voltaire called attention to
the deceptions of well-defined codes of behavior, though
they did not go so far as to consider whether the codes
themselves might be at fault. Literary "expressiveness"
was linked to shared opinions rather than to the eccentricities
of individual will.
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Nature was often set against society as a measure of realitynature in
the double sense of an inherent order of things and of human nature.
The notion of a permanent, divinely ordained, natural order offered
comfort to those aware of the flaws in the actual social order. As
a consequence, thinkers tended to emphasize notions of a common
humanity at the expense of considering cultural divergencies. Genuine
conviction in the truth of universality enabled standards for
excellence to appear as though they were not culturally specific.
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As with eighteenth-century literature, society operated on the basis of
established codes and conventions. Guides to manners were wildly
popular, based on the assumption that rigorous commitment to decorum
would help to preserve society's "important" values, emphasizing a
continuation from past to present. Literary conventions followed the
classical assumption that literature existed both to delight and
instruct the reader. Each literary genre developed its own means of
achieving this goal. Reliance on convention as a mode of social and
literary control expresses the constant efforts to achieve an
ever-elusive stability in the eighteenth century. Nonetheless, the
Ancients and the Moderns debated the value of permanence versus the
value of change.
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To different degrees and on different occasions, MoliËre, Pope, Swift,
and Voltaire wrote in the satirical mode. By exercising their right
to criticize their fellow men and women, satirists evoked a rhetorical
ascendancy that was obtained by an implicit alliance with literary and
moral tradition. The popularity of satire suggests another version
of the conflict between reason and passion, the forces of stability and
instability. By contrast, Racine adapted the classical form of the
tragedy to new ends.
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Though she outwardly declared her humility and religious
subordination, Sor (Sister) Juana InÈs de la Cruz managed to advance
claims for women's rights in a more profound and far-reaching way than
anyone had achieved in the past. It is perhaps unexpected that this
defense of women's intellectual rights should come from a Mexican nun.
Sor Juana also wrote lyric poetry and drama, achieving recognition in
the Spanish-speaking world as the "Tenth Muse."
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