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Notes:

  1. When the Mongol (Yüan) armies overran northern China and the southern Sung dynasties, they established themselves as a dynasty, abolishing governmental principles derived from Confucian teachings.
  2. Often building on works of classical literature, vernacular literature (dealing with sex, violence, satire, and humor) became known for its ability to elaborate creatively on plots of earlier works by filling in details or perhaps even by articulating what had been omitted.
  3. Under the Ch'ing Dynasty, and especially during the period known as the "literary inquisition," classical Chinese writing suffered a devastating blow.
  4. China's autonomy and cultural self-confidence were decimated in the eighteenth and early nineteenth centuries, when European colonial powers began to exert control over China's economy.

Text:
* blue words within the text indicate important notes to remember

  1. When the Mongol (Yüan) armies overran northern China and the southern Sung dynasties, they established themselves as a dynasty, abolishing governmental principles derived from Confucian teachings. In effect, this meant that although classical literature retained importance in intellectual circles, it gradually became marginalized in spheres of public and private life.
  2. In its place, vernacular literature (plays, verse, romance, and prose fiction) began to play an important role in urban areas. Often building on works of classical literature, vernacular literature (dealing with sex, violence, satire, and humor) became known for its ability to elaborate creatively on plots of earlier works by filling in details or perhaps even by articulating what had been omitted. For instance, Wu Ch'eng-en's extensive novel Monkey, or "Journey to the West," is historically based on the Buddhist monk Tripitaka's pilgrimage from China to India. Whereas neo-Confucianism emphasized rediscovering the Confucian classics as a way to build a system of private and social ethics that could determine all aspects of life, vernacular literature focused on liberty, violent energy, and passion. In effect, it gave a voice to aspects of life that neo-Confucianism tried to repress. K'ung Shang-jen's Peach Blossom Fan is a play derived from the ch'uan-ch'i tradition, which consists of long plays that are performed over a period of several days. Cao Xueqin's novel the Story of the Stone, better known as the Dream of the Red Chamber, is a long, unfinished female-centered novel and has been viewed as an embodiment of Chinese national identity.
  3. When the Manchu armies established the Ch'ing Dynasty that remained in place from 1644 to 1911, the Chinese people experienced changes in their private and public cultural lives. Under the Ch'ing Dynasty, and especially during the period known as the "literary inquisition," classical Chinese writing suffered a devastating blow. Because early Ch'ing intellectuals viewed the emphasis on personal freedom over social responsibility as a reason contributing to the fall of the Ming Dynasty, there was a strong movement away from Ming subjectivism. In its place, the Ch'ing emphasized historically and philosophically rigorous textual interpretations. Texts were studied by exploring how words might have been used in their original contexts.
  4. China's autonomy and cultural self-confidence were decimated in the eighteenth and early nineteenth centuries, when European colonial powers began to exert control over China's economy. The opium "trade," a strategy by which the British enabled China's dependency on opium from India as a way to acquire tea from China, culminated in the Opium War (1840–42), resulting in the takeover of Hong Kong by Britain. At the same time, Christian missionaries were able to gain footholds throughout the country because they were protected by treaties. The T'ai-p'ing-T'ien-kuo, a movement that attempted to combine Christianity with local beliefs, rebelled against the Ch'ing government, resulting in a war that left central China desolate. These constant attacks eventually weakened the physical and moral resolve of the ruling Ch'ing government; by 1911 it was overthrown, and the Republic of China was established.
 
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