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List Alphabetically
A-C | D-I | J-R | S-Z
List Chronological
Middle Ages | 16th Century | 17th Century |
Restoration and the 18th Century
Romantic Period | Victorian Age | 20th Century
Chronological Listing: Victorian Age
*
indicates a selection that is not included in the online archive due to
copyright
Author |
Title |
First Appeared |
Dropped
After |
Added
Again |
Last Appeared |
Carlyle,
Thomas |
Carlyle’s
Portraits of His Contemporaries |
1 |
|
|
7 |
American
Visitors: Daniel Webster at 57 |
1 |
|
|
1 |
American
Visitors: Ralph Waldo Emerson at 30 |
1 |
|
|
1 |
American
Visitors: Emerson at 44 |
1 |
|
|
1 |
American
Visitors: Bronson Alcott at 42 |
1 |
|
|
1 |
Royalty:
King William IV at 69 |
1 |
|
|
4 |
Royalty:
Queen Victoria at Eighteen |
1 |
|
|
7 |
English
Men of Letters: Charles Lamb at 56 |
1 |
|
|
6 |
English
Men of Letters: Samuel Taylor Coleridge at Fifty-three |
1 |
|
|
7 |
English
Men of Letters: William Wordsworth in His Seventies |
1 |
|
|
7 |
English
Men of Letters: Alfred Tennyson at Thirty-four |
1 |
|
|
7 |
English Men of Letters William Makepeace Thackeray at 42 |
1 |
|
|
6 |
from Characteristics |
1 |
|
|
6 |
Sartor
Resartus |
1 |
|
|
NA |
Natural
Supernaturalism |
2 |
|
|
7 |
The
French Revolution |
1 |
|
|
7 |
September in Paris |
1 |
|
|
7 |
Place de la
Revolution |
1 |
|
|
7 |
From Cause and Effect |
1 |
|
|
7 |
Newman,
John Henry Cardinal |
Apologia
Pro Vita Sua |
1 |
|
|
1 |
Doubt and Faith |
1 |
|
|
1 |
From Chapter 1. History of My
Religious Opinions to the Year 1833 |
7 |
|
|
7 |
From Chapter 3. History of My
Religious Opinions from 1839 to
1841 |
2 |
|
|
6 |
From Chapter 5. Position of My Mind
Since 1845 |
2 |
|
|
6 |
From Liberalism |
1 |
|
|
7 |
Mill,
John Stuart |
Coleridge |
1 |
|
|
2 |
Browning,
Elizabeth Barrett |
A Year’s Spinning |
5 |
|
|
6 |
A Musical Instrument |
5 |
|
|
6 |
Tennyson,
Alfred Lord |
Rizpah |
1 |
|
|
1 |
To E. Fitzgerald |
1 |
|
|
2 |
Locksley Hall Sixty Years After |
2 |
|
|
2 |
By an Evolutionist |
1 |
|
|
2 |
June Bracken and Heather |
1 |
|
|
2 |
A Dedication |
3 |
|
|
3 |
I Stood on a Tower |
3 |
|
|
3 |
The Silent Voices |
1 |
|
|
3 |
St. Agnes Eve |
4 |
|
|
4 |
You Ask Me Why, Though Ill at Ease |
1 |
|
|
4 |
Lines (“Here often, when a child I lay reclined”) |
1 |
|
|
4 |
Sonnet (“How thought you that this thing could
captivate?”) |
3 |
|
|
4 |
Move Eastward, Happy Earth |
1 |
|
|
4 |
The Revenge |
1 |
|
|
4 |
The Kraken |
1 |
3 |
5 |
7 |
The Eagle: A Fragment |
1 |
|
|
7 |
The
Princess |
1 |
|
|
NA |
Sweet and Low |
1 |
|
|
7 |
The Splendor Falls |
1 |
|
|
7 |
Ask Me No More |
1 |
|
|
7 |
Come Down, O Maid |
1 |
|
|
7 |
Flower in the Crannied Wall |
1 |
|
|
7 |
Sonnet (“She took the dappled partridge flecked with
blood”) |
1 |
|
|
6 |
Maud |
1 |
|
|
6 |
Part 1 |
4 |
|
|
6 |
VI.5 (“Ah,
what shall I be at fifty”) |
4 |
|
|
6 |
VI.8
(“Perhaps the smile and tender tone”) |
4 |
|
|
6 |
VI.10 (“I
have played with her when a child”) |
4 |
|
|
6 |
VII (“She
came to the village church”) |
1 |
|
|
6 |
XI (“O let
the solid ground”) |
4 |
|
|
6 |
XII
(“Birds in the high Hall-garden”) |
4 |
|
|
6 |
XVI
(“Catch not my breath, O clamorous heart”) |
1 |
|
|
6 |
XVIII (“I
have led her home, my love, my only friend”) |
1 |
|
|
6 |
Part 2 |
5 |
|
|
6 |
4 (“O that
'twere possible”) |
5 |
|
|
6 |
In the Valley of Cauteretz |
1 |
|
|
6 |
Idylls
of the King |
1 |
|
|
6 |
Dedication |
1 |
|
|
3 |
In Love, If Love Be
Love |
1 |
|
|
2 |
Pelleas and Ettarre |
3 |
|
|
6 |
Northern Farmer: New Style |
1 |
|
|
6 |
To Virgil |
1 |
|
|
6 |
Frater Ave atque Vale |
1 |
|
|
6 |
The Dawn |
1 |
|
|
6 |
Dickens,
Charles |
Martin
Chizzlewit |
3 |
|
|
3 |
[Mrs. Gamp and Mr.
Mould] |
3 |
|
|
3 |
David
Copperfield |
3 |
|
|
3 |
[The Journey to
Salem House School] |
3 |
|
|
3 |
[The Journey from
London to Dover] |
3 |
|
|
3 |
Bleak
House |
3 |
|
|
3 |
In Chancery |
3 |
|
|
3 |
Hard
Times |
3 |
|
|
3 |
The One Thing
Needful |
3 |
|
|
3 |
Murdering the
Innocents |
3 |
|
|
3 |
[Coketown] |
3 |
|
|
3 |
Our
Mutual Friend |
3 |
|
|
3 |
Podsnappery |
3 |
|
|
3 |
Browning,
Robert |
Up at a Villa—Down in the City |
1 |
|
|
2 |
In a Year |
1 |
|
|
2 |
Respectability |
1 |
|
|
4 |
Confessions |
1 |
|
|
4 |
The Householder |
1 |
|
|
4 |
The Laboratory |
2 |
|
|
7 |
Home Thoughts, from Abroad |
1 |
|
|
7 |
Home Thoughts, from the Sea |
1 |
|
|
7 |
Meeting at Night |
1 |
|
|
7 |
Parting at Morning |
1 |
|
|
7 |
Memorabilia |
1 |
|
|
7 |
The Last Ride Together |
1 |
|
|
7 |
Two in the Campagna |
1 |
|
|
7 |
Prospice |
1 |
|
|
7 |
Women and Roses |
1 |
|
|
6 |
A Woman’s Last Word |
5 |
|
|
6 |
Youth and Art |
1 |
|
|
6 |
Dîs Aliter Visum; or, Le Byron de Nos Jours |
4 |
|
|
6 |
Apparent Failure |
1 |
|
|
6 |
House |
2 |
|
|
6 |
To Edward FitzGerald |
1 |
|
|
6 |
Epilogue to Asolando |
1 |
|
|
6 |
Ruskin,
John |
The
Storm-Cloud of the Nineteenth Century |
3 |
|
|
7 |
Lecture 1 |
3 |
|
|
7 |
From Lectures On Art |
7 |
|
|
7 |
[Imperial Duty] |
7 |
|
|
7 |
Clough,
Arthur Hugh |
Epi-strauss-ium |
1 |
|
|
7 |
The Latest Decalogue |
1 |
|
|
7 |
Say Not the Struggle Nought Availeth |
1 |
|
|
7 |
Dipsychus |
1 |
|
|
6 |
I Dreamt a Dream |
1 |
|
|
6 |
“There Is No God,”
the Wicked Saith |
1 |
|
|
6 |
Eliot,
George |
*The
Mill on the Floss: [The Childhood and Girlhood of Maggie Tulliver] |
3 |
3 |
6 |
7 |
*Book First. Boy
and Girl |
6 |
|
|
7 |
*Chapter
1. Outside Dorlcote Mill |
6 |
|
|
7 |
*Chapter
2. Mr. Tulliver, of Dorlcote Mill, Declares His Resolution About Tom |
6 |
|
|
6 |
*Chapter
3. Mr. Riley Gives his Advice Concerning a School for Tom |
6 |
|
|
6 |
*Chapter
4. Tom Is Expected |
6 |
|
|
6 |
*Chapter
5. Tom Comes Home |
6 |
|
|
6 |
*[Dorlcote
Mill Revisited] |
3 |
|
|
3 |
*[Maggie
Anticipates Her Brother's Return. Age Nine] |
3 |
|
|
3 |
*[A Reunion
with Tom. Age Nine] |
3 |
|
|
3 |
*[Maggie
Visits Tom’s Boarding School. Age 10] |
3 |
|
|
3 |
*[Maggie’s
Discovery of Thomas a Kempis. Age 13] |
3 |
|
|
3 |
*[A Meeting
with Philip Waken. Age 17] |
3 |
|
|
3 |
*[Aftermath
of an Evening with Stephen Guest. Age 19] |
3 |
|
|
3 |
*[An
After-Dinner Visit with Stephen Guest. Age 19] |
3 |
|
|
3 |
*[An Afternoon
Visit with Stephen Guest at the Farm. Age 19] |
3 |
|
|
3 |
Arnold,
Matthew |
The Function of a Professor |
1 |
|
|
1 |
Stanzas in Memory of the Author Obermann |
2 |
|
|
2 |
Longing |
1 |
|
|
3 |
Requiescat |
1 |
|
|
3 |
Palladium |
1 |
|
|
3 |
The Better Part |
1 |
|
|
3 |
Shakespeare |
1 |
|
|
4 |
In Harmony with Nature |
2 |
|
|
4 |
Philomela |
1 |
|
|
4 |
The Forsaken Merman |
1 |
|
|
7 |
Thyrsis |
1 |
|
|
7 |
To a Friend |
1 |
|
|
6 |
Growing Old |
1 |
|
|
6 |
Maurice de Guérin |
1 |
|
|
6 |
[A Definition of
Poetry] |
1 |
|
|
6 |
Wordsworth |
1 |
|
|
6 |
Meredith,
George |
Lucifer in Starlight |
1 |
|
|
7 |
Modern
Love |
1 |
|
|
NA |
3 (“This was the
woman; what now of the man?”) |
1 |
|
|
6 |
15 (“I think she
sleeps; it must be sleep, when low”) |
1 |
|
|
6 |
16 (“In our old
shipwrecked days there was an hour”) |
1 |
|
|
6 |
23 (“ ’Tis
Christmas weather, and a country house”) |
4 |
|
|
6 |
35 (“It is no
vulgar nature I have wived”) |
4 |
|
|
6 |
42 (“I am to follow
her. There is much grace”) |
4 |
|
|
6 |
43 (“Mark where the
pressing wind shoots javelinlike”) |
4 |
|
|
6 |
48 (“Their sense is
with their senses all mixed in”) |
4 |
|
|
6 |
Dirge in Woods |
1 |
|
|
6 |
Huxley,
Thomas Henry |
A
Liberal Education |
1 |
|
|
4 |
[A Game of Chess] |
1 |
|
|
4 |
An
Address on University Education |
1 |
|
|
4 |
[The Function of a
Professor] |
1 |
|
|
4 |
Rossetti,
Dante Gabriel |
The
House of Life |
1 |
|
|
7 |
The Sonnet |
1 |
|
|
7 |
4. Lovesight |
1 |
|
|
6 |
Nuptial Sleep |
1 |
|
|
6 |
49. Willowwood—1 |
1 |
|
|
6 |
50.
Willowwood—2 |
5 |
|
|
6 |
51. Willowwood—3 |
6 |
|
|
6 |
52.
Willowwood—4 |
5 |
|
|
6 |
63.
Inclusiveness |
1 |
|
|
6 |
71. The Choice – I |
1 |
|
|
4 |
72. The
Choice – II |
1 |
|
|
4 |
73. The
Choice – III |
1 |
|
|
4 |
97. A
Superscription |
1 |
|
|
7 |
101. The One Hope |
1 |
|
|
7 |
She Bound Her Green Sleeve |
1 |
|
|
4 |
The Woodspurge |
1 |
|
|
7 |
The Sea-Limits |
4 |
|
|
6 |
The Orchard-Pit |
1 |
|
|
6 |
Patmore,
Coventry |
The
Angel in the House |
1 |
|
|
1 |
The Spirit’s Epochs |
1 |
|
|
1 |
The Kiss |
1 |
|
|
1 |
The
Unknown Eros |
1 |
|
|
1 |
Magna Est Veritas |
1 |
|
|
1 |
A Farewell |
1 |
|
|
1 |
Rossetti,
Christina |
*Winter: My Secret |
5 |
|
|
6 |
Morris,
William |
I Know a Little Garden-Close |
1 |
|
|
1 |
Christ Keep the Hollow Land |
1 |
|
|
4 |
For the Bed at Kelmscott |
1 |
|
|
4 |
The Haystack in the Floods |
1 |
|
|
7 |
The
Earthly Paradise |
1 |
|
|
6 |
An Apology |
1 |
|
|
6 |
A Death Song |
1 |
|
|
6 |
Swinburne,
Algernon Charles |
In Memory of Walter Savage Landor |
1 |
|
|
1 |
An Interlude |
1 |
|
|
2 |
In the Orchard |
2 |
|
|
3 |
Choruses
from Atalanta
in Calydon |
1 |
|
|
7 |
When the Hounds of
Spring |
1 |
|
|
7 |
Before the
Beginning of Years |
1 |
|
|
7 |
The Garden of Proserpine |
1 |
|
|
7 |
The
Triumph of Time |
1 |
|
|
6 |
I Will Go Back to
the Great Sweet Mother |
1 |
|
|
6 |
The Lake of Gaube |
4 |
|
|
6 |
Pater,
Walter |
Appreciations |
1 |
|
|
7 |
From Style |
1 |
|
|
7 |
From The Child in the House |
4 |
|
|
6 |
Lear,
Edward |
*How Pleasant to Know Mr. Lear |
1 |
|
|
7 |
*Cold Are the Crabs |
1 |
|
|
7 |
Henley,
William Ernest |
Waiting |
1 |
|
|
7 |
Madam Life’s a Piece in Bloom |
1 |
|
|
6 |
Barmaid |
4 |
|
|
4 |
Wilde,
Oscar |
Sonnet: On the Sale of Keats’s Love Letters |
4 |
|
|
4 |
Symphony in Yellow |
4 |
|
|
4 |
Hélas |
1 |
|
|
7 |
E Tenebris |
1 |
|
|
7 |
Carroll,
Lewis |
Anagrammatic Sonnet |
1 |
|
|
1 |
The Walrus and the Carpenter |
1 |
|
|
7 |
The
Hunting of the Snark |
1 |
|
|
7 |
The Baker’s Tale |
1 |
|
|
7 |
Gilbert,
W. S. |
When Britain Really Ruled the Waves |
4 |
|
|
7 |
Thompson,
Francis |
The Kingdom of God |
1 |
|
|
4 |
The Hound of Heaven |
1 |
|
|
7 |
|
Industrialism: Progress or Decline? |
1 |
|
|
NA |
Charles Dickens: Dombey and Son |
2 |
|
|
2 |
Karl Mark and Frierich Engels: The Communist Manifesto |
1 |
|
|
2 |
Herbert Spencer: Social Status |
1 |
|
|
4 |
[Progress Through Individual Enterprise] |
1 |
|
|
4 |
|
 |