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List Alphabetically
A-C | D-I | J-R | S-Z
List Chronological
Middle Ages | 16th Century | 17th Century |
Restoration and the 18th Century
Romantic Period | Victorian Age | 20th Century
Chronological Listing: Victorian Age
*
indicates a selection that is not included in the online archive due to
copyright
| Author |
Title |
First Appeared |
Dropped
After |
Added
Again |
Last Appeared |
| Carlyle,
Thomas |
Carlyle’s
Portraits of His Contemporaries |
1 |
|
|
7 |
| American
Visitors: Daniel Webster at 57 |
1 |
|
|
1 |
| American
Visitors: Ralph Waldo Emerson at 30 |
1 |
|
|
1 |
| American
Visitors: Emerson at 44 |
1 |
|
|
1 |
| American
Visitors: Bronson Alcott at 42 |
1 |
|
|
1 |
| Royalty:
King William IV at 69 |
1 |
|
|
4 |
| Royalty:
Queen Victoria at Eighteen |
1 |
|
|
7 |
| English
Men of Letters: Charles Lamb at 56 |
1 |
|
|
6 |
| English
Men of Letters: Samuel Taylor Coleridge at Fifty-three |
1 |
|
|
7 |
| English
Men of Letters: William Wordsworth in His Seventies |
1 |
|
|
7 |
| English
Men of Letters: Alfred Tennyson at Thirty-four |
1 |
|
|
7 |
| English Men of Letters William Makepeace Thackeray at 42 |
1 |
|
|
6 |
| from Characteristics |
1 |
|
|
6 |
| Sartor
Resartus |
1 |
|
|
NA |
| Natural
Supernaturalism |
2 |
|
|
7 |
| The
French Revolution |
1 |
|
|
7 |
| September in Paris |
1 |
|
|
7 |
| Place de la
Revolution |
1 |
|
|
7 |
| From Cause and Effect |
1 |
|
|
7 |
| Newman,
John Henry Cardinal |
Apologia
Pro Vita Sua |
1 |
|
|
1 |
| Doubt and Faith |
1 |
|
|
1 |
| From Chapter 1. History of My
Religious Opinions to the Year 1833 |
7 |
|
|
7 |
| From Chapter 3. History of My
Religious Opinions from 1839 to
1841 |
2 |
|
|
6 |
| From Chapter 5. Position of My Mind
Since 1845 |
2 |
|
|
6 |
| From Liberalism |
1 |
|
|
7 |
| Mill,
John Stuart |
Coleridge |
1 |
|
|
2 |
| Browning,
Elizabeth Barrett |
A Year’s Spinning |
5 |
|
|
6 |
| A Musical Instrument |
5 |
|
|
6 |
| Tennyson,
Alfred Lord |
Rizpah |
1 |
|
|
1 |
| To E. Fitzgerald |
1 |
|
|
2 |
| Locksley Hall Sixty Years After |
2 |
|
|
2 |
| By an Evolutionist |
1 |
|
|
2 |
| June Bracken and Heather |
1 |
|
|
2 |
| A Dedication |
3 |
|
|
3 |
| I Stood on a Tower |
3 |
|
|
3 |
| The Silent Voices |
1 |
|
|
3 |
| St. Agnes Eve |
4 |
|
|
4 |
| You Ask Me Why, Though Ill at Ease |
1 |
|
|
4 |
| Lines (“Here often, when a child I lay reclined”) |
1 |
|
|
4 |
| Sonnet (“How thought you that this thing could
captivate?”) |
3 |
|
|
4 |
| Move Eastward, Happy Earth |
1 |
|
|
4 |
| The Revenge |
1 |
|
|
4 |
| The Kraken |
1 |
3 |
5 |
7 |
| The Eagle: A Fragment |
1 |
|
|
7 |
| The
Princess |
1 |
|
|
NA |
| Sweet and Low |
1 |
|
|
7 |
| The Splendor Falls |
1 |
|
|
7 |
| Ask Me No More |
1 |
|
|
7 |
| Come Down, O Maid |
1 |
|
|
7 |
| Flower in the Crannied Wall |
1 |
|
|
7 |
| Sonnet (“She took the dappled partridge flecked with
blood”) |
1 |
|
|
6 |
| Maud |
1 |
|
|
6 |
| Part 1 |
4 |
|
|
6 |
| VI.5 (“Ah,
what shall I be at fifty”) |
4 |
|
|
6 |
| VI.8
(“Perhaps the smile and tender tone”) |
4 |
|
|
6 |
| VI.10 (“I
have played with her when a child”) |
4 |
|
|
6 |
| VII (“She
came to the village church”) |
1 |
|
|
6 |
| XI (“O let
the solid ground”) |
4 |
|
|
6 |
| XII
(“Birds in the high Hall-garden”) |
4 |
|
|
6 |
| XVI
(“Catch not my breath, O clamorous heart”) |
1 |
|
|
6 |
| XVIII (“I
have led her home, my love, my only friend”) |
1 |
|
|
6 |
| Part 2 |
5 |
|
|
6 |
| 4 (“O that
'twere possible”) |
5 |
|
|
6 |
| In the Valley of Cauteretz |
1 |
|
|
6 |
| Idylls
of the King |
1 |
|
|
6 |
| Dedication |
1 |
|
|
3 |
| In Love, If Love Be
Love |
1 |
|
|
2 |
| Pelleas and Ettarre |
3 |
|
|
6 |
| Northern Farmer: New Style |
1 |
|
|
6 |
| To Virgil |
1 |
|
|
6 |
| Frater Ave atque Vale |
1 |
|
|
6 |
| The Dawn |
1 |
|
|
6 |
| Dickens,
Charles |
Martin
Chizzlewit |
3 |
|
|
3 |
| [Mrs. Gamp and Mr.
Mould] |
3 |
|
|
3 |
| David
Copperfield |
3 |
|
|
3 |
| [The Journey to
Salem House School] |
3 |
|
|
3 |
| [The Journey from
London to Dover] |
3 |
|
|
3 |
| Bleak
House |
3 |
|
|
3 |
| In Chancery |
3 |
|
|
3 |
| Hard
Times |
3 |
|
|
3 |
| The One Thing
Needful |
3 |
|
|
3 |
| Murdering the
Innocents |
3 |
|
|
3 |
| [Coketown] |
3 |
|
|
3 |
| Our
Mutual Friend |
3 |
|
|
3 |
| Podsnappery |
3 |
|
|
3 |
| Browning,
Robert |
Up at a Villa—Down in the City |
1 |
|
|
2 |
| In a Year |
1 |
|
|
2 |
| Respectability |
1 |
|
|
4 |
| Confessions |
1 |
|
|
4 |
| The Householder |
1 |
|
|
4 |
| The Laboratory |
2 |
|
|
7 |
| Home Thoughts, from Abroad |
1 |
|
|
7 |
| Home Thoughts, from the Sea |
1 |
|
|
7 |
| Meeting at Night |
1 |
|
|
7 |
| Parting at Morning |
1 |
|
|
7 |
| Memorabilia |
1 |
|
|
7 |
| The Last Ride Together |
1 |
|
|
7 |
| Two in the Campagna |
1 |
|
|
7 |
| Prospice |
1 |
|
|
7 |
| Women and Roses |
1 |
|
|
6 |
| A Woman’s Last Word |
5 |
|
|
6 |
| Youth and Art |
1 |
|
|
6 |
| Dîs Aliter Visum; or, Le Byron de Nos Jours |
4 |
|
|
6 |
| Apparent Failure |
1 |
|
|
6 |
| House |
2 |
|
|
6 |
| To Edward FitzGerald |
1 |
|
|
6 |
| Epilogue to Asolando |
1 |
|
|
6 |
| Ruskin,
John |
The
Storm-Cloud of the Nineteenth Century |
3 |
|
|
7 |
| Lecture 1 |
3 |
|
|
7 |
| From Lectures On Art |
7 |
|
|
7 |
| [Imperial Duty] |
7 |
|
|
7 |
| Clough,
Arthur Hugh |
Epi-strauss-ium |
1 |
|
|
7 |
| The Latest Decalogue |
1 |
|
|
7 |
| Say Not the Struggle Nought Availeth |
1 |
|
|
7 |
| Dipsychus |
1 |
|
|
6 |
| I Dreamt a Dream |
1 |
|
|
6 |
| “There Is No God,”
the Wicked Saith |
1 |
|
|
6 |
| Eliot,
George |
*The
Mill on the Floss: [The Childhood and Girlhood of Maggie Tulliver] |
3 |
3 |
6 |
7 |
| *Book First. Boy
and Girl |
6 |
|
|
7 |
| *Chapter
1. Outside Dorlcote Mill |
6 |
|
|
7 |
| *Chapter
2. Mr. Tulliver, of Dorlcote Mill, Declares His Resolution About Tom |
6 |
|
|
6 |
| *Chapter
3. Mr. Riley Gives his Advice Concerning a School for Tom |
6 |
|
|
6 |
| *Chapter
4. Tom Is Expected |
6 |
|
|
6 |
| *Chapter
5. Tom Comes Home |
6 |
|
|
6 |
| *[Dorlcote
Mill Revisited] |
3 |
|
|
3 |
| *[Maggie
Anticipates Her Brother's Return. Age Nine] |
3 |
|
|
3 |
| *[A Reunion
with Tom. Age Nine] |
3 |
|
|
3 |
| *[Maggie
Visits Tom’s Boarding School. Age 10] |
3 |
|
|
3 |
| *[Maggie’s
Discovery of Thomas a Kempis. Age 13] |
3 |
|
|
3 |
| *[A Meeting
with Philip Waken. Age 17] |
3 |
|
|
3 |
| *[Aftermath
of an Evening with Stephen Guest. Age 19] |
3 |
|
|
3 |
| *[An
After-Dinner Visit with Stephen Guest. Age 19] |
3 |
|
|
3 |
| *[An Afternoon
Visit with Stephen Guest at the Farm. Age 19] |
3 |
|
|
3 |
| Arnold,
Matthew |
The Function of a Professor |
1 |
|
|
1 |
| Stanzas in Memory of the Author Obermann |
2 |
|
|
2 |
| Longing |
1 |
|
|
3 |
| Requiescat |
1 |
|
|
3 |
| Palladium |
1 |
|
|
3 |
| The Better Part |
1 |
|
|
3 |
| Shakespeare |
1 |
|
|
4 |
| In Harmony with Nature |
2 |
|
|
4 |
| Philomela |
1 |
|
|
4 |
| The Forsaken Merman |
1 |
|
|
7 |
| Thyrsis |
1 |
|
|
7 |
| To a Friend |
1 |
|
|
6 |
| Growing Old |
1 |
|
|
6 |
| Maurice de Guérin |
1 |
|
|
6 |
| [A Definition of
Poetry] |
1 |
|
|
6 |
| Wordsworth |
1 |
|
|
6 |
| Meredith,
George |
Lucifer in Starlight |
1 |
|
|
7 |
| Modern
Love |
1 |
|
|
NA |
| 3 (“This was the
woman; what now of the man?”) |
1 |
|
|
6 |
| 15 (“I think she
sleeps; it must be sleep, when low”) |
1 |
|
|
6 |
| 16 (“In our old
shipwrecked days there was an hour”) |
1 |
|
|
6 |
| 23 (“ ’Tis
Christmas weather, and a country house”) |
4 |
|
|
6 |
| 35 (“It is no
vulgar nature I have wived”) |
4 |
|
|
6 |
| 42 (“I am to follow
her. There is much grace”) |
4 |
|
|
6 |
| 43 (“Mark where the
pressing wind shoots javelinlike”) |
4 |
|
|
6 |
| 48 (“Their sense is
with their senses all mixed in”) |
4 |
|
|
6 |
| Dirge in Woods |
1 |
|
|
6 |
| Huxley,
Thomas Henry |
A
Liberal Education |
1 |
|
|
4 |
| [A Game of Chess] |
1 |
|
|
4 |
| An
Address on University Education |
1 |
|
|
4 |
| [The Function of a
Professor] |
1 |
|
|
4 |
| Rossetti,
Dante Gabriel |
The
House of Life |
1 |
|
|
7 |
| The Sonnet |
1 |
|
|
7 |
| 4. Lovesight |
1 |
|
|
6 |
| Nuptial Sleep |
1 |
|
|
6 |
| 49. Willowwood—1 |
1 |
|
|
6 |
| 50.
Willowwood—2 |
5 |
|
|
6 |
| 51. Willowwood—3 |
6 |
|
|
6 |
| 52.
Willowwood—4 |
5 |
|
|
6 |
| 63.
Inclusiveness |
1 |
|
|
6 |
| 71. The Choice – I |
1 |
|
|
4 |
| 72. The
Choice – II |
1 |
|
|
4 |
| 73. The
Choice – III |
1 |
|
|
4 |
| 97. A
Superscription |
1 |
|
|
7 |
| 101. The One Hope |
1 |
|
|
7 |
| She Bound Her Green Sleeve |
1 |
|
|
4 |
| The Woodspurge |
1 |
|
|
7 |
| The Sea-Limits |
4 |
|
|
6 |
| The Orchard-Pit |
1 |
|
|
6 |
| Patmore,
Coventry |
The
Angel in the House |
1 |
|
|
1 |
| The Spirit’s Epochs |
1 |
|
|
1 |
| The Kiss |
1 |
|
|
1 |
| The
Unknown Eros |
1 |
|
|
1 |
| Magna Est Veritas |
1 |
|
|
1 |
| A Farewell |
1 |
|
|
1 |
| Rossetti,
Christina |
*Winter: My Secret |
5 |
|
|
6 |
| Morris,
William |
I Know a Little Garden-Close |
1 |
|
|
1 |
| Christ Keep the Hollow Land |
1 |
|
|
4 |
| For the Bed at Kelmscott |
1 |
|
|
4 |
| The Haystack in the Floods |
1 |
|
|
7 |
| The
Earthly Paradise |
1 |
|
|
6 |
| An Apology |
1 |
|
|
6 |
| A Death Song |
1 |
|
|
6 |
| Swinburne,
Algernon Charles |
In Memory of Walter Savage Landor |
1 |
|
|
1 |
| An Interlude |
1 |
|
|
2 |
| In the Orchard |
2 |
|
|
3 |
| Choruses
from Atalanta
in Calydon |
1 |
|
|
7 |
| When the Hounds of
Spring |
1 |
|
|
7 |
| Before the
Beginning of Years |
1 |
|
|
7 |
| The Garden of Proserpine |
1 |
|
|
7 |
| The
Triumph of Time |
1 |
|
|
6 |
| I Will Go Back to
the Great Sweet Mother |
1 |
|
|
6 |
| The Lake of Gaube |
4 |
|
|
6 |
| Pater,
Walter |
Appreciations |
1 |
|
|
7 |
| From Style |
1 |
|
|
7 |
| From The Child in the House |
4 |
|
|
6 |
| Lear,
Edward |
*How Pleasant to Know Mr. Lear |
1 |
|
|
7 |
| *Cold Are the Crabs |
1 |
|
|
7 |
| Henley,
William Ernest |
Waiting |
1 |
|
|
7 |
| Madam Life’s a Piece in Bloom |
1 |
|
|
6 |
| Barmaid |
4 |
|
|
4 |
| Wilde,
Oscar |
Sonnet: On the Sale of Keats’s Love Letters |
4 |
|
|
4 |
| Symphony in Yellow |
4 |
|
|
4 |
| Hélas |
1 |
|
|
7 |
| E Tenebris |
1 |
|
|
7 |
| Carroll,
Lewis |
Anagrammatic Sonnet |
1 |
|
|
1 |
| The Walrus and the Carpenter |
1 |
|
|
7 |
| The
Hunting of the Snark |
1 |
|
|
7 |
| The Baker’s Tale |
1 |
|
|
7 |
| Gilbert,
W. S. |
When Britain Really Ruled the Waves |
4 |
|
|
7 |
| Thompson,
Francis |
The Kingdom of God |
1 |
|
|
4 |
| The Hound of Heaven |
1 |
|
|
7 |
| |
Industrialism: Progress or Decline? |
1 |
|
|
NA |
| Charles Dickens: Dombey and Son |
2 |
|
|
2 |
| Karl Mark and Frierich Engels: The Communist Manifesto |
1 |
|
|
2 |
| Herbert Spencer: Social Status |
1 |
|
|
4 |
| [Progress Through Individual Enterprise] |
1 |
|
|
4 |
|
 |