 |
List Alphabetically
A-C | D-I | J-R | S-Z
List Chronological
Middle Ages | 16th Century | 17th Century |
Restoration and the 18th Century
Romantic Period | Victorian Age | 20th Century
Chronological Listing: 20th Century
*
indicates a selection that is not included in the online archive due to
copyright
| Author |
Title |
First Appeared |
Dropped
After |
Added
Again |
Last Appeared |
| |
The Rise
and Fall of Empire |
7 |
|
|
7 |
| Anonymous: Easter 1916 Proclamation of an Irish
Republic |
7 |
|
|
7 |
| Richard Mulcahy: [On the Treaty Between Great Britain
and Ireland] |
7 |
|
|
7 |
| James Morris: [The Partition of India] |
7 |
|
|
7 |
| Jawaharlal Nehru: Tryst with Destiny |
7 |
|
|
7 |
| Shaw,
George |
Preface to Plays Pleasant |
1 |
|
|
2 |
| Arms and the Man |
1 |
|
|
2 |
| Preface to Major Barbara |
3 |
|
|
3 |
| Major Barbara |
3 |
|
|
3 |
| Dowson,
Ernest |
To One in Bedlam |
1 |
|
|
3 |
| A Last Word |
2 |
|
|
3 |
| Spleen |
2 |
|
|
3 |
| Flos Lunae |
2 |
|
|
4 |
| Dregs |
2 |
|
|
4 |
| Exchanges |
2 |
|
|
4 |
| Carthusians |
4 |
|
|
7 |
| Johnson,
Lionel |
Precept of Silence |
1 |
|
|
1 |
| Mystic and Cavalier |
1 |
|
|
1 |
| The Dark Angel |
1 |
|
|
1 |
| Hardy,
Thomas |
*Snow in the Suburbs |
1 |
|
|
1 |
| *Lausanne |
1 |
|
|
4 |
| *Let Me Enjoy |
2 |
|
|
4 |
| *The Rash Bride |
2 |
|
|
4 |
| *The Impercipient |
2 |
|
|
7 |
| Hopkins,
Gerard Manley |
*The Lantern Out of Doors |
1 |
|
|
4 |
| *Inversnaid |
2 |
|
|
4 |
| de la
Mare, Walter |
*The Listeners |
1 |
|
|
1 |
| *An Epitaph |
1 |
|
|
1 |
| *All That’s Past |
1 |
|
|
1 |
| Eliot,
T. S. |
*The Three Voices of Poetry |
1 |
|
|
1 |
| *Ulysses, Order, and Myth |
2 |
|
|
2 |
| *Yeats |
2 |
|
|
2 |
| Conrad,
Joseph |
*The Secret Sharer |
1 |
|
|
4 |
| Youth |
2 |
|
|
2 |
| The Brute |
4 |
|
|
4 |
| Housman,
A. E. |
*The Lent Lily |
1 |
|
|
4 |
| *On Wenlock Edge |
1 |
|
|
7 |
| *With Rue My Heart Is Laden |
2 |
|
|
7 |
| Thomas,
Edward |
*The Path |
2 |
|
|
4 |
| *The Gallows |
2 |
|
|
4 |
| *Ambition |
1 |
|
|
4 |
| *A Private |
4 |
|
|
4 |
| Sassoon,
Siegfried |
Wirers |
4 |
|
|
4 |
| Attack |
4 |
|
|
4 |
| Gurney,
Ivor |
Canadians |
4 |
|
|
4 |
| Crucifix Corner |
4 |
|
|
4 |
| Owen,
Wilfred |
*Sonnet on Seeing a Piece of Our Artillery Brought into
Action |
2 |
|
|
3 |
| *Greater Love |
2 |
|
|
4 |
| *Insensibility |
4 |
|
|
4 |
| Yeats,
William Butler |
*The Old Men Admiring Themselves in the Water |
1 |
|
|
4 |
| *The
Cold Heaven |
1 |
|
|
4 |
| *On a
Political Prisoner |
1 |
|
|
4 |
| *Reveries
over Childhood and Youth |
1 |
|
|
2 |
| *[The Yeats Family] |
1 |
|
|
2 |
| *[An Irish
Literature] |
1 |
|
|
2 |
| *The
Trembling of the Veil |
1 |
|
|
2 |
| *[London and
Pre-Raphaelitism] |
1 |
|
|
2 |
| *[Oscar Wilde] |
1 |
|
|
2 |
| *[The Handiwork of
Art] |
1 |
|
|
2 |
| *[The Origin of The
Lake of Isle of Innisfree] |
1 |
|
|
2 |
| *[The Rhymers’
Club] |
1 |
|
|
2 |
| *Memoirs |
3 |
|
|
3 |
| *Autobiography |
3 |
|
|
3 |
| *Journal |
3 |
|
|
3 |
| Woolf,
Virginia |
*Monday or Tuesday |
4 |
|
|
4 |
| *An Unwritten Novel |
4 |
|
|
4 |
| Joyce,
James |
*Clay |
3 |
|
|
3 |
| *Counterparts |
4 |
|
|
4 |
| *A
Portrait of the Artist as a Young Man |
1 |
|
|
4 |
| *[The Interview
with the Director] |
1 |
|
|
4 |
| *[The Walk on the
Shore] |
1 |
|
|
4 |
| Lawrence,
D.H. |
*The Rocking-Horse Winner |
1 |
|
|
1 |
| *The Rainbow |
2 |
|
|
4 |
| *The Princess |
4 |
|
|
4 |
| *Mornings in Mexico |
4 |
|
|
4 |
| *Women
in Love |
2 |
|
|
2 |
| *Chapter XVIII.
Rabbit |
2 |
|
|
2 |
| *Etruscan
Places |
2 |
|
|
2 |
| *Tarquinia |
2 |
|
|
2 |
| *The Fox |
3 |
|
|
3 |
| *The Bride |
3 |
|
|
3 |
| *A Young Wife |
3 |
|
|
3 |
| Muir,
Edwin |
Troy |
2 |
|
|
4 |
| The Return |
2 |
|
|
4 |
| The Animals |
2 |
|
|
4 |
| Adam’s Dream |
2 |
|
|
4 |
| The Horses |
3 |
|
|
4 |
| Sitwell,
Edith |
Façade |
4 |
|
|
4 |
| Clowns’ Houses |
4 |
|
|
4 |
| The Day Grew Water-Pale and Cool as Eve |
4 |
|
|
4 |
| Auden,
W. H. |
*In Father’s Footsteps |
1 |
|
|
1 |
| *As He Is |
1 |
|
|
1 |
| *Voltaire at Ferney |
1 |
|
|
1 |
| *Look, Stranger |
1 |
|
|
2 |
| *Lullaby |
1 |
|
|
2 |
| *This Lunar Beauty |
1 |
|
|
4 |
| Thomas,
Dylan |
*In My Craft of Sullen Art |
1 |
|
|
2 |
| *A Refusal to Mourn the Death, by Fire, of a Child in
London |
1 |
|
|
2 |
| *This Bread I Break |
3 |
|
|
4 |
| MacNeice,
Louis |
*Mahabalipuram |
3 |
|
|
4 |
| *Good Dream |
2 |
|
|
4 |
| MacDiarmid,
Hugh |
Second Hymn to Lenin |
3 |
|
|
3 |
| The Bonnie Broukit Bairn |
3 |
|
|
4 |
| To Circumjack Cencrastus |
3 |
|
|
4 |
| On a Raised Beach |
3 |
|
|
4 |
| Beckett,
Samuel |
*Molloy |
3 |
|
|
3 |
| *Overture: A and C |
3 |
|
|
3 |
| *Molloy and his
Sucking-Stones |
3 |
|
|
3 |
| *Moran in Service |
3 |
|
|
3 |
| *Two Encounters |
3 |
|
|
3 |
| *Moran Back from
Service |
3 |
|
|
3 |
| *The
Unnamable |
3 |
|
|
3 |
| *Into the Silence |
3 |
|
|
3 |
| Kipling,
Rudyard |
Edgehill Fight |
1 |
|
|
3 |
| The Runes on Weland’s Sword |
3 |
|
|
3 |
| Harp Song of the Dane Women |
4 |
|
|
4 |
| *The Ladies |
4 |
|
|
7 |
| *The Hyenas |
4 |
|
|
7 |
| Brooke,
Rupert |
Heaven |
1 |
|
|
3 |
| Graves,
Robert |
*Flying Crooked |
2 |
|
|
3 |
| *A Civil Servant |
2 |
|
|
3 |
| *The Naked and the Nude |
2 |
|
|
3 |
| *Gulls and Men |
2 |
|
|
4 |
| *The Straw |
2 |
|
|
4 |
| *Dialogue on the Headland |
2 |
|
|
4 |
| *Friday Night |
2 |
|
|
4 |
| *Down, Wanton, Down! |
2 |
|
|
7 |
| *Love Without Hope |
5 |
|
|
7 |
| *The Cool Web |
5 |
|
|
7 |
| *The Reader Over My Shoulder |
2 |
|
|
7 |
| *To Juan at the Winter Solstice |
5 |
|
|
7 |
| *The White Goddess |
2 |
|
|
7 |
| *The Blue-Fly |
2 |
|
|
7 |
| *A Slice of Wedding Cake |
2 |
|
|
7 |
| Smith,
Stevie |
Can It Be? |
4 |
|
|
4 |
| In the Park |
4 |
|
|
4 |
| The Galloping Cat |
4 |
|
|
4 |
| Orwell,
George |
Some Thoughts on the Common Toad |
4 |
|
|
4 |
| Larkin,
Philip |
Lines on a Young Lady’s Photograph Album |
3 |
|
|
4 |
| Faith Healing |
3 |
|
|
4 |
| Gunn,
Thomas |
*Human Condition |
2 |
|
|
4 |
| *Moly |
3 |
|
|
4 |
| *Hampstead: The Horse Chestnut Tree |
4 |
|
|
4 |
| Hill,
Geoffrey |
Funeral
Music |
3 |
|
|
4 |
| 3 (“They bespoke
doomsday and they meant it by”) |
3 |
|
|
4 |
| 7 (“Prowess,
vanity, mutual regard”) |
3 |
|
|
4 |
| Mercian
Hymns |
4 |
|
|
NA |
| VIII (“The mad are
predators. Too often lately they harbor”) |
4 |
|
|
4 |
| X (“He adored the
desk, its brown-oaked inlaid with ebony”) |
4 |
|
|
4 |
| XVI (“Clash of
salutation. As keels thrust into shingle”) |
4 |
|
|
4 |
| Heaney,
Seamus |
Churning Day |
3 |
|
|
4 |
| Poor Women in a City Church |
3 |
|
|
4 |
| Viking Dublin: Trial Pieces |
4 |
|
|
4 |
| Richards,
I. A. |
*Practical Criticism |
1 |
|
|
3 |
| Leavis,
F. R. |
*Literature and Society |
4 |
|
|
4 |
| *Revaluation |
1 |
|
|
3 |
| *Chapter 6. Shelley |
1 |
|
|
3 |
| Davie,
Donald |
*For Doreen: A Voice from the Garden |
2 |
|
|
4 |
| *Across the Bay |
3 |
|
|
4 |
| *To Certain English Poets |
4 |
|
|
4 |
| *To Helen Keller |
4 |
|
|
4 |
| Empson,
William |
*Seven
Types of Ambiguity |
2 |
|
|
3 |
| *[Wordsworth] |
2 |
|
|
3 |
| Silkin,
Jon |
Nature with Man |
3 |
|
|
4 |
| A Bluebell |
3 |
|
|
4 |
| Creatures |
3 |
|
|
4 |
| Untitled Poem |
4 |
|
|
4 |
| At Nightfall |
4 |
|
|
4 |
| The Church is Getting Short of Breath |
4 |
|
|
4 |
| Silkin,
Jon |
Nature with Man |
3 |
|
|
4 |
| A Bluebell |
3 |
|
|
4 |
| Creatures |
3 |
|
|
4 |
| Untitled Poem |
4 |
|
|
4 |
| At Nightfall |
4 |
|
|
4 |
| The Church is Getting Short of Breath |
4 |
|
|
4 |
| Tomlinson,
Charles |
Reflections |
3 |
|
|
3 |
| A Meditation on John Constable |
3 |
|
|
3 |
| Hawks |
3 |
|
|
3 |
| Autumn Price |
3 |
|
|
3 |
| Feinstein,
Elaine |
Anniversary |
4 |
|
|
4 |
| Out |
4 |
|
|
4 |
| Waiting |
4 |
|
|
4 |
| Night Thoughts |
4 |
|
|
4 |
| November Songs |
4 |
|
|
4 |
|
 |