 |
List Alphabetically
A-C | D-I | J-R | S-Z
List Chronological
Middle Ages | 16th Century | 17th Century |
Restoration and the 18th Century
Romantic Period | Victorian Age | 20th Century
Chronological Listing: 16th Century
| NAEL Edition Dates |
1st
1962 |
2nd
1968 |
3rd
1974 |
4th
1979 |
5th
1986 |
6th
1993 |
7th:
2000 |
*
indicates a selection that is not included in the online archive due to
copyright
| Author |
Title |
First Appeared |
Dropped
After |
Added
Again |
Last Appeared |
| Skelton,
John |
Upon a Dead Man’s Head |
2 |
|
|
4 |
| To Mistress Margaret Hussey |
4 |
|
|
6 |
| Colin
Clout |
2 |
|
|
6 |
| The Spirituality
vs. the Temporality |
5 |
|
|
6 |
| Davies,
Sir John |
Orchestra |
1 |
|
|
1 |
| Wyatt,
Sir Thomas (the Elder) |
Like to the Unmeasurable Mountains |
1 |
|
|
1 |
| Lux, My Fair Falcon |
3 |
|
|
3 |
| Tangled I Was in Love’s Snare |
1 |
|
|
4 |
| In Spain |
4 |
|
|
4 |
| And wilt thou leave me thus? |
5 |
|
|
7 |
| Howard,
Henry (Earl of Surrey) |
Set Whereas the Sun Doth Parch the Green |
1 |
|
|
1 |
| The
Fourth Book of Virgil |
1 |
|
|
3 |
| The Hunt |
1 |
|
|
3 |
| Give Place, Ye Lovers, Here Before |
2 |
|
|
4 |
| The
Second Book of Virgil |
5 |
|
|
6 |
| Hector Warns Aeneas
to Flee Troy |
5 |
|
|
6 |
| Gascoigne,
George |
Gascoigne’s Lullaby |
1 |
|
|
1 |
| Woodmanship |
7 |
|
|
7 |
| The Lullaby of a Lover |
5 |
|
|
6 |
| Farewell with a Mischief |
6 |
|
|
6 |
| Whitney,
Isabella |
Will and Testament |
7 |
|
|
7 |
| Spenser,
Edmund |
A Hymn in Honour of Beautie |
1 |
|
|
1 |
| The
Faerie Queene |
1 |
|
|
NA |
| Book 2, Canto 7:
The Cave of Mammon |
3 |
|
|
4 |
| Book 3 |
1 |
|
|
NA |
| Proem |
5 |
|
|
7 |
| Canto 1 |
5 |
|
|
7 |
| Canto 2 |
5 |
|
|
7 |
| Canto 3 |
5 |
|
|
7 |
| [The Visit to Merlin] |
5 |
|
|
7 |
| [Canto 4 Summary] |
5 |
|
|
7 |
| Canto 5 |
5 |
|
|
7 |
| [Belphoebe and Timias] |
5 |
|
|
7 |
| [Cantos 9 and 10 Summary] |
5 |
|
|
7 |
| Book 7: Two Cantos
of Mutabilitie |
1 |
|
|
4 |
| Amoretti |
1 |
|
|
NA |
| Sonnet 15 (“Ye
tradefull merchants, that will weary toyle”) |
4 |
|
|
4 |
| Sonnet 35 (“My hungry eyes through
greedy covetise”) |
2 |
|
|
3 |
| Sonnet 59 (“Thrise happy she, that is so
well assured”) |
2 |
|
|
3 |
| Sonnet 70 (“Fresh
spring the herald of loves mighty king”) |
1 |
|
|
4 |
| Ralegh,
Sir Walter |
A Report of the Truth of the Fight About the Isles of
the Azores This Last Summer Betwixt the Revenge, One of Her Majesty’s Ships,
and an Armada of the King of Spain |
3 |
|
|
3 |
| Walsinghame |
2 |
|
|
4 |
| Edwards,
Richard |
Amantium Irae Amoris Redintegratio Est |
1 |
|
|
1 |
| Lyly,
John |
Cupid and My Campaspe |
1 |
|
|
1 |
| Sidney,
Sir Philip |
*The Nightingale |
3 |
|
|
7 |
| *Thou Blind Man’s Mark |
1 |
|
|
7 |
| *Leave Me, O Love |
1 |
|
|
7 |
| *Ring Out Your Bells |
3 |
|
|
3 |
| *An Apology for Poetry |
1 |
|
|
4 |
| *The
Countess of Pembroke’s Arcadia |
NA |
|
|
NA |
| *[The Absent
Urania] |
6 |
|
|
6 |
| *[The Country of
Arcadia] |
5 |
|
|
6 |
| *Astrophil
and Stella |
NA |
|
|
NA |
| *39 (“Come Sleep! O sleep the certain knot of peace”) |
1 |
|
|
6 |
| *64 (“No
more, my dear, no more these counsels try”) |
2 |
|
|
4 |
| Greville,
Fulke (Lord Brooke) |
Mustapha |
3 |
|
|
3 |
| Chorus Sacerdotum |
5 |
|
|
7 |
| Shakespeare,
William |
When
Daisies Pied |
1 |
|
|
5 |
| Spring |
6 |
|
|
6 |
| Winter |
6 |
|
|
6 |
| The Woosel Cock So Black of Hue |
1 |
|
|
1 |
| Tell Me Where Is Fancy Bred |
1 |
|
|
1 |
| Sigh No More, Ladies |
1 |
|
|
4 |
| Under the Greenwood Tree |
1 |
|
|
1 |
| Blow, Blow, Thou Winter Wind |
1 |
|
|
1 |
| It Was a Lover and His Lass |
1 |
|
|
1 |
| Oh Mistress Mine |
1 |
|
|
1 |
| Take, Oh, Take Those Lips Away |
1 |
|
|
4 |
| Hark, Hark! The Lark |
1 |
|
|
1 |
| Fear No More the Heat o’ the Sun |
1 |
|
|
1 |
| When Daffodils Begin to Peer |
1 |
|
|
4 |
| Full Fathom Five |
1 |
|
|
1 |
| Where the Bee Sucks, There Suck I |
1 |
|
|
1 |
| Sonnet 56 (Sweet love, renew thy force; be it not said) |
1 |
|
|
3 |
| Sonnet 104 (To me, fair friend, you never can be old) |
2 |
|
|
3 |
| Sonnet 118 (Like as, to our appetites more keen) |
1 |
|
|
3 |
| Sonnet 121 (’Tis better to be vile than vile esteemed) |
2 |
|
|
3 |
| Sonnet 124 (If my dear love were but the child of
state) |
4 |
|
|
4 |
| Sonnet 128 (How oft when thou, my music, music play’st) |
4 |
|
|
6 |
| The Phoenix and the Turtle |
1 |
|
|
4 |
| King Henry IV: The First Part |
1 |
|
|
6 |
| Ulysses’ Speech on Degree |
1 |
|
|
2 |
| Daniel,
Samuel |
Delia |
1 |
|
|
1 |
| 34 (“When winter
snows upon thy golden hairs”) |
4 |
|
|
4 |
| Musophilus: Imperial Eloquence |
7 |
|
|
7 |
| Drayton,
Michael |
Idea |
2 |
|
|
NA |
| 37 (“Dear, why
should you command me to my rest”) |
2 |
|
|
4 |
| 50 (“As in some
countries far removed from hence”) |
2 |
|
|
4 |
| Campion,
Thomas |
When Thou Must Home to Shades of Underground |
1 |
|
|
4 |
| What If a Day |
1 |
|
|
4 |
| Never Love Unless You Can |
1 |
|
|
4 |
| Rose-cheeked Laura |
1 |
|
|
7 |
| Think’st Thou to Seduce Me Then |
3 |
|
|
7 |
| Nashe,
Thomas |
Pierce
Penniless, His Supplication to the Devil |
4 |
|
|
6 |
| An Invective
Against Enemies of Poetry |
4 |
|
|
6 |
| The Defense of
Plays |
4 |
|
|
6 |
| The
Unfortunate Traveler, or The Life of Jack Wilton |
7 |
|
|
7 |
| Roman Summer |
7 |
|
|
7 |
| Spring, the Sweet Spring |
1 |
|
|
6 |
| Dyer,
Edward |
My Mind to Me a Kingdom Is |
1 |
|
|
3 |
| Peele,
George |
Fair and Fair |
1 |
|
|
1 |
| Tichborne,
Chidiok |
Tichborne’s Elegy |
1 |
|
|
1 |
| Latimer,
Hugh |
Sermon of the Plowers |
3 |
|
|
3 |
| Marprelate,
Martin |
Hay
Any Work for Cooper |
3 |
|
|
3 |
| Church Government |
3 |
|
|
3 |
| Herbert,
Mary (Sidney) |
Psalm 58 Si Vere Utique |
5 |
|
|
5 |
| To the Angel Spirit of Sir Philip Sidney |
7 |
|
|
7 |
| A Dialogue between two shepherds, Thenot and Piers |
6 |
|
|
6 |
| Foxe,
John |
Acts
and Monuments |
3 |
|
|
4 |
| The Behavior of Dr.
Ridley and Master Latimer, at the Time of Their Death |
3 |
|
|
4 |
| |
The
Book of Homilies |
1 |
|
|
2 |
| An Exhortation
Concerning Good Order and Obedience to Rulers and Magistrates |
1 |
|
|
2 |
| Hooker,
Richard |
Of the
Laws of Ecclesiastical Polity |
3 |
|
|
NA |
| From The Preface: [On Moderation in
Controversy] |
3 |
|
|
6 |
| From Book 1,
Chapter 8 [On the Scope of the Several Laws] |
5 |
|
|
6 |
| Book 1, Chapter 10
[The Foundations of Society] |
3 |
|
|
7 |
| From Book 1,
Chapter 12 [The Need for Revealed Law] |
3 |
|
|
6 |
| From Book 1,
Chapter 16 [Conclusion] |
6 |
|
|
6 |
| Ascham,
Roger |
Toxophilus |
7 |
|
|
7 |
| The Second Book of
the School of Shooting |
7 |
|
|
7 |
| Comeliness |
7 |
|
|
7 |
| Elizabeth
I, Queen of England |
*Letter to Henry III, king of France |
7 |
|
|
7 |
| Hakluyt’s
Voyages |
A Brief and True Report |
3 |
|
|
3 |
| The Course Which Sir Francis Drake Held |
3 |
|
|
3 |
| An Extract of Master Ralph Lane’s Letter |
5 |
|
|
5 |
| The
Development of Prose Style [16th Century] |
Sir John
Cheke: Our Own Tongue Clean and Pure |
1 |
|
|
2 |
| The
Bible: Translations of the Twenty-Third Psalm |
1 |
|
|
2 |
| A Latin-English
Psalter |
1 |
|
|
2 |
| Thomas Sternhold
and John Hopkins’ Psalm-Box |
1 |
|
|
2 |
| The Bishop’s Bible |
1 |
|
|
2 |
| Philip
Stubbes: The Anatomy of Abuses |
1 |
|
|
2 |
| William
Bullein: A Dialogue Against Pestilence |
1 |
|
|
2 |
| Anonymous
Lyrics (16th Century) |
[The Queen Champion Retires] |
4 |
|
|
4 |
| The Shepherd’s Consort |
4 |
|
|
4 |
| Weep You No More, Sad Fountains |
1 |
|
|
4 |
| Back and Side Go Bare, Go Bare |
1 |
|
|
6 |
| In Praise of a Contented Mind |
4 |
|
|
6 |
| Though Amaryllis Dance in Green |
1 |
|
|
6 |
| Come Away, Come, Sweet Love |
1 |
|
|
6 |
| Thule, the Period of Cosmography |
1 |
|
|
6 |
| Madrigal (My love in her attire doth show her wit) |
1 |
|
|
6 |
| The Silver Swan |
1 |
|
|
6 |
| Constant Penelope Sends to Thee |
5 |
|
|
6 |
| *Translating
the Bible |
The
New English Bible |
3 |
|
|
4 |
|
 |