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List Alphabetically
A-C | D-I | J-R | S-Z
List Chronological
Middle Ages | 16th Century | 17th Century |
Restoration and the 18th Cenutry
Romantic Period | Victorian Age | 20th Century
Chronological Listing: The Romantic Period
*
indicates a selection that is not included in the online archive due to
copyright
| Author |
Title |
First Appeared |
Dropped
After |
Added
Again |
Last Appeared |
| Barbauld,
Anna Letitia |
Life |
6 |
|
|
7 |
| Blake,
William |
On Another’s Sorrow |
1 |
|
|
1 |
| *Song (“How Sweet I Roamed from Field to Field”) |
1 |
|
|
4 |
| *America: A Prophecy |
4 |
4 |
7 |
7 |
| *Morning |
1 |
|
|
4 |
| *To Spring |
5 |
|
|
7 |
| *To Autumn |
5 |
|
|
7 |
| *To the Evening Star |
1 |
|
|
7 |
| *For
the Sexes: The Gates of Paradise |
2 |
|
|
3 |
| *Prologue: Mutual
Forgiveness of Each Vice |
2 |
|
|
2 |
| *Epilogue: To the
Accuser who is the God of this World |
2 |
|
|
2 |
| *Jerusalem:
The Emanation of the Giant Albion |
3 |
|
|
3 |
| *Invocation |
3 |
|
|
3 |
| *The Waking of
Albion |
3 |
|
|
3 |
| *Songs
of Innocence |
4 |
|
|
NA |
| *Laughing Song |
4 |
|
|
5 |
| *Song (“Memory, hither come”) |
1 |
|
|
6 |
| *Mad Song |
2 |
|
|
6 |
| *To the Muses |
1 |
|
|
6 |
| *The Mental Traveller |
3 |
|
|
6 |
| *Blake’s Notebook |
1 |
|
|
NA |
| *Morning |
1 |
|
|
4 |
| |
Apocalyptic Expectations by Preachers and Poets |
7 |
|
|
7 |
| Elhanan Winchester: From The Three Woe-Trumpets |
7 |
|
|
7 |
| Joseph Priestly: From The Present State of Europe
Compared with Antient Prophecies |
7 |
|
|
7 |
| *William Blake: from The French Revolution |
7 |
|
|
7 |
| *William Blake: from America: A Prophecy |
7 |
|
|
7 |
| Robert Southey: from Joan of Arc: An Epic Poem |
7 |
|
|
7 |
| *William Wordsworth: from Descriptive Sketches |
7 |
|
|
7 |
| *William Wordsworth: from The Excursion |
7 |
|
|
7 |
| Samuel Taylor Coleridge: from Religious Musings |
7 |
|
|
7 |
| *Percy Bysshe Shelley: from Queen Mab: A Philosophical
Poem |
7 |
|
|
7 |
| Burns,
Robert |
Corn Rigs an’ Barley Rigs |
1 |
|
|
3 |
| Willie Brewed a Peck o’ Maut |
1 |
|
|
3 |
| Ae fond kiss |
1 |
|
|
6 |
| Ye flowery banks |
1 |
|
|
6 |
| Wollstonecraft,
Mary |
*Letters
Written during Short Residence in Sweden, Norway and Denmark |
4 |
|
|
4 |
| *Letter III (Social
Conditions in Sweden) |
4 |
|
|
4 |
| *Letter XV (The Cascade
Near Fredericstadt) |
4 |
|
|
4 |
| Wordsworth,
William |
A Poet!—He
Hath Put His Heart to School |
1 |
|
|
1 |
| To My Sister |
1 |
|
|
3 |
| The Green Linnet |
1 |
|
|
3 |
| Composed in a Valley Near Dover, on the Day of Landing |
1 |
|
|
3 |
| Composed by the Side of Grasmere Lake |
2 |
|
|
3 |
| Afterthought |
1 |
|
|
3 |
| Yew Trees |
1 |
|
|
4 |
| *The Two-Part Prelude |
3 |
|
|
4 |
| The Two April Mornings |
4 |
|
|
7 |
| *Prospectus
to The Recluse |
1 |
|
|
7 |
| *The
Prelude |
1 |
|
|
NA |
| *Book Third.
Residence at Cambridge |
1 |
|
|
NA |
| *[Experiences at St. John's College. The “Heroic Argument”] |
5 |
|
|
7 |
| *Book Fourth.
Summer Vacation |
1 |
|
|
NA |
| *[“The Surface of
Past Time.”] |
5 |
|
|
7 |
| *Book Eighth.
Retrospect, Love of Nature leading to Love of Man |
1 |
|
|
NA |
| *[Man
Still Subordinate to Nature] |
5 |
|
|
7 |
| *Book Twelfth.
Imagination and Taste, how impaired and restored |
1 |
|
|
7 |
| *Book Thirteenth.
Subject concluded |
1 |
|
|
NA |
| *[Return
to “Life's Familiar Face”] |
5 |
|
|
7 |
| *Book Fourteenth.
Conclusion 377 |
1 |
|
|
NA |
| *[Fear vs.
Love Resolved. Imagination.] |
5 |
|
|
7 |
| Coleridge,
Samuel Taylor |
What is Life? |
2 |
|
|
3 |
| Limbo |
3 |
|
|
3 |
| Phantom or Fact |
1 |
|
|
3 |
| Sonnet to the River Otter |
3 |
|
|
4 |
| On Donne’s Poetry |
1 |
|
|
7 |
| Work Without Hope |
1 |
|
|
7 |
| Recollections of Love |
1 |
|
|
6 |
| Constancy to an Ideal Object |
1 |
|
|
6 |
| Biographia
Literaria |
1 |
|
|
NA |
| Chapter 1 |
1 |
|
|
7 |
| “The
discipline of his taste at school” |
1 |
|
|
7 |
| “Bowles’s
sonnets” |
1 |
|
|
7 |
| “Comparison between the poets before and since Mr. Pope” |
1 |
|
|
7 |
| Lamb,
Charles |
A Letter to Wordsworth |
2 |
|
|
2 |
| New Year’s Eve |
1 |
|
|
3 |
| An Artificial Comedy of the Last Century |
1 |
|
|
3 |
| Witches, and Other Night Fears |
4 |
|
|
4 |
| The Two Races of Men |
2 |
|
|
6 |
| Hazlitt,
William |
On Shakespeare and Milton |
1 |
|
|
3 |
| The Fight |
1 |
|
|
3 |
| On Going a Journey |
4 |
|
|
4 |
| from Mr. Wordsworth |
4 |
|
|
6 |
| Scott,
Sir Walter |
Coronach |
1 |
|
|
1 |
| The
Heart of Midlothian |
7 |
|
|
7 |
| Chapter I. Being
Introductory |
7 |
|
|
7 |
| Lochinvar |
6 |
|
|
7 |
| Jock of Hazeldean |
1 |
|
|
7 |
| The Two Drovers |
6 |
|
|
6 |
| The Dreary Change |
2 |
|
|
6 |
| Lucy Ashton’s Song |
6 |
|
|
6 |
| Clare,
John |
*Little Trotty Wagtail |
1 |
|
|
1 |
| De
Quincey, Thomas |
On Murder Considered as One of the Fine Arts. Second
Paper |
1 |
|
|
1 |
| The
English Mail Coach |
1 |
|
|
3 |
| II. The Vision of
Sudden Death |
1 |
|
|
3 |
| III. Dream-Fugue
Founded on the Preceding Theme of Sudden Death |
1 |
|
|
3 |
| Byron,
Lord (George Gordon) |
*Don
Juan |
1 |
|
|
6 |
| *Canto XVI |
3 |
|
|
6 |
| *Stanzas to the Po |
2 |
|
|
4 |
| *When a man hath no freedom to fight for at home |
1 |
|
|
7 |
| *Childe
Harold’s Pilgrimage |
1 |
|
|
NA |
| *Canto IV |
1 |
|
|
7 |
| *[Venice] |
1 |
|
|
7 |
| *[“Farewell!”] |
1 |
|
|
7 |
| *To Leigh Hunt (Sept.– Oct. 30, 1815) |
6 |
|
|
7 |
| *To John Cam Hobhouse and Douglas Kinnaird (Jan. 19,
1819) |
6 |
|
|
7 |
| *The Vision of Judgment |
2 |
|
|
6 |
| Shelley,
Percy Bysshe |
Music, When Soft Voices Die |
1 |
|
|
1 |
| *The Indian Serenade |
1 |
|
|
7 |
| The Tower of Famine |
2 |
|
|
2 |
| A Lament |
1 |
|
|
2 |
| *Sonnet: “Lift not the painted veil which those who
live” |
1 |
|
|
3 |
| *The Two Spirits: An Allegory |
2 |
|
|
3 |
| *When Passion’s Trance is Overpast |
1 |
|
|
3 |
| *Memory |
3 |
|
|
3 |
| *Julian and Maddalo |
4 |
|
|
4 |
| *The Flower That Smiles Today |
5 |
|
|
7 |
| *Choruses
from Hellas |
1 |
|
|
7 |
| *“Worlds on Worlds” |
1 |
|
|
7 |
| *“The World’s Great
Age” |
1 |
|
|
6 |
| *A Dirge |
1 |
|
|
7 |
| *Lines Written in the Bay of Lerici |
2 |
|
|
7 |
| *Alastor; or, the Spirit of Solitude |
3 |
|
|
6 |
| *Stanzas Written in Dejection — December 1818,
near Naples |
1 |
|
|
6 |
| *O World, O Life, O Time |
3 |
|
|
6 |
| *To Jane. The Invitation |
1 |
|
|
6 |
| *Song of Apollo |
3 |
|
|
6 |
| *The Triumph of Life |
2 |
|
|
6 |
| Shelley,
Mary Wollstonecraft |
*Frankenstein; or, The Modern Prometheus |
7 |
|
|
7 |
| *Introduction to Frankenstein |
4 |
|
|
6 |
| *Transformation |
4 |
|
|
6 |
| Keats,
John |
Endymion:
A Poetic Romance |
1 |
|
|
NA |
| Book 4: O Sorrow |
1 |
|
|
1 |
| In Drear-Nighted December |
1 |
|
|
3 |
| On the Sonnet |
1 |
|
|
3 |
| *On the Sea |
2 |
|
|
4 |
| *If by Dull Rhymes Our English Must Be Chain’d |
4 |
|
|
4 |
| Darley,
George |
Over Hills and Uplands High |
1 |
|
|
1 |
| The Phoenix |
1 |
|
|
6 |
| It is not Beauty I demand |
2 |
|
|
6 |
| The Mermaidens’ Vesper Hymn |
1 |
|
|
6 |
| Beddoes,
Thomas Lovell |
*Threnody |
1 |
|
|
1 |
| *Song of the Stygian Naiades |
2 |
|
|
3 |
| *Song (“How many times do I love thee, dear?”) |
1 |
|
|
6 |
| *Song (“Old Adam, the carrion crow”) |
1 |
|
|
6 |
| *The Phantom Wooer |
1 |
|
|
6 |
| Bowles,
William Lisle |
Languid, and Sad, and Slow |
3 |
|
|
3 |
| To the River Itchin, Near Winton |
4 |
|
|
4 |
| Southey,
Robert |
My Days Among the Dead are Past |
1 |
|
|
4 |
| Hunt,
Leigh |
The Fish, the Man, and the Spirit |
1 |
|
|
4 |
| Peacock,
Thomas Love |
The War Song of Dinas Vawr |
1 |
|
|
4 |
| The Four Ages of Poetry |
5 |
|
|
6 |
| Landor,
Walter Savage |
On Seeing a Hair of Lucretia Borgia |
1 |
|
|
3 |
| On His Seventy-Fifth Birthday |
1 |
|
|
3 |
| Mother, I Cannot Mind My Wheel |
1 |
|
|
7 |
| Rose Aylmer |
1 |
|
|
7 |
| Past Ruined Ilion |
1 |
|
|
7 |
| Twenty Years Hence |
1 |
|
|
7 |
| The Three Roses |
1 |
|
|
6 |
| Dirce |
1 |
|
|
6 |
| Well I remember how you smiled |
1 |
|
|
6 |
| Moore,
Thomas |
Believe me, if all those endearing young charms |
1 |
|
|
7 |
| The harp that once through Tara’s halls |
1 |
|
|
7 |
| The time I’ve lost in wooing |
1 |
|
|
7 |
| |
The Art of Romantic Poetry |
1 |
|
|
2 |
| Comments on the Poetic Process |
1 |
|
|
2 |
| Edward J. Trelawny: Shelley on
Composing |
1 |
|
|
2 |
| Thomas Medwin: Shelley’s
Self-Hypercriticism |
1 |
|
|
2 |
| Richard Woodhouse: Keats on
Composing |
1 |
|
|
2 |
| |
The Satanic and Byronic Hero |
1 |
|
|
3 |
| John Milton: Satan |
1 |
|
|
3 |
| Romantic Comments on Milton’s
Satan |
1 |
|
|
3 |
| William Blake |
1 |
|
|
3 |
| Percy Bysshe Shelly |
1 |
|
|
3 |
| Samuel Taylor Coleridge |
1 |
|
|
3 |
| The Evolution of the Byronic
Hero |
1 |
|
|
3 |
| Ann Radcliffe: The Italian
Villain |
1 |
|
|
3 |
| Lord Byron: Lara |
1 |
|
|
3 |
| Lord Byron: Manfred: A Dramatic
Poem |
3 |
|
|
3 |
|
 |