| Author |
Title |
First Appeared |
Dropped
After |
Added
Again |
Last Appeared |
Sackville, Charles (Earl of Dorset) |
Song (“Methinks the poor town has been trouble too long”) |
1 |
|
|
1 |
Sancho, Ignatius |
*A Letter to Laurence Sterne |
7 |
|
|
7 |
*Letter to Jack Wingrave |
7 |
|
|
7 |
Sassoon, Siegfried |
Wirers |
4 |
|
|
4 |
Attack |
4 |
|
|
4 |
|
The Satanic and Byronic Hero |
1 |
|
|
3 |
John Milton: Satan |
1 |
|
|
3 |
Romantic Comments on Milton’s Satan |
1 |
|
|
3 |
William Blake |
1 |
|
|
3 |
Percy Bysshe Shelly |
1 |
|
|
3 |
Samuel Taylor Coleridge |
1 |
|
|
3 |
The Evolution of the Byronic Hero |
1 |
|
|
3 |
Ann Radcliffe: The Italian Villain |
1 |
|
|
3 |
Lord Byron: Lara |
1 |
|
|
3 |
Lord Byron: Manfred: A Dramatic Poem |
3 |
|
|
3 |
Scott, Sir Walter |
Coronach |
1 |
|
|
1 |
The Heart of Midlothian |
7 |
|
|
7 |
Chapter I. Being Introductory |
7 |
|
|
7 |
Lochinvar |
6 |
|
|
7 |
Jock of Hazeldean |
1 |
|
|
7 |
The Two Drovers |
6 |
|
|
6 |
The Dreary Change |
2 |
|
|
6 |
Lucy Ashton’s Song |
6 |
|
|
6 |
Sedley, Sir Charles |
Song (“Love still has something of the sea”) |
1 |
|
|
1 |
Shakespeare, William |
When Daisies Pied |
1 |
|
|
5 |
Spring |
6 |
|
|
6 |
Winter |
6 |
|
|
6 |
The Woosel Cock So Black of Hue |
1 |
|
|
1 |
Tell Me Where Is Fancy Bred |
1 |
|
|
1 |
Sigh No More, Ladies |
1 |
|
|
4 |
Under the Greenwood Tree |
1 |
|
|
1 |
Blow, Blow, Thou Winter Wind |
1 |
|
|
1 |
It Was a Lover and His Lass |
1 |
|
|
1 |
Oh Mistress Mine |
1 |
|
|
1 |
Take, Oh, Take Those Lips Away |
1 |
|
|
4 |
Hark, Hark! The Lark |
1 |
|
|
1 |
Fear No More the Heat o’ the Sun |
1 |
|
|
1 |
When Daffodils Begin to Peer |
1 |
|
|
4 |
Full Fathom Five |
1 |
|
|
1 |
Where the Bee Sucks, There Suck I |
1 |
|
|
1 |
Sonnet 56 (Sweet love, renew thy force; be it not said) |
1 |
|
|
3 |
Sonnet 104 (To me, fair friend, you never can be old) |
2 |
|
|
3 |
Sonnet 118 (Like as, to our appetites more keen) |
1 |
|
|
3 |
Sonnet 121 (’Tis better to be vile than vile esteemed) |
2 |
|
|
3 |
Sonnet 124 (If my dear love were but the child of state) |
4 |
|
|
4 |
Sonnet 128 (How oft when thou, my music, music play’st) |
4 |
|
|
6 |
The Phoenix and the Turtle |
1 |
|
|
4 |
King Henry IV: The First Part |
1 |
|
|
6 |
Ulysses’ Speech on Degree |
1 |
|
|
2 |
Shaw, George |
Preface to Plays Pleasant |
1 |
|
|
2 |
Arms and the Man |
1 |
|
|
2 |
Preface to Major Barbara |
3 |
|
|
3 |
Major Barbara |
3 |
|
|
3 |
Shelley, Mary Wollstonecraft |
*Frankenstein; or, The Modern Prometheus |
7 |
|
|
7 |
*Introduction to Frankenstein |
4 |
|
|
6 |
*Transformation |
4 |
|
|
6 |
Shelley, Percy Bysshe |
Music, When Soft Voices Die |
1 |
|
|
1 |
*The Indian Serenade |
1 |
|
|
7 |
The Tower of Famine |
2 |
|
|
2 |
A Lament |
1 |
|
|
2 |
*Sonnet: “Lift not the painted veil which those who live” |
1 |
|
|
3 |
*The Two Spirits: An Allegory |
2 |
|
|
3 |
*When Passion’s Trance is Overpast |
1 |
|
|
3 |
*Memory |
3 |
|
|
3 |
*Julian and Maddalo |
4 |
|
|
4 |
*The Flower That Smiles Today |
5 |
|
|
7 |
*Choruses from Hellas |
1 |
|
|
7 |
*“Worlds on Worlds” |
1 |
|
|
7 |
*“The World’s Great Age” |
1 |
|
|
6 |
*A Dirge |
1 |
|
|
7 |
*Lines Written in the Bay of Lerici |
2 |
|
|
7 |
*Alastor; or, the Spirit of Solitude |
3 |
|
|
6 |
*Stanzas Written in Dejection — December 1818, near Naples |
1 |
|
|
6 |
*O World, O Life, O Time |
3 |
|
|
6 |
*To Jane. The Invitation |
1 |
|
|
6 |
*Song of Apollo |
3 |
|
|
6 |
*The Triumph of Life |
2 |
|
|
6 |
*from Queen Mab |
7 |
|
|
7 |
*A Philosophical Poem |
7 |
|
|
7 |
Sheridan, Richard Brinsley |
The School for Scandal |
1 |
|
|
1 |
Shirley, James |
Dirge (“The glories of our blood and state”) |
1 |
|
|
1 |
Sidney, Sir Philip |
*The Nightingale |
3 |
|
|
7 |
*Thou Blind Man’s Mark |
1 |
|
|
7 |
*Leave Me, O Love |
1 |
|
|
7 |
*Ring Out Your Bells |
3 |
|
|
3 |
*An Apology for Poetry |
1 |
|
|
4 |
*The Countess of Pembroke’s Arcadia |
NA |
|
|
NA |
*[The Absent Urania] |
6 |
|
|
6 |
*[The Country of Arcadia] |
5 |
|
|
6 |
*Astrophil and Stella |
NA |
|
|
NA |
*39 (“Come Sleep! O sleep the certain knot of peace”) |
1 |
|
|
6 |
*64 (“No more, my dear, no more these counsels try”) |
2 |
|
|
4 |
Silkin, Jon |
Nature with Man |
3 |
|
|
4 |
A Bluebell |
3 |
|
|
4 |
Creatures |
3 |
|
|
4 |
Untitled Poem |
4 |
|
|
4 |
At Nightfall |
4 |
|
|
4 |
The Church is Getting Short of Breath |
4 |
|
|
4 |
|
Sir Orfeo |
3 |
|
|
4 |
Sitwell, Edith |
Façade |
4 |
|
|
4 |
Clowns’ Houses |
4 |
|
|
4 |
The Day Grew Water-Pale and Cool as Eve |
4 |
|
|
4 |
Skelton, John |
Upon a Dead Man’s Head |
2 |
|
|
4 |
To Mistress Margaret Hussey |
4 |
|
|
6 |
Colin Clout |
2 |
|
|
6 |
The Spirituality vs. the Temporality |
5 |
|
|
6 |
Smart, Christopher |
A Song to David |
3 |
|
|
7 |
Smith, Stevie |
Can It Be? |
4 |
|
|
4 |
In the Park |
4 |
|
|
4 |
The Galloping Cat |
4 |
|
|
4 |
Southey, Robert |
My Days Among the Dead are Past |
1 |
|
|
4 |
Speght, Rachel |
Morality’s Memorandum |
7 |
|
|
7 |
from A Dream |
7 |
|
|
7 |
Spenser, Edmund |
A Hymn in Honour of Beautie |
1 |
|
|
1 |
The Faerie Queene |
1 |
|
|
NA |
Book 2, Canto 7: The Cave of Mammon |
3 |
|
|
4 |
Book 3 |
1 |
|
|
NA |
Proem |
5 |
|
|
7 |
Canto 1 |
5 |
|
|
7 |
Canto 2 |
5 |
|
|
7 |
Canto 3 |
5 |
|
|
7 |
[The Visit to Merlin] |
5 |
|
|
7 |
[Canto 4 Summary] |
5 |
|
|
7 |
Canto 5 |
5 |
|
|
7 |
[Belphoebe and Timias] |
5 |
|
|
7 |
[Cantos 9 and 10 Summary] |
5 |
|
|
7 |
Book 7: Two Cantos of Mutabilitie |
1 |
|
|
4 |
Amoretti |
1 |
|
|
NA |
Sonnet 15 (“Ye tradefull merchants, that will weary toyle”) |
4 |
|
|
4 |
Sonnet 35 (“My hungry eyes through greedy covetise”) |
2 |
|
|
3 |
Sonnet 59 (“Thrise happy she, that is so well assured”) |
2 |
|
|
3 |
Sonnet 70 (“Fresh spring the herald of loves mighty king”) |
1 |
|
|
4 |
Sprat, Sir Thomas |
The History of the Royal Society |
4 |
|
|
4 |
On the Language of the Members |
4 |
|
|
4 |
Wit Less to Be Prized than Sound Sense |
4 |
|
|
4 |
Steele, Sir Richard |
The Gentleman; The Pretty Fellow (Tatler 21) |
1 |
|
|
7 |
Dueling (Tatler 25) |
1 |
|
|
7 |
Sterne, Laurence |
Reply to Sancho |
7 |
|
|
7 |
Tristram Shandy, Volume 9, Chapter 6 |
7 |
|
|
7 |
Suckling, Sir John |
A Song to a Lute |
1 |
|
|
1 |
Swift, Jonathan |
An argument against the abolishing of Christianity in England |
3 |
|
|
7 |
A Tale of a Tub |
3 |
6 |
8 |
NA |
Swinburne, Algernon Charles |
In Memory of Walter Savage Landor |
1 |
|
|
1 |
An Interlude |
1 |
|
|
2 |
In the Orchard |
2 |
|
|
3 |
Choruses from Atalanta in Calydon |
1 |
|
|
7 |
When the Hounds of Spring |
1 |
|
|
7 |
Before the Beginning of Years |
1 |
|
|
7 |
The Garden of Proserpine |
1 |
|
|
7 |
The Triumph of Time |
1 |
|
|
6 |
I Will Go Back to the Great Sweet Mother |
1 |
|
|
6 |
The Lake of Gaube |
4 |
|
|
6 |
Taylor, Jeremy |
Gems of Pulpit Rhetoric |
1 |
|
|
1 |
The Flames of Human Desire |
1 |
|
|
1 |
The Flight of the Lark |
1 |
|
|
1 |
Aspirations of a Worm |
1 |
|
|
1 |
A Fair Structure Half-Complete |
1 |
|
|
1 |
The Fluctuating Compass of Conscience |
1 |
|
|
1 |
The Strong River of Devotion |
1 |
|
|
1 |
Moses and the Glowing Coal |
1 |
|
|
1 |
Tennyson, Alfred Lord |
Rizpah |
1 |
|
|
1 |
To E. Fitzgerald |
1 |
|
|
2 |
Locksley Hall Sixty Years After |
2 |
|
|
2 |
By an Evolutionist |
1 |
|
|
2 |
June Bracken and Heather |
1 |
|
|
2 |
A Dedication |
3 |
|
|
3 |
I Stood on a Tower |
3 |
|
|
3 |
The Silent Voices |
1 |
|
|
3 |
St. Agnes Eve |
4 |
|
|
4 |
You Ask Me Why, Though Ill at Ease |
1 |
|
|
4 |
Lines (“Here often, when a child I lay reclined”) |
1 |
|
|
4 |
Sonnet (“How thought you that this thing could captivate?”) |
3 |
|
|
4 |
Move Eastward, Happy Earth |
1 |
|
|
4 |
The Revenge |
1 |
|
|
4 |
The Kraken |
1 |
3 |
5 |
7 |
The Eagle: A Fragment |
1 |
|
|
7 |
The Princess |
1 |
|
|
NA |
Sweet and Low |
1 |
|
|
7 |
The Splendor Falls |
1 |
|
|
7 |
Ask Me No More |
1 |
|
|
7 |
Come Down, O Maid |
1 |
|
|
7 |
Flower in the Crannied Wall |
1 |
|
|
7 |
Sonnet (“She took the dappled partridge flecked with blood”) |
1 |
|
|
6 |
Maud |
1 |
|
|
6 |
Part 1 |
4 |
|
|
6 |
VI.5 (“Ah, what shall I be at fifty”) |
4 |
|
|
6 |
VI.8 (“Perhaps the smile and tender tone”) |
4 |
|
|
6 |
VI.10 (“I have played with her when a child”) |
4 |
|
|
6 |
VII (“She came to the village church”) |
1 |
|
|
6 |
XI (“O let the solid ground”) |
4 |
|
|
6 |
XII (“Birds in the high Hall-garden”) |
4 |
|
|
6 |
XVI (“Catch not my breath, O clamorous heart”) |
1 |
|
|
6 |
XVIII (“I have led her home, my love, my only friend”) |
1 |
|
|
6 |
Part 2 |
5 |
|
|
6 |
4 (“O that 'twere possible”) |
5 |
|
|
6 |
In the Valley of Cauteretz |
1 |
|
|
6 |
Idylls of the King |
1 |
|
|
6 |
Dedication |
1 |
|
|
3 |
In Love, If Love Be Love |
1 |
|
|
2 |
Pelleas and Ettarre |
3 |
|
|
6 |
Northern Farmer: New Style |
1 |
|
|
6 |
To Virgil |
1 |
|
|
6 |
Frater Ave atque Vale |
1 |
|
|
6 |
The Dawn |
1 |
|
|
6 |
Thomas, Dylan |
*In My Craft of Sullen Art |
1 |
|
|
2 |
*A Refusal to Mourn the Death, by Fire, of a Child in London |
1 |
|
|
2 |
*This Bread I Break |
3 |
|
|
4 |
Thomas, Edward |
*The Path |
2 |
|
|
4 |
*The Gallows |
2 |
|
|
4 |
*Ambition |
1 |
|
|
4 |
*A Private |
4 |
|
|
4 |
Thompson, Francis |
The Kingdom of God |
1 |
|
|
4 |
The Hound of Heaven |
1 |
|
|
7 |
Thomson, James |
An Ode on Aeolus’s Harp |
4 |
|
|
4 |
The Seasons |
2 |
|
|
3 |
Summer: Dawn |
2 |
|
|
3 |
Summer: Swimming |
2 |
|
|
3 |
Summer: Evening |
2 |
|
|
3 |
Winter: A Snowstorm |
2 |
|
|
3 |
Tichborne, Chidiok |
Tichborne’s Elegy |
1 |
|
|
1 |
|
Tom A Bedlam |
1 |
|
|
2 |
Tomlinson, Charles |
Reflections |
3 |
|
|
3 |
A Meditation on John Constable |
3 |
|
|
3 |
Hawks |
3 |
|
|
3 |
Autumn Price |
3 |
|
|
3 |
Traherne, Thomas |
*On News |
4 |
|
|
4 |
Trapnel, Anna |
From Anna Trapnel’s Report and Plea, or, A Narrative of Her Journey from London Into Cornwall |
7 |
|
|
7 |
|
The Unicorn: End of a Legend |
1 |
|
|
3 |
Vaughan, Henry |
The Book |
1 |
|
|
1 |
Peace |
1 |
|
|
2 |
Man |
1 |
|
|
4 |
A Rhapsody |
5 |
|
|
6 |
I Walked the Other Day (To Spend My Hour) |
6 |
|
|
6 |
Waller, Edmund |
Of the Last Verses in the Book |
1 |
|
|
4 |
On a Girdle |
1 |
|
|
5 |
Of English Verse |
4 |
|
|
5 |
Walton, Izaac |
The Life of Dr. John Donne |
1 |
|
|
NA |
Donne Takes Holy Orders |
1 |
|
|
4 |
Whitney, Isabella |
Will and Testament |
7 |
|
|
7 |
Wilde, Oscar |
Sonnet: On the Sale of Keats’s Love Letters |
4 |
|
|
4 |
Symphony in Yellow |
4 |
|
|
4 |
Hélas |
1 |
|
|
7 |
E Tenebris |
1 |
|
|
7 |
Winstanley, Gerrard |
The True Leveler’s Standard Advance |
3 |
|
|
7 |
The Freeing of the English Israelites |
3 |
|
|
7 |
Wollstonecraft, Mary |
*Letters Written during Short Residence in Sweden, Norway and Denmark |
4 |
|
|
4 |
*Letter III (Social Conditions in Sweden) |
4 |
|
|
4 |
*Letter XV (The Cascade Near Fredericstadt) |
4 |
|
|
4 |
Woolf, Virginia |
*Monday or Tuesday |
4 |
|
|
4 |
*An Unwritten Novel |
4 |
|
|
4 |
Wordsworth, William |
A Poet!—He Hath Put His Heart to School |
1 |
|
|
1 |
To My Sister |
1 |
|
|
3 |
The Green Linnet |
1 |
|
|
3 |
Composed in a Valley Near Dover, on the Day of Landing |
1 |
|
|
3 |
Composed by the Side of Grasmere Lake |
2 |
|
|
3 |
Afterthought |
1 |
|
|
3 |
Yew Trees |
1 |
|
|
4 |
*The Two-Part Prelude |
3 |
|
|
4 |
The Two April Mornings |
4 |
|
|
7 |
*Prospectus to The Recluse |
1 |
|
|
7 |
*The Prelude |
1 |
|
|
NA |
*Book Third. Residence at Cambridge |
1 |
|
|
NA |
*[Experiences at St. John's College. The “Heroic Argument”] |
5 |
|
|
7 |
*Book Fourth. Summer Vacation |
1 |
|
|
NA |
*[“The Surface of Past Time.”] |
5 |
|
|
7 |
*Book Eighth. Retrospect, Love of Nature leading to Love of Man |
1 |
|
|
NA |
*[Man Still Subordinate to Nature] |
5 |
|
|
7 |
*Book Twelfth. Imagination and Taste, how impaired and restored |
1 |
|
|
7 |
*Book Thirteenth. Subject concluded |
1 |
|
|
NA |
*[Return to “Life's Familiar Face”] |
5 |
|
|
7 |
*Book Fourteenth. Conclusion 377 |
1 |
|
|
NA |
*[Fear vs. Love Resolved. Imagination.] |
5 |
|
|
7 |
Wotton, Sir Henry |
On His Mistress, the Queen of Bohemia |
1 |
|
|
1 |
Wyatt, Sir Thomas (the Elder) |
Like to the Unmeasurable Mountains |
1 |
|
|
1 |
Lux, My Fair Falcon |
3 |
|
|
3 |
Tangled I Was in Love’s Snare |
1 |
|
|
4 |
In Spain |
4 |
|
|
4 |
And wilt thou leave me thus? |
5 |
|
|
7 |
Yeats, William Butler |
*The Old Men Admiring Themselves in the Water |
1 |
|
|
4 |
*The Cold Heaven |
1 |
|
|
4 |
*On a Political Prisoner |
1 |
|
|
4 |
*Reveries over Childhood and Youth |
1 |
|
|
2 |
*[The Yeats Family] |
1 |
|
|
2 |
*[An Irish Literature] |
1 |
|
|
2 |
*The Trembling of the Veil |
1 |
|
|
2 |
*[London and Pre-Raphaelitism] |
1 |
|
|
2 |
*[Oscar Wilde] |
1 |
|
|
2 |
*[The Handiwork of Art] |
1 |
|
|
2 |
*[The Origin of The Lake of Isle of Innisfree |
1 |
|
|
2 |
*[The Rhymers’ Club] |
1 |
|
|
2 |
*Memoirs |
3 |
|
|
3 |
*Autobiography |
3 |
|
|
3 |
*Journal |
3 |
|
|
3 |
|
The York Play of the Crucifixion |
5 |
|
|
6 |