Copyright 2002 W. W. Norton & Company Copyright 2002 W. W. Norton & Company
The Norton Anthology of American Literature
Volume B: American Literature, 1880-1865
Volume A Volume B link Volume C link Volume D link Volume E link
Overview
Review
Making Connections
Quiz
Explorations
Topic Clusters
Timeline
Search By Author
Help
Home

Louisa Amelia Smith Clappe and Bayard Taylor

 

These letters and essays from the American West suggest how exotic the frontier appeared to the eastern visitors who observed it with fresh eyes. Like Sarah Kemble Knight two centuries before them, Bayard Taylor and Louisa Amelia Smith Clappe carry cultural baggage on their journey: eastern-style educations, cultivated aesthetic tastes, conventionalized moral values, and expectations informed their impressions of what they saw. Taylor, in this excerpt, is writing a return visit to San Francisco, comparing the new “actual metropolis” to the hardscrabble boomtown of “tents and canvas houses” he had seen only four months before. Clappe, as a woman traveling, ventures into more dangerous territory: the mining camps where roughnecks from all over the nation were coming in search of quick riches. Her interest in these places, and the “cameral angles” and perspectives that she favors, are very different from Taylor’s.

Explorations

1. On the Web, or in an illustrated history of American art, look at some panoramic paintings of the American wilderness by Albert Bierstadt and Frederic Church - two nineteenth-century artists who were popular when Taylor and Clappe were writing their travel narratives. Their paintings were often enormous, and drew huge crowds when they were displayed in New York, Boston, St. Louis, and other large American cities. Which of these travel accounts is more like these paintings, and why?

2. Compare how individual people are represented in these two travel accounts. How would you describe the way that the inhabitants of San Francisco and Sacramento are described in Taylor’s narrative? How do people figure into Clappe’s account of the mining camps?

3. Looking backward and forward in the Norton Anthology, compare these accounts to Sarah Kemble Knight’s description of her journey to New York, and to the opening of the excerpt from John Steinbeck’s The Grapes of Wrath. Speculate about differences in these works as acts of observation and description, and the possibility of describing two different traditions.

Other Sites to Consult

http://lcweb2.loc.gov/ammem/cbhtml/cbhome.html: California as I Saw It: First Person Narratives of California's Early Years, 1849-1900: A Library of Congress collection consisting of full texts (including letters from Louisa Amelia Knapp Smith Clappe to her sister) and illustrations.

http://famousamericans.net/bayardtaylor/: Lengthy biography and sketches of Bayard Taylor.

http://www.artcyclopedia.com/artists/church_frederic_edwin.html: Collection of links relating to Frederic Church.

http://www.artcyclopedia.com/artists/bierstadt_albert.html: Collection of links relating to Albert Bierstadt.