W. H. Auden, "Musée des Beaux Arts"

Included in the Seagull Reader

Text on p. 1055 of the full Ninth Edition





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About suffering they were never wrong,
The Old Masters: how well they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pondat the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.

In Brueghel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the plowman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

Re-Reading Questions

Note: Some of these questions require extensive answers to explore them fully. Therefore, you may either use them as brief prompts for your own thinking about the poem after reading the study materials or explore them in a paper.

1. Consider the italicized words—do you find them particularly significant? Why might the poet have chosen these over others?

2. Why does Auden give the poem this title? Is there irony in Beaux Arts?

 



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