Steven BielDown with The Old Canoe
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People have been looking for lessons and meanings in the Titanic disaster since the day the ship went down. But they've never been able to agree on what those lessons and meanings are. While we like to think that the disaster's resonance is timeless--that it has to do with universal themes of humans against nature, hubris, false confidence, the mystery of the sea, heroism, and cowardice--the Titanic seared itself into American memory not because it was timeless but because it was timely. April 1912 was a time of conflict and violence, instability and uncertainty, of intense concern about the 'race problem,' the 'woman problem,' the 'labor problem,' and the 'immigration problem.' Therefore the Titanic disaster seemed to say something about the roles of men and women, about economic equality and inequality, about race and ethnicity, about religion, about technology, about how we should behave. But what exactly did it say? In the words of some contemporaries: On women's suffrage and equality:"Let the suffragists remember this. When the Lord created woman and placed her under the protection of man he had her well provided for. The Titanic disaster proves it very plainly." (Letter to the editor, Baltimore Sun, April 24, 1912)"I suggest, henceforth, when a woman talks woman's rights, she be answered with the word Titanic, nothing more--just Titanic." (Letter to the editor, St. Louis Post-Dispatch, April 26, 1912) "There was no need that a single life should have been lost upon the Titanic. There will be far fewer lost by preventable accidents, either on land or sea, when the mothers of men have the right to vote." (Alice Stone Blackwell, "Suffrage and Life-Saving," Woman's Journal, April 27, 1912)
On wealth and class:"The picture that invariably presents itself, in view of what is known, is of men like John Jacob Astor, master of scores of millions; Benjamin Guggenheim of the famous family of bankers; Isidor Straus, a merchant prince; William T. Stead, veteran journalist; Major Archibald W. Butt, soldier; Washington Roebling, noted engineer--of any or all of these men stepping aside, bravely, gallantly remaining to die that the place he otherwise might have filled could perhaps be taken by some sabot-shod, shawl-enshrouded, illiterate and penniless peasant woman of Europe." ("Titanic Hits Home of the Entire Nation," San Francisco Examiner, April 17, 1912)"We poor folk who died while stoking the fires in the engine room until the very last minute, we third-class passengers who truly showed heroism, about us they write nothing." ("The Floating Cemetery: A Conversation among the Drowned Ones of the 'Titanic,'" Jewish Daily Forward, April 28, 1912) "Just as the Titanic went down in wreck and disaster, so will capitalism[,] which she so tragically typified[,] also go down." ("The Titanic Tragedy," Appeal to Reason [Kansas socialist magazine], May 4, 1912) On race:"The Anglo-Saxon may yet boast that his sons are fit to rule the earth so long as men choose death with the courage they must have displayed when the great liner crashed into the mountains of ice, and the aftermath brought its final test." (Editorial, Atlanta Constitution, April 19, 1912)"The Negroes who consider their poverty a curse may find consolation in the fact that they were not wealthy enough to take passage on the Titanic. Every adversity has its virtue." (Editorial, Pittsburgh Courier, April 27, 1912) "Jack Johnson want to get on board, Captain said, 'I ain't haulin' no coal. . .' Black man oughta shout for joy, Never lost a girl or either a boy." (Leadbelly, "Titanic," folk song) Sermons on the Sunday following the disaster routinely treated it as a 'grave warning' about 'the undue passion for material welfare and mere earthly enjoyments.' The Titanic served as a symbol of conspicuous display, and the fate of its elite clientele--the most conspicuous of consumers--provided a lesson about overvaluing comfort and self-satisfaction. "It was a huge ocean joy ride, and it ended where joy rides generally stop." The Titanic also served as a warning about technology--about the hubris of a "progressive" age that believed it could subdue nature. "Man's art came in contact with nature's gigantic forces and was The disaster still has a tremendous hold on people's imaginations. Hard-core Titanic buffs are may be motivated by a love of beautiful ships, a friendly competition to know as many facts about the Titanic as possible, an urge to participate in a great historical events by trying to solve some of its mysteries, a sense of collegiality that comes from meeting people with the same interests, a feeling of accomplishment that comes from becoming an expert on the subject. But much of the continuing attraction is nostalgic. Walter Lord's A Night to Remember suggested that the disaster marked a the end of the good old days of stable social roles and codes of behavior, and the beginnings of the uncertain modern world. A sense of loss fuels the fascination; for many buffs the Titanic represents a lost 'golden age' of order, certainty, and authority. Character--the older model of selfhood that Titanic heroism seems to embody--is disappearing, buffs believe, and needs to be recovered. "This air age, when death commonly comes too swiftly for heroism and with no survivors to record it, can still turn with wonder to an age before yesterday when a thousand deaths at sea seemed the very worst the world must suffer." "By comparing present-day human behavior with the behavior of those men who stood back from the Titanic's lifeboats, we have an excellent and telling way of gauging whether modern man is as worthy of respect as were those men who faced death at sea eighty years ago- -and didn't flinch." (George Behe, Titanic buff) The Titanic disaster is about "things that don't exist today: honor and
heroism and men stepping back from the boats and letting the women and children go. With women's lib today you wouldn't have anything like that." (Edward Kamuda, founder of the Titanic Historical Society) For all its other meanings, the Titanic functioned in 1912 and functions now as a commodity; it has sold newspapers and books and encouraged a variety of entrepreneurial schemes. In 1912, Travelers Insurance used "Women and Children First" in its advertising; the first of many Titanic movies came out exactly one month after the sinking and featured an actress who had actually survived it. Since Robert Ballard's discovery of the wreck in 1985, it's become impossible to keep track of all the books, videos, video games, CD-ROMs, records, models, posters. "TITANIC BABY FOUND ALIVE!" exclaimed a supermarket tabloid in 1993. Pieces of authentic Titanica have soared in market value. Buffs dislike the commercialization of the disaster, but they do work with individuals and auction houses to authenticate for sale relics not taken from the wreck. For many buffs, RMS Titanic's mail order sale of Titanic coal and its plan to salvage part of the wreck to create a traveling museum may be a sacrilege, but it will certainly not be the first time the disaster is exploited for commercial purposes. "At a depth of 2.5 miles below the ocean's surface, where pressure can exceed 6,000 lbs. per square inch, and 350 miles off the coast of Newfoundland lays the RMS Titanic. Built in 1912, this grand vessel was outfitted with the world's finest products--including 12,000 bottles of Bass Ale. For 84 years, those bottles have remained undisturbed with the Titanic. In August, 1996, Bass Ale will join the RMS Titanic Inc. on a history making journey...to search for lost bottles of Bass Ale." (Bass Ale's "Voyage to the Titanic" sweepstakes flier, 1996) "The first item you will receive free is a limited, special edition, authentic reproduction of the most popular exhibition artifact recovered from the Titanic wreck. This item is a copy of the April 10, 1912 Southampton, England newspaper. After being underwater all these years, this newspaper was in perfect condition and very readable. Your limited edition reproduction would be suitable for framing." (RMS Titanic advertisement, "Announcing the Titanic Expedition Cruise," New York Times, July 29, 1996) Copyright © 1996 Steven Biel. All rights reserved. |
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Paperback / ISBN 0-393-31676-9 / 320 pages / Photographs and drawings / 6" x 8" / History/Transportation | ||||
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