Bill James

Take

Bill James's Come Clean, the fifth novel in his stunning series of British police procedurals, was greeted with unprecedented critical acclaim upon its American publication in 1993. Readers eager for the next in the series will be amply rewarded with Take, an equally powerful portrait of men and women on both sides of the law.

Ron "Planner" Preston has enjoyed a long criminal career out of jail. Caution, if anything, has been the key to his success. So a payroll van with a predictable route and minimal guard looks like a quick easy take. When the truck's schedule is abruptly changed and its guard doubled, however, Preston much either abandon the plan altogether or take on some young and risky new recruits, ones who may consider his habitual wariness a sign of the timidity of old age.

Harpur and his boss, Assistant Chief Constable Iles, are accustomed to keeping an eye on men like Preston, not so difficult a task in a milieu where cops and criminals meet on many levels: professional, familial, social. Therefore, they are quick to take notice of increased activity surrounding "Planner" on the part of his family and associates. But how are these moves to be interpreted? And where is the line between certainty and conjecture to be drawn? As one criminal aptly observes, "Chance matters."

"For James," Geoffrey Stokes writes in the Boston Globe, "the engine of confusion is domestic: sex, friendship, love..." As intense personal entanglements begin to undermind the orderly process of law enforcement, Take becomes a tale of intricate misunderstandings, revealing confrontations, and, inevitably, violence—all leading to a totally unexpected and breathtaking twist of events.

"The best anatomy of a heist since The Asphalt Jungle"—The Observer

"Once again James proves an absolute master of the machismo and misgivings of hard men on both sides of the law."—Sunday Times [London]